Abraham van Diepenbeeck

Flemish, 1596 - 1675

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This is a painting of multiple people and horses in a tumultuous setting. There are armored men on horseback interacting with a man in the center who seems have fallen off a horse and on to the ground. The scene conveys movement and action, with contorted forms of both humans and animals. One horse rears into the air, while another leans forward with its back legs raised. At the top of the painting, a person with long hair emerges from the clouds. Rays of white light shine down from the opening in the clouds on to the people and horses.
Abraham van Diepenbeeck, Sir Peter Paul Rubens, The Conversion of Saint Paul, 1640s, pen and ink and oil paint over black chalk on brown paper, laid down on canvas, Pepita Milmore Memorial Fund, 1999.25.1

The Conversion of Saint Paul

Abraham van Diepenbeeck, Sir Peter Paul Rubens · 1640s · pen and ink and oil paint over black chalk on brown paper, laid down on canvas ·  Accession ID  1999.25.1

This is a representation of a royal court or celestial gathering in a classical style. The drawing shows a group of individuals around a central figure seated on a throne at the top of a staircase. The central figure has a halo and holds an infant also adorned with a halo. The group includes figures in robes engaging in various interactions such as kneeling or gesturing respectfully toward the central figure. The composition is detailed, showcasing fabric textures and facial expressions. The backdrop features architectural elements like columns and drapery, enhancing the regal atmosphere. The scene conveys reverence and drama, capturing a moment of devotion and homage.
Abraham van Diepenbeeck, Madonna and Child with Rosary and Saint, black and red chalk with gray wash, heightened with white, Rosenwald Collection, 1943.3.8857

Madonna and Child with Rosary and Saint

Abraham van Diepenbeeck · · black and red chalk with gray wash, heightened with white ·  Accession ID  1943.3.8857

The image shows three individuals seated around a table inside a tent. The central figure is engaging with the other two individuals. One person is seated to the left, with their body turned towards the others, while another person is seen from behind to the right. All three are wearing robes, and there is a loaf of bread on the table in front of them.
Abraham van Diepenbeeck, Supper at Emmaus, pen and brown ink with gray wash on laid paper, Ailsa Mellon Bruce Fund, 1972.59.2

Supper at Emmaus

Abraham van Diepenbeeck · · pen and brown ink with gray wash on laid paper ·  Accession ID  1972.59.2

The image shows a portrait of a man, displayed from the chest up. He faces slightly to his right, with his face turned towards the viewer. The man has long, wavy hair that falls to his shoulders and a facial expression with a furrowed brow and slightly pursed lips. He wears an engraved armored suit with shoulder armor featuring rivets and an ornate design near the neck. An oval frame surrounds the man, part of a larger rectangular decorative background with intricate detailing. Below the portrait, there is a plaque with textual elements and a coat of arms, adding to the ornamentation of the image.
Lucas Vorsterman II, Sir Hugh Cartwright, 1656, engraving, Rosenwald Collection, 1951.11.763

Sir Hugh Cartwright

Lucas Vorsterman II · 1656 · engraving ·  Accession ID  1951.11.763

This is a drawing of a cloaked figure interacting with a skeletal figure amidst ornate and symbolic elements. The central image depicts a skeletal figure with a crown, holding a spade and a staff with a crown hooked on it, engaged in a dynamic pose against a cloaked figure holding a book and a yoke. The backdrop reveals a picturesque countryside with small structures, trees, and clouds in the sky. Surrounding this scene, the border is adorned with symbolic items such as crowns, masks, and what appears to be a papal tiara. These items rest atop columns where two armored figures flank the central scene, one holding a spear and shield while the other leans on a club. Below the main scene, a Latin inscription is etched into the frame, referencing Proverbs 5:23. Additionally, the base of the image features an arrangement of objects including a skull, hat, and sword. The entire artwork is intricately detailed, illustrating a theme of life, death, knowledge, and power through its symbolic and allegorical elements.
Wenceslaus Hollar, Abbot, 1651, etching with border "Minerva and Hercules" (Pennington 233B), Rosenwald Collection, 1943.3.4887

Abbot

Wenceslaus Hollar · 1651 · etching with border "Minerva and Hercules" (Pennington 233B) ·  Accession ID  1943.3.4887

The image is an engraving depicting a scene framed by intricate architecture. In the center, a man and a woman face each other, both standing upright. The man on the left wears a robe and a plumed hat, while the woman on the right wears elaborate clothing and a decorative hairstyle. Between them is a large cloth with a skull and hourglass motif, which they both touch. Male figures on pedestals flank them. At the top are two reclining cherubs, and at the bottom, two seated cherubs each holding an hourglass, with skulls between them. The background shows classical architecture with columns and floral elements.
Wenceslaus Hollar, Death's Coat of Arms, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), Rosenwald Collection, 1943.3.4905

Death's Coat of Arms

Wenceslaus Hollar · 1651 · etching with border "Democritus and Heraclitus" (Pennington 233A) ·  Accession ID  1943.3.4905

This is a drawing featuring allegorical and symbolic elements. In the center, two figures interact; one is a robed and hatted figure handing over money or documents above a table with scrolls, while another standing figure leans forward possibly in conversation. The scene is bordered by columns with figures on top, including a skull and a crown. The bottom section shows various objects like scrolls, weapons, and a skull. The drawing employs intricate line work and shading techniques reminiscent of historical engravings. Gothic script at the bottom includes a Latin phrase.
Wenceslaus Hollar, Cardinal, 1651, etching with border "Minerva and Hercules" (Pennington 233B), Rosenwald Collection, 1943.3.4883

Cardinal

Wenceslaus Hollar · 1651 · etching with border "Minerva and Hercules" (Pennington 233B) ·  Accession ID  1943.3.4883

This is a drawing of a medieval scholarly scene. The central image shows a scholarly figure standing at a podium, with an audience seated below, all dressed in medieval attire. The scene is surrounded by architectural columns and arches. The border features classical motifs including cherubs, skulls, and gargoyles. The bottom inscription is in Latin.
Wenceslaus Hollar, Preacher, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), Rosenwald Collection, 1943.3.4891

Preacher

Wenceslaus Hollar · 1651 · etching with border "Democritus and Heraclitus" (Pennington 233A) ·  Accession ID  1943.3.4891

This is a drawing of a scene framed by ornate architectural elements. The central scene depicts three figures in a chapel-like interior, with one figure in the rear appearing skeletal and holding an hourglass. The other two figures are kneeling and praying towards a crucifix at the altar. The setting features large arch windows with classical detailing. Surrounding the central tableau is an elaborate frame with columns on either side, each adorned with urn-like decorations. Above and below the central scene are cherub-like figures, with skeletal motifs prominently featured, including skulls and bones.
Wenceslaus Hollar, Nun, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), Rosenwald Collection, 1943.3.4890

Nun

Wenceslaus Hollar · 1651 · etching with border "Democritus and Heraclitus" (Pennington 233A) ·  Accession ID  1943.3.4890

This is a drawing of a scene with allegorical elements involving death and time. In the center, a skeletal figure grasps the arm of a robed figure. The background features swirling clouds and classical architectural elements. On either side, two standing figures are shown, one holding an hourglass and scythe and the other holding a circle or wreath. At the bottom, a skeleton lies with a shovel. The composition is framed by ornate architectural motifs with Latin text below.
Wenceslaus Hollar, Monk, 1651, etching with border "Time and Eternity" (Pennington 233C), Rosenwald Collection, 1943.3.4889

Monk

Wenceslaus Hollar · 1651 · etching with border "Time and Eternity" (Pennington 233C) ·  Accession ID  1943.3.4889