Antonio da Trento

da Trento, Antonio
Trento, Antonio da

Italian, c. 1508 - 1550 or after

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This is a painting portraying multiple muscular figures, some in robes and others armed or in dynamic poses. The central figure is shown in an aggressive stance, holding a weapon with other figures around them engaged in the scene. The setting includes architectural elements like steps, columns, and an opulent backdrop. The color palette consists of warm tones and intricate line work, reminiscent of Baroque artists like Peter Paul Rubens.
Antonio da Trento, The Martyrdom of Two Saints, c. 1530, chiaroscuro woodcut printed from three blocks, Rosenwald Collection, 1964.8.1625

The Martyrdom of Two Saints

Antonio da Trento · c. 1530 · chiaroscuro woodcut printed from three blocks ·  Accession ID  1964.8.1625

This is a drawing of classical figures in a mythological setting. Various figures are depicted in different poses. In the center, there is a muscular figure wielding a sword. Surrounding this character are other figures. Above them, a winged figure soars through the air. The background includes towering architectural structures reminiscent of ancient temples or palaces. The artwork uses line and shading to convey depth and emotion.
Antonio da Trento, The Martyrdom of Saints Peter and Paul [recto], c. 1530, chiaroscuro woodcut printed from three blocks: dark green line block, gray-green and light gray-brown tone blocks, Ailsa Mellon Bruce Fund, 1988.65.3.a

The Martyrdom of Saints Peter and Paul [recto]

Antonio da Trento · c. 1530 · chiaroscuro woodcut printed from three blocks: dark green line block, gray-green and light gray-brown tone blocks ·  Accession ID  1988.65.3.a

This is a drawing of a scene featuring figures in a classical architectural setting. The figures are depicted in dynamic poses and flowing drapery, engaging in intense interactions. The background includes columns and steps, with additional figures in flight. The color palette consists of blues and tans, enhancing the depth and form of the composition.
Antonio da Trento, The Martyrdom of Saints Peter and Paul, c. 1530, chiaroscuro woodcut printed from three blocks in three tones of blue, Gift of Andrew Robison, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.61.1

The Martyrdom of Saints Peter and Paul

Antonio da Trento · c. 1530 · chiaroscuro woodcut printed from three blocks in three tones of blue ·  Accession ID  1990.61.1

This is a drawing of a group of figures in a classical architectural setting. The scene includes figures in draped garments, surrounding columns with Corinthian capitals. The setting suggests a hall or temple-like environment. The central figures appear to be engaged in dialogue or teaching, while others observe. The figures have various postures, creating movement across the composition. The drawing uses a sepia tone and cross-hatching for depth and texture, reminiscent of Renaissance art.
Parmigianino, Antonio da Trento, Ugo da Carpi, Saints Peter and John Healing the Lame Man at the Golden Gate, c. 1527/1530, etching and chiaroscuro woodcut, printed in brown and black from two blocks and one plate on laid paper, laid down on an old mount, Gift of Ann and Matthew Nimetz, 2019.54.1

Saints Peter and John Healing the Lame Man at the Golden Gate

Parmigianino, Antonio da Trento, Ugo da Carpi · c. 1527/1530 · etching and chiaroscuro woodcut, printed in brown and black from two blocks and one plate on laid paper, laid down on an old mount ·  Accession ID  2019.54.1

This is a painting of various figures in classical attire, shown with dynamic poses and gestures. The foreground includes a muscular figure with a sword among other people. The background has architectural elements and more figures, including one seated on a ledge. An ethereal form, possibly representing an angelic figure, flies above the group. The composition features movement and interaction among the figures within an architectural setting, reminiscent of Italian Renaissance artists like Giulio Romano.
Antonio da Trento, The Martyrdom of Saints Peter and Paul, c. 1530, chiaroscuro woodcut printed from three blocks in ochre and black on laid paper, Gift of Ruth Cole Kainen, 2006.162.2

The Martyrdom of Saints Peter and Paul

Antonio da Trento · c. 1530 · chiaroscuro woodcut printed from three blocks in ochre and black on laid paper ·  Accession ID  2006.162.2

This is a painting of an aged figure in a flowing robe holding a tablet overhead. The figure is seated. The artwork is rendered in earthy tones with a textured surface. The figure's expression is solemn, and the drapery of the robe is detailed. The piece captures a dramatic use of light and shadow typical of Rembrandt's work.
Antonio da Trento, Saint Simon, chiaroscuro woodcut, Andrew W. Mellon Fund, 1978.30.2

Saint Simon

Antonio da Trento · · chiaroscuro woodcut ·  Accession ID  1978.30.2

The image depicts two central figures within a circular frame. One figure is a woman seated in profile view, holding a child. The woman's upper body and arms are visible, as well as her delicately carved facial features and elaborate updo. She is clothed in a flowing garment. The child, shown waist-up, is facing the woman, with soft, curling hair and a hand reaching towards her. The artwork is monochrome with shades of green and white, emphasizing the intricate details of the figures and their clothing. The background features lush floral designs surrounding the figures.
Antonio da Trento, The Virgin with the Rose, chiaroscuro woodcut in green and gray, Ailsa Mellon Bruce Fund, 1982.40.14

The Virgin with the Rose

Antonio da Trento · · chiaroscuro woodcut in green and gray ·  Accession ID  1982.40.14

The image shows an upper body view of a person holding a small child on their lap. The person's head is turned slightly to the side, with their facial features detailed through delicate line work, and their hair in an updo. The clothing is depicted with loose, flowing lines, suggesting a robe or similar garment, with additional folds around the shoulders and chest. The small child has curly hair and is facing the person. Nearby, there is another small figure with curly hair leaning forward. The background is filled with ornamental foliage forming a circular frame around the figures. The composition is rendered in a style reminiscent of an etching, with fine lines and cross-hatching providing depth.
Antonio da Trento, The Virgin with the Rose, chiaroscuro woodcut in black and brown, Ailsa Mellon Bruce Fund, 1982.18.1

The Virgin with the Rose

Antonio da Trento · · chiaroscuro woodcut in black and brown ·  Accession ID  1982.18.1

The image shows three central figures in a wooded, outdoor setting. The main focus is on two women and a child. The woman on the left is kneeling and has her arms around the child, who is standing between them. She has her hair styled in a bun and is wearing a long dress. The second woman is seated and looking towards the child while gently supporting their back. She has wavy hair wrapped in a cloth and wears a similar long garment. The child appears to be standing upright between them and is unclothed. To the right, in the background, there are two bearded men looking towards the group. The background features stylized trees and clouds, forming a serene natural setting that blends with the expressive style of the figures.
Antonio da Trento, The Holy Family with Two Saints, chiaroscuro woodcut printed in black from line block only [proof], Ailsa Mellon Bruce Fund, 1988.65.2

The Holy Family with Two Saints

Antonio da Trento · · chiaroscuro woodcut printed in black from line block only [proof] ·  Accession ID  1988.65.2

The image depicts a group of figures in a pastoral setting. The figures are positioned in a serene, natural environment, with flowing lines and dynamic postures. They appear to interact closely, suggesting a sense of connection or familial bond. The background consists of stylized trees with foliage in a simplified, almost abstract form. The drawing emphasizes contrast and shadow for depth and movement. The style is reminiscent of classical etchings, focusing on line work and form.
Antonio da Trento, The Holy Family with Two Saints, chiaroscuro woodcut printed from two blocks: black line block and yellow-brown tone block, Ailsa Mellon Bruce Fund, 1988.65.1

The Holy Family with Two Saints

Antonio da Trento · · chiaroscuro woodcut printed from two blocks: black line block and yellow-brown tone block ·  Accession ID  1988.65.1