Giovanni Battista Bracelli

Italian, active c. 1624 - 1649

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Giovanni Battista Bracelli, Attila at the Gates of Rome, 1649, etching on laid paper [proof], Purchased as the Gift of Bert Freidus, 2016.151.3

Attila at the Gates of Rome

Giovanni Battista Bracelli · 1649 · etching on laid paper [proof] ·  Accession ID  2016.151.3

The image shows two humanoid figures created from interconnected geometric shapes and lines. The design features diamond and square shapes linked by lines, forming intricate patterns resembling chain-like structures for the limbs and bodies. The figures bear a resemblance to robotic or mechanical beings, reminiscent of armor or exoskeletons in a science fiction context. The left figure is designed with more diamond shapes forming a lattice pattern, while the right figure incorporates more rectangular forms, suggesting a dynamic pose.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.27

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.27

The image shows an architectural perspective with a central path leading through buildings. There is a faint horizon line, and the linework is precise. The composition is monochromatic, emphasizing the linear design and structure. The path is lined with tall buildings, some with arches and pitched roofs. More buildings appear in the distance, leading to a large central structure at the horizon. The scene emphasizes the symmetry and alignment of the architectural forms.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.32

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.32

The image depicts sharp, angular lines and geometric shapes forming two figures in dynamic poses. The abstract design conveys movement, with zigzag patterns and interconnected polygons outlining figures resembling human dancers. The figures have flowing hair and outstretched limbs, invoking the image of someone performing a dance.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.17

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.17

The image displays irregular, angular shapes and lines forming two abstract figures resembling human skeletons. The figure on the left consists of a helmet-like head with a chain and square shapes for the torso, along with elongated lines and geometrical joints for limbs. The figure on the right has a drip-like head with a funnel crown and a body composed of straight and slanted lines, appearing like a cloaked figure beside a bookcase or storage shelf. Both figures suggest a connection to mechanical or puppet-like objects with various utensils, merging into an abstract representation of kitchenware resembling humanoid forms.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.45

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.45

This is a drawing of two figures in combat. The composition shows two elongated, spiral-like figures with swords engaged in a duel. The figures consist of rings or coils, giving them a skeletal and abstract appearance. Their bodies bend and twist, suggesting movement and an active stance. The drawing focuses on the contours and arrangement of the spirals to convey the form and dynamics of the figures, set against a plain background.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.44

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.44

The image displays intersecting ladder-like shapes and lines forming an abstract representation of a horse and a human figure. The structures are composed of repeating rectangular segments connected at angles. This abstract arrangement resembles a human wearing a hat and a horse, depicted in a surreal and geometric fashion, with the horse appearing suspended or in motion.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.49

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.49

This is a drawing of two robotic figures composed of stacked cylindrical forms engaged in interaction. The figures have abstract and mechanical appearances, with bodies made of segments resembling gears. One figure extends an arm towards the other, who is in a defensive stance. The composition is set against a flat background without much detail.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.30

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.30

The image shows swirling, spiral shapes on a flat plane. The shapes resemble twisted cords or ropes. There is a resemblance to a human figure and an animal. The arrangement suggests movement and life, reminiscent of figures caught mid-action or dance.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.35

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.35

This is a drawing of two abstract humanoid forms interacting. The figures have elongated limbs and distinctive features. The figure on the left has swirling patterns, resembling twisting vines or smoke. The figure on the right has a muscular anatomy with defined lines accentuating the musculature. The figures face each other in a minimalist space with subtle horizontal lines suggesting a ground, implying a connection or interaction.
Giovanni Battista Bracelli, From "Bizzarie di varie Figure", 1624, etching, Rosenwald Collection, 1961.17.21

From "Bizzarie di varie Figure"

Giovanni Battista Bracelli · 1624 · etching ·  Accession ID  1961.17.21