Samuel Chamberlain

Chamberlain, Samuel V.
Chamberlain, Samuel Vance

American, 1895 - 1975

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See all 16 works of art
The image shows a coastal scene with a wooden building near the shore. Fishing equipment hangs outside the building. A wooden dock with a boat loaded with fishing gear is to the right. In the background, there are trees, a sailing ship, and a hazy sky. The image is created with detailed linework, using shades of gray and sepia to evoke a vintage atmosphere.
Samuel Chamberlain, Charles S. White, Chicago Society of Etchers, Harbor Side, Friendship, Maine, 1946, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1129

Harbor Side, Friendship, Maine

Samuel Chamberlain, Charles S. White, Chicago Society of Etchers · 1946 · drypoint in black on wove paper ·  Accession ID  2015.19.1129

The image shows a large building with a clock tower, surrounded by trees. The focus is on the architecture and trees, with intricate details such as branches and leaves visible. The scene has a monochromatic palette of brown and black, creating a classic atmosphere. Shadows and textures are used to add depth to the composition.
Samuel Chamberlain, Old Nassau Hall, Princeton, 1946, drypoint in brown on laid paper, Rosenwald Collection, 1946.21.232

Old Nassau Hall, Princeton

Samuel Chamberlain · 1946 · drypoint in brown on laid paper ·  Accession ID  1946.21.232

The image shows a street view from ground level. The street is quiet and lined with buildings. The horizon is low, aligned with the base of the houses. The upper part of the image shows tree canopy and roofs. Distant buildings faintly mark the horizon. The art style employs fine etching techniques, giving a vintage, detailed appearance. The color palette is monochromatic with a sepia tone. Trees with leaves extend overhead. Branches frame the scene and guide the viewer's eye towards the intersection of streets. The line work varies in density, creating light and shadow effects highlighting architectural details and natural elements.
Samuel Chamberlain, The Meriden Gravure Company, Summer Shadows, 1940, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1132

Summer Shadows

Samuel Chamberlain, The Meriden Gravure Company · 1940 · drypoint in black on wove paper ·  Accession ID  2015.19.1132

The image depicts an elevated view of a town surrounded by mountains. The horizon is high in the image, with a mountain range extending across it. The town below is detailed, with closely packed buildings and narrow streets. A tall tower rises amidst the buildings. The use of line work and etching captures the details of architecture and landscape. The color palette is monochromatic, with shades of brown and beige. A river flows beyond the town, leading the eye to distant mountains. The scene is bordered by hills and foliage.
Samuel Chamberlain, Valley of the Var, 1940, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1128

Valley of the Var

Samuel Chamberlain · 1940 · drypoint in black on wove paper ·  Accession ID  2015.19.1128

Large sailboats are docked in a harbor. The sails and ropes create intersecting lines and shapes. In the distance, buildings are nestled below hills. The horizon is formed where the buildings and hills meet, running across the upper third of the image. The etching technique displays fine brushstrokes in a monochromatic sepia-toned palette. The masts and sails give energy to the composition.
Samuel Chamberlain, Mediterranean Wash Day, 1939, drypoint in brown on wove paper, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.1194

Mediterranean Wash Day

Samuel Chamberlain · 1939 · drypoint in brown on wove paper ·  Accession ID  2008.115.1194

The image displays an aerial view of a town or cityscape with a complex array of rooftops. A grand cathedral with a spire and tower stands out in the center of the scene. The horizon is visible in the distance, with bare trees and small houses along a road. The detailed cross-hatch brushstrokes give texture to the buildings. The color palette consists of sepia and brown tones.
Samuel Chamberlain, Society of American Graphic Artists, Early Morning Market, Senlis, 1939, drypoint in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1125

Early Morning Market, Senlis

Samuel Chamberlain, Society of American Graphic Artists · 1939 · drypoint in black on wove paper ·  Accession ID  2015.19.1125

The image shows a narrow street lined with tall buildings leading towards a cathedral with spires in the distance. The architecture is detailed, and the scene is bustling with activity. The artwork uses precise lines to capture the architectural details in a monochromatic sepia palette, giving it a historical feel.
Samuel Chamberlain, Quimper, 1935, drypoint in brown on wove paper, Rosenwald Collection, 1943.3.2773

Quimper

Samuel Chamberlain · 1935 · drypoint in brown on wove paper ·  Accession ID  1943.3.2773

The image shows an architectural viewpoint of a grand church with a tall spire. The background includes roofs of distant buildings, a line of trees, and a rolling landscape. The style resembles classical etching, with fine lines and intricate detailing in sepia tones. Close-up rooftops of nearby buildings lead to the church and horizon.
Samuel Chamberlain, Senlis from a Crow's Nest, 1931, drypoint in black on Rives BFK wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1126

Senlis from a Crow's Nest

Samuel Chamberlain · 1931 · drypoint in black on Rives BFK wove paper ·  Accession ID  2015.19.1126

The image shows a bird's-eye view of a European town with historical buildings. In the center is a large church or cathedral with a bell tower and spire. Surrounding it are other buildings, likely residences and public structures. The architectural style features Gothic elements and detailed stonework. Trees border the scene, with rooftops visible through the foliage. The horizon is obscured by the trees and structures. The image is monochrome in deep sepia tones, with detailed brushwork and cross-hatching to emphasize textures in the buildings and trees.
Samuel Chamberlain, Society of American Graphic Artists, Early Morning Market, Senlis, 1930, drypoint in brown on laid paper, Rosenwald Collection, 1943.3.2774

Early Morning Market, Senlis

Samuel Chamberlain, Society of American Graphic Artists · 1930 · drypoint in brown on laid paper ·  Accession ID  1943.3.2774

This image shows an urban alley scene viewed from street level. An arched passageway leads to a dimly lit alleyway, where another building with a "Garage" sign is visible. The view is dominated by architectural details, with tall, narrow buildings on either side. The style is reminiscent of etching, with fine lines capturing the textures of stone and brick surfaces. The color palette is monochromatic, using shades of sepia and black to highlight light and shadow. Two figures stand to the right, while others are partially visible further into the passage. Posters and signage on the walls frame the scene.
Samuel Chamberlain, Gateway in the Ghetto, Paris, 1930, drypoint in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1127

Gateway in the Ghetto, Paris

Samuel Chamberlain · 1930 · drypoint in black on laid paper ·  Accession ID  2015.19.1127