Andrea Meldolla, called Schiavone

Medulic, Andrija
Meldolla, Andrea
Andrea Schiavone

Italian, c. 1500 - 1563

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The image shows a person seated, with one arm extended towards the right side and the other arm slightly bent. Their face is not fully detailed but turned slightly in profile towards the extended arm. They have long flowing hair and are draped in a loose garment. In the background, there is a wall or curtain to the left and a table or ledge to the right with a flat, rectangular object on it. The scene is illuminated with a warm light from the right.
Andrea Meldolla, called Schiavone, Study of the Virgin for an Annunciation, 1550s, brush with brown wash and white heightening over red chalk on laid paper; laid down on an old mount, Purchased as the Gift of Ann and Matthew Nimetz, 2017.32.1

Study of the Virgin for an Annunciation

Andrea Meldolla, called Schiavone · 1550s · brush with brown wash and white heightening over red chalk on laid paper; laid down on an old mount ·  Accession ID  2017.32.1

This is a drawing of a group of warriors engaged in a confrontation. The image features multiple figures armed with spears and shields. One central figure is seated on steps, surrounded by other figures in action. The figures have exaggerated muscles and detailed facial expressions. The background includes architectural elements like columns and arches, with rays of light shining down from above. The artwork is composed of intricate black and white lines, similar to classical engravings or woodcut illustrations.
Andrea Meldolla, called Schiavone, Christ Crowned with Thorns, 1550s, woodcut on laid paper, Ailsa Mellon Bruce Fund, 2007.11.1

Christ Crowned with Thorns

Andrea Meldolla, called Schiavone · 1550s · woodcut on laid paper ·  Accession ID  2007.11.1

This is a drawing of a group of figures in an outdoor setting with a dramatic sky. The drawing depicts a gathering of figures under a large tree, with a prominent figure standing to one side draped in flowing garments. The sky is filled with stylized clouds that add to the dramatic effect of the scene. The figures appear to be engaged in a shared activity or event, with some figures kneeling on the ground and others standing or leaning forward in attention. The background features mountainous contours which add depth to the scene. The shading and line work show a high level of detail, emphasizing the folds in the garments, the texture of the tree bark, and the expressions and interactions between the figures.
Battista Angolo del Moro, The Finding of Moses, 1540s, etching with engraving on laid paper, Gift of Ruth Cole Kainen, 2006.162.1

The Finding of Moses

Battista Angolo del Moro · 1540s · etching with engraving on laid paper ·  Accession ID  2006.162.1