Georges Aubert

French, 1886 - 1961

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The image displays a drawing of a figure sitting upright with their upper body visible. The person has an expressionless face with dark eyes, long flowing hair, and is dressed in a robe. There are no visible objects in their hands, and the background has a textured surface with radiating lines forming a halo effect. The drawing is monochromatic, using whites, grays, and blacks.
Odilon Redon, Gustave Flaubert, Georges Aubert, L'Intelligence Fut A Moi! Je Devins Le Buddha, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.11

L'Intelligence Fut A Moi! Je Devins Le Buddha

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.11
The image is a black and white print showing a close-up profile view of a person's head and upper shoulder. The individual is facing towards the right, with a prominent nose and softly detailed eye in profile. The facial features are lightly sketched with a fine texture, and the hair flows down from the head. The background and body texture merge into shadowy patterns, with no distinct clothing visible. The person is not holding any objects or wearing any jewelry. The background is a blend of grey tones and textures, creating a moody, abstract setting in the central portion of the white paper.
Odilon Redon, Gustave Flaubert, Georges Aubert, Saint-Antoine: Au Secours Mon Dieu!, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.1

Saint-Antoine: Au Secours Mon Dieu!

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.1
The image shows a partial view of a person's head and upper part of the shoulder. The person is positioned in a manner that suggests they are reclining or leaning, with their head tilted to the side. Their facial features are delicately rendered with a soft expression; their eyes and lips are subtly defined. Their hairstyle is not distinctly detailed but appears to be a mixture of dark tones around the head. The person appears to be draped in shadows, with no specific clothing details visible. In the background, the image depicts another figure or shadowy silhouette, partially obscured and vaguely defined. The backdrop itself is comprised of a mix of light and shadow, creating a textured ambiance around the figures.
Odilon Redon, Gustave Flaubert, Georges Aubert, Antoine: Quel Est Le But de Tout Cela? ..., published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.17

Antoine: Quel Est Le But de Tout Cela? ...

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.17
This is a drawing of an architectural scene with dark shadows and stone structures. The image shows an interior space with grand arches, a staircase, a large pedestal with carvings, and a sculpted head or mask on its surface. The play of light and shadow creates a dramatic effect. The architectural details suggest a historical or classical influence.
Odilon Redon, Gustave Flaubert, Georges Aubert, Et Partout ce Sont des Colonnes de Basalte,... La Lumière Tombe des Voutes, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.2

Et Partout ce Sont des Colonnes de Basalte,... La Lumière Tombe des Voutes

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.2
The image shows swirling, wavy lines and forms in an abstract composition. The shapes resemble fluid motion similar to seaweed or tentacles. Dotted patterns are scattered throughout, resembling bubbles or stars. The overall impression combines organic shapes with movement, suggesting connections to underwater life or celestial patterns.
Odilon Redon, Gustave Flaubert, Georges Aubert, Les Bêtes De La Mer Rondes Comme Des Outres, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.21

Les Bêtes De La Mer Rondes Comme Des Outres

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.21
This is a drawing of horses and a chariot. The composition depicts multiple horses in dynamic poses, some rearing and others thrashing. The horses' forms overlap, creating a chaotic scene. Below them, fragmented elements of a chariot are visible, including spoked wheels and broken wooden parts. The lower portion of the drawing is shrouded in shadow, further emphasizing the sense of disorder. The tones are primarily gray, creating depth and dynamism within the image.
Odilon Redon, Gustave Flaubert, Georges Aubert, Il Tombe Dans L'Abime, La Tête En Bas, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.16

Il Tombe Dans L'Abime, La Tête En Bas

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.16
This drawing features intertwined feet and hands. The composition is dark, with a pair of bare feet and hands arranged in a way that suggests motion or interaction. The feet are drawn in detail, showing toes and toenails. The hands, draped alongside, have similar detail, with fingers gently bent. Shading and shadows create depth, emphasizing the natural contours of the limbs. The dark background highlights the depicted elements, giving the scene a contemplative or dramatic feel.
Odilon Redon, Gustave Flaubert, Georges Aubert, Des Fleurs Tombent, et la Tête d'un Python Parait, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.4

Des Fleurs Tombent, et la Tête d'un Python Parait

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.4
This is a drawing of a dimly lit interior space with shadows cast over a group of figures. The image is in black and white, depicting a room with a high window allowing light to filter through bars, casting shadows and illuminating sections of the space. The floor is textured with visible lines. In the darkness, outlines reveal forms that appear to be engaged in quiet interaction or contemplation. The setting is stark and evokes a sense of solemnity and reflection, emphasizing the play of light and darkness within the contained environment.
Odilon Redon, Gustave Flaubert, Georges Aubert, Dans l'Ombre des Gens Pleurent et Prient Entourés d'Autres Qui Les Exhortent, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.5

Dans l'Ombre des Gens Pleurent et Prient Entourés d'Autres Qui Les Exhortent

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.5
The image shows an individual standing or leaning against a surface with their head tilted. They are resting their face on their hand, with their elbow propped up. The person has distinct facial features and is looking slightly upward. Their hair is mostly covered by a draped hood or cloth. They wear a garment with a fitted bodice and flowing lower section, resembling a multi-layered dress. The arms are wrapped in the fabric. In the background, there is a textured and shaded area that could represent a wall or curtain, creating an enclosed feeling, but the setting is undefined.
Odilon Redon, Gustave Flaubert, Georges Aubert, Elle Tire de Sa Poitrine une Éponge Toute Noire, La Couvre de Baisers, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.7

Elle Tire de Sa Poitrine une Éponge Toute Noire, La Couvre de Baisers

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.7
The image shows a black background with abstract shapes and lines throughout. The shapes resemble swirling patterns and forms. Lighter areas mimic textures like feathers or fabric. Some parts suggest familiar objects like masks or eyes, adding mystery to the composition.
Odilon Redon, Gustave Flaubert, Georges Aubert, Des Peuples Divers Habitent Les Pays De L'Océan, published 1938, lithograph on wove Arches paper, Woodner Collection, Gift of Dian Woodner, 2014.137.2.22

Des Peuples Divers Habitent Les Pays De L'Océan

Odilon Redon, Gustave Flaubert, Georges Aubert · published 1938 · lithograph on wove Arches paper ·  Accession ID  2014.137.2.22