Ventura Salimbeni

Bevilacqua

Sienese, 1568 - 1613

Explore Selected Works

Ventura Salimbeni, The Birth of the Virgin, 1605/1610, pen and brown and red ink with brown and sanguine wash over red chalk, heightened with white gouache and squared in red chalk on laid paper washed ochre, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.155

The Birth of the Virgin

Ventura Salimbeni · 1605/1610 · pen and brown and red ink with brown and sanguine wash over red chalk, heightened with white gouache and squared in red chalk on laid paper washed ochre ·  Accession ID  2007.111.155

Ventura Salimbeni, Virgin and Child, etching, Ailsa Mellon Bruce Fund, 1972.65.35

Virgin and Child

Ventura Salimbeni · · etching ·  Accession ID  1972.65.35

Ventura Salimbeni, Figure of a Man [recto], black and white chalk on blue laid paper, Rosenwald Collection, 1943.3.8264.a

Figure of a Man [recto]

Ventura Salimbeni · · black and white chalk on blue laid paper ·  Accession ID  1943.3.8264.a

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Seated Woman and Head of a Woman [verso]

Ventura Salimbeni · · black chalk on blue laid paper ·  Accession ID  1943.3.8264.b

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Sacred and Profane Love (from a painting by Reni), Caryatid from the Coat of Arms of Leo X (from a painting by Raphael), Venus and Cupid (from a painting by Salimbeni), and the Adoration of Jesus (from a painting by Fra Bartolomeo)

Jean-Claude-Richard, Abbé de Saint-Non · 1770 · etching and aquatint ·  Accession ID  1950.1.118.79

Jacques Callot, The Entombment, 1609/1611, engraving on laid paper, R.L. Baumfeld Collection, 1969.15.279

The Entombment

Jacques Callot · 1609/1611 · engraving on laid paper ·  Accession ID  1969.15.279