Eva Gonzalès

French, 1847 - 1883

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A young woman sits and a young girl stands at an open, wide, vine-covered gate in front of a park in this horizontal painting. Both people have pale, peachy skin. The woman sits at the center of the opening with her body facing us, and she looks at or toward us with dark eyes under dark eyebrows. She tips her head slightly to her left, our right, and her brown hair has been pulled up under an ivory-white hat with a dark feather that curves over her hair toward her ears. Like the rest of the painting, her features are loosely painted but her pink lips are closed. Her pale shell-pink shawl flares over her shoulders to her elbows, and is fastened with a black ribbon or tie at her neck. A touch of black at her waist suggests she wears a black sash, and her full skirt falls in layered tiers to the ground. Her hands rest in her lap, and she holds long-stemmed flowers with red, baby-blue, and butter-yellow blooms. Next to the woman and to our left, the girl stands facing our left in profile with her hands on the trellised gate, which has swung away from us, into the park. Her blond hair is held back with a black headband and she looks down, her face turned slightly away. Her long-sleeved, loosely fitting, slate-blue jumper has pale blue pinstripes and comes to her knees. She wears white stockings, and her black boots come up over her ankles. An open umbrella with a curved wooden handle rests upside down on the ground to our right of the woman. The interior is deep turquois blue and the exterior is parchment brown. The park is painted with tones of pale caramel brown for the ground, and sage green and tan for the trees. Tree trunks and branches are painted with a few lines in brown, and there is a hedge of pine-green bushes beyond the gate to our right. Sunlight filters through the trees to create dappled shadows on the ground. The artist signed the work as if she had written her name along the bottom rail of the gate door, near the lower left corner of the painting: “Eva Gonzalèz.”
Eva Gonzalès, Nanny and Child, 1877/1878, oil on canvas, Chester Dale Fund, 2006.72.1

Nanny and Child

Eva Gonzalès · 1877/1878 · oil on canvas ·  Accession ID  2006.72.1

This appears to be a rectangular book with a landscape orientation. The cover is black with a textured pattern of swirling designs. In the center of the cover is the word "ALBUM" in capital letters, embossed in gold. The letters have decorative serifs. The edges of the book appear worn.
Eva Gonzalès, Sketchbook, mid-1860s, bound volume containing 86 pages with 45 drawings in ink and pencil, watercolor and gouache on paper, Helena E.M. Gunnarsson Fund, 2025.31.1

Sketchbook

Eva Gonzalès · mid-1860s · bound volume containing 86 pages with 45 drawings in ink and pencil, watercolor and gouache on paper ·  Accession ID  2025.31.1

The image displays a profile view of a person's head and upper shoulders. The individual faces left with only the side of their face visible. They have distinct facial features and wear a striped headscarf tied at the back. The person wears a garment with a collar, and appears to have a knotted tie at the neck. The background is plain and unadorned.
Henri-Charles Guérard, African Woman, c. 1885/1889, etching and drypoint printed in brown and black with scraping, heightened with white gouache, on laid paper, Ailsa Mellon Bruce Fund, 2019.65.2

African Woman

Henri-Charles Guérard · c. 1885/1889 · etching and drypoint printed in brown and black with scraping, heightened with white gouache, on laid paper ·  Accession ID  2019.65.2