Giovanni Battista Brustolon

Brustoloni, Giovanni Battista
Italian, 1712 - 1796

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The artwork depicts a scene viewed from a waterfront perspective, with numerous boats and gondolas dotting the water, heading towards the church of San Giorgio Maggiore, which stands in the distance. The horizon is slightly above the center, featuring the church with its dome and campanile. The sky is filled with swirling cloud formations, rendered in detailed brushstrokes typical of etching. The color palette is monochromatic, utilizing various shades of gray to convey depth and texture. Close to us, people are gathered along the quay.
Giovanni Battista Brustolon, Christmas Eve Procession to San Giorgio Maggiore, 1779, etching and engraving on laid paper, Gift of Ruth B. Benedict, 1994.60.8

Christmas Eve Procession to San Giorgio Maggiore

Giovanni Battista Brustolon · 1779 · etching and engraving on laid paper ·  Accession ID  1994.60.8
This is a drawing of the interior of a grand cathedral with ornate architectural detailing. The depiction showcases architectural elements, such as high vaulted ceilings adorned with frescoes and paintings including angelic figures. Large columns support extensive archways, contributing to a sense of grandeur. In the foreground, there is a crowd of people in various poses, suggesting movement and interaction. A prominently decorated chandelier hangs in the center of the nave, drawing the eye upward towards the detailed ceilings. The artwork captures a lively atmosphere within the cathedral, filled with a sense of awe and reverence emphasized by the crafted interior space.
Giovanni Battista Brustolon, The Newly Elected Doge Presented to the People in San Marco, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, David K.E. Bruce Fund, 1985.61.451

The Newly Elected Doge Presented to the People in San Marco

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.451
This is a drawing of a banquet hall with elaborately dressed figures. The room features architectural details such as large windows, intricate ceiling designs, and adorned walls. The ceiling is decorated with stucco and moldings, while the walls have tall windows. Groups of people are gathered around long tables in the room.
Giovanni Battista Brustolon, The Doge Entertains Foreign Ambassadors at a Banquet, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.462

The Doge Entertains Foreign Ambassadors at a Banquet

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.462
The image shows a detailed viewpoint of a grand architectural structure, a domed building, at the center. The horizon line is low, where the building's base meets the water. The sky has a mix of light and darker clouds. The etching features fine brushstrokes capturing intricate details of the building's ornate façade, people, and vessels. The color palette is monochromatic with shades of gray, black, and white to emphasize lines and contrasts. Figures and boats in the foreground create a sense of activity while the building stands majestically in the distance. Additional buildings line the waterfront in the background, enhancing the scene's sense of busyness.
Giovanni Battista Brustolon, Annual Visit of the Doge to Santa Maria della Salute, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.458

Annual Visit of the Doge to Santa Maria della Salute

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.458
This is an engraving of a grand architectural scene with a bustling crowd. The image shows an ornate facade of a building with pointed arches, geometric patterns, and a tower-like structure. The scene is filled with many figures engaged in various activities, indicating a public event or celebration. The foreground features architectural details, human movement, and a staircase where some individuals are moving. The craftsmanship in the architecture reflects meticulous attention to detail typical of historical European urban scenes. The perspective of the image guides the viewer through the architecture and the crowd.
Giovanni Battista Brustolon, The Doge Attends the Giovedi Grasso Festival in the Piazzetta, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.457

The Doge Attends the Giovedi Grasso Festival in the Piazzetta

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.457
This is a drawing of an architectural scene. The image depicts a detailed façade of a multi-storey building with many windows, columns, and decorative motifs. In the center, there is a staircase with statues leading up to a balcony where figures can be seen. In the courtyard below, figures are gathered around the stairs. The line work emphasizes the texture and ornamentation of the architecture. The composition directs the viewer's eye from the figures below up to the building's exterior.
Giovanni Battista Brustolon, The Doge Crowned on the Scala dei Giganti of the Ducal Palace, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.453

The Doge Crowned on the Scala dei Giganti of the Ducal Palace

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.453
The image shows an elevated viewpoint looking down on a bustling scene. The horizon line runs through the base of a tall tower in the center-right. The architecture features buildings with arches and columns on both sides. The focus is on a grand structure in the distance. The artwork uses fine linework and detailed etching, indicative of a printmaking technique capturing architectural details and crowd activity. The color palette is monochromatic with shades of gray and black. A large crowd fills the space, surrounded by ornate buildings and clouds in the sky.
Giovanni Battista Brustolon, The Doge Carried around the Piazza San Marco, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.452

The Doge Carried around the Piazza San Marco

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.452
The image shows an ornate, classical building, possibly a cathedral or grand structure from the Renaissance period. The building features intricate architectural details including columns, archways, and a large arched dome at the top. The style is characterized by precise linework reminiscent of an engraving or etching. The color palette is grayscale, emphasizing the structure's features and the historical attire of a crowd gathered in front. The scene is bustling with figures in period clothing and extends to the grand architecture in the background. In the distance, the lightly clouded sky serves as a subtle backdrop.
Giovanni Battista Brustolon, Visit of the Doge to San Zaccaria on Easter Day, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.460

Visit of the Doge to San Zaccaria on Easter Day

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.460
This is an image of an opulent gathering in a grand hall. Numerous figures are assembled in the richly decorated interior, surrounded by ornate walls and ceiling. The hall features a high ceiling with intricate carvings and panels, along with murals and sculptural reliefs. Large windows on the left side let in light, creating an elegant atmosphere. The figures are depicted in historical attire, in groups as if conversing or participating in a formal event. The composition highlights architectural splendor and ceremonial ambiance.
Giovanni Battista Brustolon, Reception by the Doge of Foreign Ambassadors in the Sala del Collegio, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.461

Reception by the Doge of Foreign Ambassadors in the Sala del Collegio

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.461
The image depicts a busy architectural space at street level with people engaging in various activities. The scene features high columns and buildings in a public square. The architectural features are clear and intricate, rendered in a monochromatic color palette of grays and blacks to create contrast. People are shown close to the viewer and in the distance, suggesting a social gathering in a historical setting.
Giovanni Battista Brustolon, Procession on Corpus Christi Day in the Piazza San Marco, 1763/1766, etching and engraving on laid paper, Mark J. Millard Architectural Collection, 1985.61.459

Procession on Corpus Christi Day in the Piazza San Marco

Giovanni Battista Brustolon · 1763/1766 · etching and engraving on laid paper ·  Accession ID  1985.61.459