Jacques Bellange

Bellange, Jacques

French, c. 1575 - 1616

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The image depicts two figures, one adult and one child. The child is seated on the adult's lap. The child has curly hair and chubby facial features. The adult looks down at the child. Both figures are clothed in flowing garments, with the adult's robe enveloping the child. The child's body is largely uncovered. In the background, there is textured fabric or abstract lines. The child holds a small rose in one hand, while the adult's hand supports the child. Both figures are surrounded by an ethereal glow or halo effect.
Jacques Bellange, The Virgin and Child with a Rose, c. 1612-1616, etching, Rosenwald Collection, 1964.8.5

The Virgin and Child with a Rose

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1964.8.5

The image depicts a person standing with their body slightly turned to the side. They have curly hair and are draped in flowing robes with large folds. One arm extends outward with the hand in a gesture. Next to them is an ornate goblet with a snake coiled around its stem on a platform. The background consists of horizontal lines.
Jacques Bellange, Saint John, c. 1612-1616, etching, Andrew W. Mellon Fund, 1978.25.1

Saint John

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1978.25.1

This is a drawing featuring numerous figures in elaborate garments gathered around a central staircase. The composition is crowded with characters in dynamic poses, interacting with each other in varied expressions. There are architectural elements in the background, including columns, arches, and a distant cityscape. The attire of the characters and the architecture suggest a historical or mythological narrative. The arrangement of the figures suggests a story unfolding, where each character seems to play a role in the drama.
Jacques Bellange, Martyrdom of Saint Lucy, c. 1612-1616, etching, Print Purchase Fund (Rosenwald Collection), 1974.106.1

Martyrdom of Saint Lucy

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1974.106.1

The image depicts a group of figures gathered around a radiant central figure emerging from a dark space. The figures wear flowing garments with intricate details, and the central figure emits light with stylized rays around its head. The spectators are in dynamic poses, and the background features a rocky structure.
Jacques Bellange, The Three Marys at the Tomb, c. 1612-1616, etching, Rosenwald Collection, 1950.1.23

The Three Marys at the Tomb

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1950.1.23

This drawing features two figures and a dog engaged in a struggle. One figure is holding a stick while grappling with the other, who appears distressed. The scene is dynamic and emotional, with strong lines and high contrast. The presence of the dog adds to the chaotic nature of the composition.
Jacques Bellange, Jean Le Blond I, Fighting Beggars, c. 1612-1616, etching, Rosenwald Collection, 1964.8.323

Fighting Beggars

Jacques Bellange, Jean Le Blond I · c. 1612-1616 · etching ·  Accession ID  1964.8.323

The image shows an illustration of a person standing and leaning slightly forward. The person has exaggerated facial features and long, unkempt hair under a soft cap. They wear a cloak, robe or tunic, and simple shoes. In their left hand, they hold a decorative cylindrical object, possibly a container or scroll. The background consists of closely spaced horizontal lines, serving as a backdrop.
Jacques Bellange, Jean Le Blond I, The Blind Hurdy Gurdy Player, c. 1612-1616, etching and engraving on laid paper; laid down, Ailsa Mellon Bruce Fund, 1989.17.1

The Blind Hurdy Gurdy Player

Jacques Bellange, Jean Le Blond I · c. 1612-1616 · etching and engraving on laid paper; laid down ·  Accession ID  1989.17.1

This is a drawing of a crowd with various figures in different poses. The drawing is detailed and filled with characters, some wearing armor and weapons. One central figure is carrying a large cross, surrounded by others in distress. The background shows an architectural cityscape with tall buildings. The drawing is rich with line work and shading.
Jacques Bellange, The Road to Calvary, c. 1612-1616, etching, Pepita Milmore Memorial Fund, 1975.93.1

The Road to Calvary

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1975.93.1

The image shows a group of figures depicted from the waist up in a seated position. In the center, a woman is cradling an infant. To her left is an individual with curly hair, and to her right is an older male figure with a beard. Another person behind them is holding a cup. The figures are surrounded by flowing drapery, with intricate patterns on their clothing.
Jacques Bellange, The Holy Family with Saint Catherine, Saint John the Evangelist, and an Angel, c. 1612-1616, etching with stipple on laid paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2016.169.1

The Holy Family with Saint Catherine, Saint John the Evangelist, and an Angel

Jacques Bellange · c. 1612-1616 · etching with stipple on laid paper ·  Accession ID  2016.169.1

The image shows a woman seated with a child standing beside her and another child wrapped in cloth lying on a surface. The woman is holding a distaff in her right hand and gesturing with her left hand towards the child. She has classical facial features and styled hair, and is wearing a flowing dress. The setting is indoors with draped curtains, a window showing the sky, and a basket of circular objects on the floor. The image features a dense cross-hatching style.
Jacques Bellange, The Madonna Spinning, c. 1612-1616, etching, Rosenwald Collection, 1954.12.215

The Madonna Spinning

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1954.12.215

The image is an engraving featuring numerous figures in various positions and interactions. One central figure is depicted with flowing garments and a halo-like radiance around their head. The other individuals are shown in different poses and expressions, with curly or wavy hair and wearing classical draped robes. Some figures appear to be supporting each other, and in the background, there are clusters of people and mythical beings on raised ground, with architectural and landscape elements adding detail to the scene.
Jacques Bellange, The Raising of Lazarus, c. 1612-1616, etching on laid paper, Rosenwald Collection, 1948.11.22

The Raising of Lazarus

Jacques Bellange · c. 1612-1616 · etching on laid paper ·  Accession ID  1948.11.22