Theodor Galle

Flemish, c. 1571 - 1633

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The image is a frontispiece of a book titled "L. Annaei Senecae Philosophi Opera quae extant omnia: a Justo Lipsio emendata et scholiis illustrata." The drawing displays an elaborate classical design with a highly detailed architectural frame. The top and bottom of the frame feature medallion portraits, and two figures stand on either side of the main title panel, each holding books or scrolls. Below the title, there are circular emblems with Latin inscriptions surrounded by bust portraits. The main text is in a serif font, reflecting the scholarly nature of the book. The composition is formal and symmetrical, typical of Renaissance-era book illustration.
Theodor Galle, Title Page for L. Annaei Senecae Philosophi Opera Qvae Exstant Omnia a Ivisto Lipsio, 1632, engraving on laid paper, William B. O'Neal Fund, 1996.78.29

Title Page for L. Annaei Senecae Philosophi Opera Qvae Exstant Omnia a Ivisto Lipsio

Theodor Galle · 1632 · engraving on laid paper ·  Accession ID  1996.78.29

This image shows an intricate title page design. In the center, a block of text in a serif typeface reads "AVGUSTINI MASCARDI SILVARVM LIBRI IV AD ALEXANDRVM PRINCIPEM ESTENSEM S.R.E. CARDINALEM." Flanking the text are two angelic figures. One holds a lyre and the other has a trumpet. Above the text, there is an ornate medallion bordered by laurel leaves with a profile of a classical figure. Below the text, two classical masks are depicted: one with a neutral expression on the left and another possibly comedic expression on the right. This drawing demonstrates the baroque style of historical title pages with intricate detail, classic iconography, and balanced symmetric design elements.
Theodor Galle, Title Page for Agostino Mascardi, Silvarium Libri IV, 1622, engraving on laid paper, William B. O'Neal Fund, 1996.78.60

Title Page for Agostino Mascardi, Silvarium Libri IV

Theodor Galle · 1622 · engraving on laid paper ·  Accession ID  1996.78.60

This is a drawing of an ornate title page from a historical book featuring classical figures, heraldic symbols, and inscriptions. The central panel contains Latin text stating "AUGUSTINI MASCARDI SILVARUM LIBRI IV." Flanking the text are two cherubic figures, one playing a lyre and the other blowing into a horn. Above the text is a decorative crest with a laurel-crowned profile, while the sides feature intricate foliage and scrolling elements. The bottom portion includes two stylized faces, one wearing a helmet, with a central motif of a Pegasus or winged horse.
Theodor Galle, Title Page for Agostino Mascardi, Silvarium Libri IV, 1622, engraving on laid paper, William B. O'Neal Fund, 1996.78.59

Title Page for Agostino Mascardi, Silvarium Libri IV

Theodor Galle · 1622 · engraving on laid paper ·  Accession ID  1996.78.59

This is a photograph of a book cover. The cover is decorated with embossed floral and geometric patterns forming borders around a central motif. The central design features a symmetrical, decorative figure merging floral and emblematic elements. The surface appears to be made of leather with age-related creases and discoloration. Faded letters and numbers can be seen on the cover. The craftsmanship suggests a handmade item from a bygone era, highlighting historical bookbinding design.
Lucius Annaeus Seneca, Cornelis Galle I, Theodor Galle, L. Annaei Senecae Philosophi Opera, quae extant omnia: A Iusto Lipsio Emendata et Scholiis Illustrata. Editio Secunda, atque ab ultima Lipsii manu, 1615, bound volume with 3 engraved illustrations after Sir Peter Paul Rubens, and woodcut historiated initials, on laid paper, William B. O'Neal Fund, 2010.58.1

L. Annaei Senecae Philosophi Opera, quae extant omnia: A Iusto Lipsio Emendata et Scholiis Illustrata. Editio Secunda, atque ab ultima Lipsii manu

Lucius Annaeus Seneca, Cornelis Galle I, Theodor Galle · 1615 · bound volume with 3 engraved illustrations after Sir Peter Paul Rubens, and woodcut historiated initials, on laid paper ·  Accession ID  2010.58.1

Printed in black on now-darkened paper, lines of text are above and below an illustration showing three winged, nude children gesturing toward a balding older, bearded man near the center. The older man sits on a throne to the right and leans forward, one hand braced on the sphinx-shaped arm of the chair and the other pointing toward a stick one of the children holds. One of the man’s eyes is open wide, and the other appears to be closed. The man is barefoot and wears voluminous, flowing robes. The children all have short, curly hair and muscular bodies. Drapery flits to cross the groin of the child closest to us and the back side of another. They all reach at least one hand forward toward the man. The front child holds up the stick and looks over his shoulder at us. The room behind them has a door opening into a cavernous space with arched vaults. The corner of the paneled room beyond the older man has shelves and a ledge with books and globes. The page is numbered 151 in the top right corner. Text above the image reads, in all caps: “Francisci Agvilonii e Societate Iesv Opticorvm Liber Tertivs de Commvnivm Obiectorvm Cognitione.” The block of text under the image is titled “Argvmentvm” in all caps. Text continues, in italics mixed case: “Natvræ simul ac doctrinæ ordo exposcit, vt definite visus essential, præcipua’que eius affectione, quæ ad visionis modum opticorum’que radiorum traductionem pertinent, explicate, ad communium visibilium cognitionem veniamus. Hæc enim per se quidem, at non primò, vt et quæ propria dicuntur, sub aspectum cadunt. Nam lux et color simplici obtutu; hæc verò aut collatione, aut distinction, aut antecedente notione, aut syllogism, aut alia demum ratione, quam internus sensus variam ac multiplicem administrat, cognoscuntur. Quod sane ex eo prouenire videtur, quòd hæc non propriè ad visus facultatem attineant, sed aliis quoque sensibus sese ingerant: vnde N4 non”
Theodor Galle, François d'Aguilon, Opticorum Libri Sex, published 1613, 1 vol: ill: engraved title page; text illustration (p.3); 6 headpieces engraved by Theodor Galle after Peter Paul Rubens, Ailsa Mellon Bruce Fund, 1989.36.1

Opticorum Libri Sex

Theodor Galle, François d'Aguilon · published 1613 · 1 vol: ill: engraved title page; text illustration (p.3); 6 headpieces engraved by Theodor Galle after Peter Paul Rubens ·  Accession ID  1989.36.1

The image shows a person in profile, looking slightly upwards. The individual has curly hair and is wearing a headscarf. Their facial features include a prominent nose and a focused expression. They are wearing a loose-fitting garment with a wide collar featuring decorative patterns. Both hands are visible in a gesture of clasping or praying. The background is a textured surface within an oval frame, giving a classical style to the illustration. No jewelry or additional objects are present.
Theodor Galle, Ezechial, published 1613, engraving on laid paper, Ailsa Mellon Bruce Fund, 1974.55.7.g

Ezechial

Theodor Galle · published 1613 · engraving on laid paper ·  Accession ID  1974.55.7.g

The image shows a person from the waist up within an oval frame. The individual has long, wavy hair, their face turned upwards with eyes looking upward. They are wearing a detailed robe with geometric designs and holding a book in their left hand. There is an arched background with an inscription above and alongside the frame.
Theodor Galle, Malachias, published 1613, engraving on laid paper, Ailsa Mellon Bruce Fund, 1974.55.7.t

Malachias

Theodor Galle · published 1613 · engraving on laid paper ·  Accession ID  1974.55.7.t

The image is an engraving depicting an upper body portrait of a person seated and facing slightly to their right. The person has distinct facial features, curly hair mostly covered by a cap or headpiece, and is dressed in layered clothing with detailed folds. Their hands are positioned in front of them. In the background, there is a circular border with Latin text. The style of the engraving is detailed and textured.
Theodor Galle, Abdias, published 1613, engraving on laid paper, Ailsa Mellon Bruce Fund, 1974.55.7.l

Abdias

Theodor Galle · published 1613 · engraving on laid paper ·  Accession ID  1974.55.7.l

The image depicts a man named Amos. He is shown in a half-body view, facing slightly to his left. Amos is seated or in a leaning posture, holding a rod or staff in his right hand. His facial features include deep-set eyes, a prominent nose, a full beard, and mustache. He has short, wavy hair and is dressed in a cloak over a tunic with visible folds. There is an elliptical frame around him with text along the edges. The background is plain and lightly shaded, emphasizing the figure within the engraved border.
Theodor Galle, Amos, published 1613, engraving on laid paper, Ailsa Mellon Bruce Fund, 1974.55.7.k

Amos

Theodor Galle · published 1613 · engraving on laid paper ·  Accession ID  1974.55.7.k

The image features the upper body of a person in a seated pose. The person has their hands clasped together in front of their chin, with their eyes gazing upwards. They have a long beard, deep-set eyes, long, wavy hair flowing down to the shoulders, and wear a draped garment resembling a robe. The background includes a circular frame with Latin inscriptions. The image has a textured, engraved appearance.
Theodor Galle, Jeremiah, published 1613, engraving on laid paper, Ailsa Mellon Bruce Fund, 1974.55.7.e

Jeremiah

Theodor Galle · published 1613 · engraving on laid paper ·  Accession ID  1974.55.7.e