François-André Vincent

Vincent, François André
French, 1746 - 1816

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The image depicts two individuals shown from the waist up. The person on the left is seated, leaning slightly towards the other person, who is on their right. This person has an elegantly styled hairstyle, with curls framing their face and gathered at the back. They are wearing a voluminous, ruffled garment that appears to be a dress. The other person to the right is slightly leaning in, appearing to speak closely to the first person. This individual also has wavy, slightly longer hair swept back and is dressed in a loose-fitting, billowy shirt. Both individuals are sharing the seat of an ornately carved chair with floral patterns on its backrest. The first person has a gentle, serene expression while the second person's face is partially obscured. In the surroundings, soft edges and muted tones suggest an intimate atmosphere.
François-André Vincent, The Drawing Lesson, 1777, brush and brown wash over graphite on cream laid paper, laid down, with a framing line in brown ink, Anonymous Partial and Promised Gift, 2000.99.1

The Drawing Lesson

François-André Vincent · 1777 · brush and brown wash over graphite on cream laid paper, laid down, with a framing line in brown ink ·  Accession ID  2000.99.1
The image shows a garden scene with a man-made waterfall and a stone lion surrounded by trees. The horizon is obstructed by foliage, creating a sense of seclusion. Loose brushstrokes suggest textured leaves and soft light. The color palette is sepia with hints of charcoal and light washes. Two statues stand near a stone parapet with large pots. In the distance, an archway and garden walls are partly visible behind the dense trees.
François-André Vincent, Park of an Italian Villa, 1774/1775, black chalk with brown wash heightened with white gouache on laid paper, with the remains of a framing line in brown ink, Samuel H. Kress Collection, 1963.15.12

Park of an Italian Villa

François-André Vincent · 1774/1775 · black chalk with brown wash heightened with white gouache on laid paper, with the remains of a framing line in brown ink ·  Accession ID  1963.15.12
This is a drawing of farm animals and two individuals standing before an ark. The animals include goats, a cow, chickens, and ducks. The two individuals seem to be guiding the animals towards the ark. The scene is in sepia tone with a sketched sky and subtle lighting, creating soft shadows. The composition and style suggest a pastoral or biblical theme.
François-André Vincent, Noah Leading the Animals into the Ark, 1774, black chalk and brown wash with white gouache on light brown laid paper (originally blue); laid down, Ailsa Mellon Bruce Fund, 2007.80.1

Noah Leading the Animals into the Ark

François-André Vincent · 1774 · black chalk and brown wash with white gouache on light brown laid paper (originally blue); laid down ·  Accession ID  2007.80.1
The sketch depicts a man standing with his arms crossed in a side profile. He has prominent facial features, styled back hair with a bow at the back, and is dressed in 18th-century attire. The background is a plain, lightly textured surface with scattered speckles.
François-André Vincent, A Gentleman Standing with His Arms Crossed, black chalk on 2 joined sheets of laid paper, Ailsa Mellon Bruce Fund, 1998.28.4

A Gentleman Standing with His Arms Crossed

François-André Vincent · black chalk on 2 joined sheets of laid paper ·  Accession ID  1998.28.4
The image displays an upper body portrait of a person. The individual is in a three-quarter profile, with their head tilted down and slightly to the side. They have delicate facial features, closed eyes, and slightly parted lips. Their hair is long, wavy, and dark, held back by a headband. The person wears a light-colored garment with a dark, draped cloth around their shoulders. The background is softly shaded in neutral tones, with a teal-colored border framing the person's head.
Gilles-Antoine Demarteau, Head of a Woman Looking Down, c. 1788, chalk manner and tool work, printed in red, black, and blue, Gift of Ivan E. and Winifred Phillips in honor of Philip Conisbee, 2003.27.1

Head of a Woman Looking Down

Gilles-Antoine Demarteau · c. 1788 · chalk manner and tool work, printed in red, black, and blue ·  Accession ID  2003.27.1
The image is a detailed black and white engraving showing a half-length portrait of a man. The portrait is encased within an ornate oval frame adorned with leaves and intricate patterns. The man is seated and turned slightly to his right, gazing off into the distance. He possesses distinct facial features with a prominent nose and curly hair that flows and appears voluminous. He is wearing period clothing consisting of a dark, textured garment and a large, pleated ruff around his neck. Around him, within the frame, are items associated with power or military leadership, including a helmet with an ornate design, a decorative sword, and a map labeled with "Armee des Princes" and "Armee Royale." The background is filled with detailed engravings of foliage and scrollwork, adding texture and depth to the image.
Simon Charles Miger, Henri de Bourbon, Roi de Navarre, 1786, etching and engraving on China paper, Anonymous Gift, 1996.86.67

Henri de Bourbon, Roi de Navarre

Simon Charles Miger · 1786 · etching and engraving on China paper ·  Accession ID  1996.86.67
The image shows three individuals outdoors. On the left, a seated woman faces her companion. The woman on the left wears a dress and a hat with feathers. The woman next to her wears a dress with ruffles and holds a fan. A man stands nearby, wearing a coat and holding a cane. In the background, there is a garden with a large statue on a pedestal, surrounded by trees and foliage. A small dog is next to the seated women.
Jean Gabriel Caquet, La soiree du Palais Royal, etching and engraving, Widener Collection, 1942.9.2482

La soiree du Palais Royal

Jean Gabriel Caquet · etching and engraving ·  Accession ID  1942.9.2482
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Marguerite de France

Simon Charles Miger · 1786 · etching and engraving on China paper ·  Accession ID  1996.86.61
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Henri de Bourbon, Prince de Béarn

Simon Charles Miger · 1786 · etching and engraving on China paper ·  Accession ID  1996.86.62
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Planches Pour Le Premier [-Second] Volume Du Cours d'Architecture...

Pierre-Claude Delagardette, Jean Pelletier, Clément-Pierre Marillier, Pierre Nicolas Rannsonette, Julien David Le Roy, P.L. Cor, Michelinot, Jacques-François Blondel · published 1771 · [3rd] vol of 9: ill vol 1: 22 etchings and engravings (10 double-page, rest full-page, versos blank) by Michelinot (11), P.L. Cor (4), Milsan (4), Julien David Le Roy (3), after Cauchois (6), Raincour (6), Louis Marin Bonnet (3), François-André Vincent(3), Bouvet (2), Fournera (2); ill vol 2: 93 etching and engravings (25 double-page, rest full-page, versos blank) by Cor (39), Milsan (25); Michelinot (10); Clément-Pierre Marillier (8), Pierre Nicolas Ransonnette (6), Le Roy (2), Jean Pelletier (2),Pierre-Claude Delagardette (1) after Fournera (34), Cauchois (12), Renard (12), Naudin (7), Raincour (7), Bonnet (5), Blin (4), Louis-Jean Desprez (3), Louis-Claude Le Grand (3), Eisen (2), Coudreux, Daubenton, Huvé, Lefevre (1) ·  Accession ID  1985.61.409