Andrea Briosco, called Riccio

Briosco, Andrea
Riccio

Paduan, 1470 - 1532

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The sculpture is a profile portrait of a man's head facing left. The man has curly hair and distinct facial features. The sculpture is in high relief and rendered in dark bronze color, likely bronze. Encircling the edge is an inscription in raised letters. The detailed man's hair and facial features highlight the craftsmanship. The round sculpture is possibly a medallion, meant for close-up viewing.
Anonymous Artist, Andrea Briosco, called Riccio, 1470-1532, Paduan Sculptor [obverse], probably 1532, bronze, Samuel H. Kress Collection, 1957.14.978.a

Andrea Briosco, called Riccio, 1470-1532, Paduan Sculptor [obverse]

Anonymous Artist · probably 1532 · bronze ·  Accession ID  1957.14.978.a

This is an image of a bronze coin with an embossed design. The coin features a central image of a tree stump with a branch growing on the left and a broken branch extending to the right. Above the stump, there is an eight-pointed star symbol. The Latin inscription "OBSTANTE GENIO" encircles the tree and star, with the words separated by small star symbols. The material of the coin shows signs of age and oxidation, giving it a dark, weathered patina. The details are rendered with prominence, highlighting the contrast between the raised design and the background surface.
Anonymous Artist, Broken Laurel Tree with Leafy Branch [reverse], probably 1532, bronze, Samuel H. Kress Collection, 1957.14.978.b

Broken Laurel Tree with Leafy Branch [reverse]

Anonymous Artist · probably 1532 · bronze ·  Accession ID  1957.14.978.b

The sculpture depicts mythical figures, likely satyrs, engaged in various playful activities. These figures are intricately carved in a horizontal frieze with a sense of movement. The material of the sculpture is likely bronze, showing a dark and reddish-brown hue with a slightly metallic sheen. The sculpture is rectangular with two holes on each side. The scene presents figures in animated poses, including one riding an animal, others playing musical instruments or engaging in actions.
Andrea Briosco, called Riccio, Bacchanalian Scene, c. 1530, bronze, Gift of Lisa and Leonard Baskin, 1995.75.3

Bacchanalian Scene

Andrea Briosco, called Riccio · c. 1530 · bronze ·  Accession ID  1995.75.3

The image shows a sculpture with a bas-relief depicting multiple figures in a narrative scene. The leftmost figure is a winged male with a shield. Next to him is a bearded figure with wings, appearing dynamic. Following is a male figure holding a bowl, and then a seated, veiled figure. The sculpture is made of a dark material, possibly bronze, with a patina of browns and greens. The figures are intricately carved with detailed drapery and dynamic poses. The relief is a rectangular plaque with drill holes at the corners.
Andrea Briosco, called Riccio, Allegory of Fate, c. 1530, bronze, Gift of Lisa and Leonard Baskin, 1995.75.4

Allegory of Fate

Andrea Briosco, called Riccio · c. 1530 · bronze ·  Accession ID  1995.75.4

The sculpture is a rectangular relief depicting a group of human-like figures engaged in various activities. The figures, some draped in flowing garments, are intricately carved on a surface with a slightly aged and textured appearance. The relief shows multiple individuals in dynamic poses; some of them appear to be holding objects or engaging with one another. The material of the sculpture appears to be a dark-colored metal, possibly bronze or a similar alloy, giving it a deep brown tone with spots that reveal the metallic sheen beneath. The sculpture is relatively flat with holes at the corners. The figures are shown in a style characteristic of classical reliefs, where the forms are prominently raised from the background, providing depth and dimension to the scene depicted.
Andrea Briosco, called Riccio, The Triumph of Silenus, c. 1530, bronze, Gift of Lisa and Leonard Baskin, 1995.75.2

The Triumph of Silenus

Andrea Briosco, called Riccio · c. 1530 · bronze ·  Accession ID  1995.75.2

Two men carry a dead body amid a crowd of about thirty people in this rectangular, horizontal panel, which is cast in low and high relief. The dead man’s limp body is carried by one person who supports his knees and legs and the other his torso. The closely knit crowd is made of men and women, who all wear voluminous robes that fall in lively, pleated folds. The group moves to the right, where a woman kneels with one hand held to forehead. Some people swing their arms wide or hold their hands to their heads, crying. A few children are in or near the cave opening to the right. A rocky landscape with spindly trees presses close behind them.
Andrea Briosco, called Riccio, The Entombment, c. 1507/1513, bronze, Samuel H. Kress Collection, 1957.14.11

The Entombment

Andrea Briosco, called Riccio · c. 1507/1513 · bronze ·  Accession ID  1957.14.11

The sculpture depicts two human figures in a domestic or workshop setting, possibly engaging with a spinning wheel or similar tool. It is made of a dark brown metal, likely bronze, with three protruding extensions at its base. The surface displays detailed relief work showing fine craftsmanship. The sculpture appears to rest on a surface as a decorative object for a domestic environment.
Andrea Briosco, called Riccio, Three Wick Lamp with Bacchic Scenes, c. 1500, bronze, Samuel H. Kress Collection, 1957.14.66

Three Wick Lamp with Bacchic Scenes

Andrea Briosco, called Riccio · c. 1500 · bronze ·  Accession ID  1957.14.66

The sculpture depicts a scene with a central figure resembling a satyr, with human upper body and animalistic lower body characterized by shaggy, goat-like legs. The figure interacts with a reclining human figure, possibly a nymph or another character often found in mythological contexts, supporting or cradling the other's face with both hands. A smaller figure stands to the side near a stylized tree with exaggeratedly large, textured foliage. The piece is crafted from a dark, bronze-like material, giving it a rich, brown color and a polished appearance. The sculpture is rendered in relief on a flat rectangular background, with the figures standing out in prominent detail, creating a dynamic scene.
Andrea Briosco, called Riccio, Satyr Family, c. 1500, bronze, Samuel H. Kress Collection, 1957.14.262

Satyr Family

Andrea Briosco, called Riccio · c. 1500 · bronze ·  Accession ID  1957.14.262

The sculpture is a relief depicting a crowded scene with multiple figures. The central figure, positioned slightly right of center, appears to be gesturing with one arm extended and the other pointing towards the center of the group. Surrounding this figure are numerous other figures, who are in various poses—some are leaning, some have their arms raised, while others are crouched or kneeling. The figures are depicted in high detail, showing textured hair and drapery. The relief is made of a dark, metallic material, likely bronze or a similar substance, exhibiting a tarnished silver color that highlights the intricate details of the figures. This object is relatively small, resembling a plaque with a single hole near the top center, suggesting it might be hung on display. The overall composition suggests a narrative or an event, given the dynamic poses and interactions among the figures.
Andrea Briosco, called Riccio, The Entombment, c. 1500, bronze, Samuel H. Kress Collection, 1957.14.250

The Entombment

Andrea Briosco, called Riccio · c. 1500 · bronze ·  Accession ID  1957.14.250

The sculpture depicts multiple human figures in a dynamic interaction against a backdrop of architectural elements. The figures have distinct facial features and clothing styles, and the setting suggests a scene from classical or ancient times. The sculpture is predominantly brown and has a relief appearance, with a textured background.
Andrea Briosco, called Riccio, Augustus and the Sibyl, c. 1500, bronze, Samuel H. Kress Collection, 1957.14.254

Augustus and the Sibyl

Andrea Briosco, called Riccio · c. 1500 · bronze ·  Accession ID  1957.14.254