Jules-Ferdinand Jacquemart

French, 1837 - 1880

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The image is an etching depicting a view from water level across a body of water. The horizon is approximately in the middle of the composition, with several sailboats visible against the sky. On the left is a larger boat with a sail partially raised, accompanied by a smaller vessel with figures in it. The sky dominates the upper half with swirling clouds, suggesting an impending storm. The color palette is monochromatic, using shades of gray and black, creating a moody atmosphere. In the distance, lighter patches on the horizon indicate other sailboats and potentially a distant shoreline or pier, enhancing the depth and scale of the view.
Jules-Ferdinand Jacquemart, L'Approche de l'Orage (The Storm's Approach), 1875, etching and drypoint in black on laid paper, René Huyghe Collection, 1994.42.12

L'Approche de l'Orage (The Storm's Approach)

Jules-Ferdinand Jacquemart · 1875 · etching and drypoint in black on laid paper ·  Accession ID  1994.42.12

The image features a series of curving and intersecting lines forming an intricate abstract composition. Swirling arcs and dynamic strokes create a sense of movement. The dark and light shading suggests a dramatic landscape.
Jules-Ferdinand Jacquemart, Le Chaos (Chaos), 1863, etching and drypoint on cream laid paper, Ailsa Mellon Bruce Fund, 2006.92.2

Le Chaos (Chaos)

Jules-Ferdinand Jacquemart · 1863 · etching and drypoint on cream laid paper ·  Accession ID  2006.92.2

The image features a large, open fan with detailed designs and a tall decorative feather quill standing upright near the center. The color palette is predominantly black and white, indicative of an etching, with various shades of gray depicting shadows and textures. The fan is positioned at the center, occupying most of the space, slightly open in a semi-circular manner. The feather quill rises vertically beside the fan, with its tip near the top edge of the image. Behind these items, there are abstract forms and lines suggesting fabric or textured surfaces, adding depth to the scene.
Jules-Ferdinand Jacquemart, L'air (Air), 1863, etching and drypoint on cream laid paper, Ailsa Mellon Bruce Fund, 2006.92.4

L'air (Air)

Jules-Ferdinand Jacquemart · 1863 · etching and drypoint on cream laid paper ·  Accession ID  2006.92.4

The image shows a cauldron, a kettle, and bellows on a wooden tabletop. There is a small jug or cup to the right, with other tools in the background. The color scheme is black and white, typical of a monochrome etching.
Jules-Ferdinand Jacquemart, Le feu (Fire), 1863, etching and drypoint on cream laid paper, Ailsa Mellon Bruce Fund, 2006.92.5

Le feu (Fire)

Jules-Ferdinand Jacquemart · 1863 · etching and drypoint on cream laid paper ·  Accession ID  2006.92.5

The image features three full-body figures: two women and a man. The man on the left is standing with a slight lean forward, wearing a hat and period clothing with detailed features. The woman next to him appears to be mid-dance, dressed in an elaborate patterned dress. The second woman on the right is seated or reclining, wearing a similar style dress with styled hair. The background is a blank, light-colored space.
Jules-Ferdinand Jacquemart, Spanish Scene (Scène espagnole), 1863, etching and drypoint on cream laid paper [proof], Ailsa Mellon Bruce Fund, 2006.92.7

Spanish Scene (Scène espagnole)

Jules-Ferdinand Jacquemart · 1863 · etching and drypoint on cream laid paper [proof] ·  Accession ID  2006.92.7

This is a rectangular plaque with text. The words on it include "Les Quatre Elements", "Eaux-Fortes", "Jules Jacquemart", "1863", and "Paris Cadart & Chevaucher, Editeurs Rue Richelieu No 56". The plaque has an aged appearance with rough edges and is mounted on a blank background with minimal writing.
Jules-Ferdinand Jacquemart, Cadart & Chevalier, Title Page, 1863, etching, aquatint, and drypoint on cream laid paper, Ailsa Mellon Bruce Fund, 2006.92.1

Title Page

Jules-Ferdinand Jacquemart, Cadart & Chevalier · 1863 · etching, aquatint, and drypoint on cream laid paper ·  Accession ID  2006.92.1

The image shows a large pitcher and a bucket prominently in the foreground, along with a basin and a broom. The etching primarily consists of a monochromatic palette in shades of brown and black. The bucket is to the left, filled with water, and the pitcher is to its right, standing behind a basin which holds a small broom bristle. Draped over the edge of the basin to the right is a piece of cloth. A water tap can be seen in the background to the left above the bucket.
Jules-Ferdinand Jacquemart, L'eau (Water), 1863, etching and drypoint on cream laid paper, Ailsa Mellon Bruce Fund, 2006.92.6

L'eau (Water)

Jules-Ferdinand Jacquemart · 1863 · etching and drypoint on cream laid paper ·  Accession ID  2006.92.6

The image shows a view from a hidden spot within thick vegetation. The horizon is in the upper part of the image, revealing a vast natural landscape. The artwork features detailed line work depicting leaves and plants. The brushstrokes add movement and texture through hatching and cross-hatching. The color scheme is primarily sepia and ink, accentuating the textures and patterns in the foliage. The overall effect is of a peaceful, secluded natural setting with rich detail.
Jules-Ferdinand Jacquemart, Plantes de Serre (Greenhouse or Aquatic Plants), 1863, etching in brown-black on laid paper, Ailsa Mellon Bruce Fund, 1983.34.1

Plantes de Serre (Greenhouse or Aquatic Plants)

Jules-Ferdinand Jacquemart · 1863 · etching in brown-black on laid paper ·  Accession ID  1983.34.1

The image shows a human skull and a ceramic jug on a textured surface. The color palette is monochromatic with sepia tones and dark shadows. In the background, there is dense foliage, creating a contrast with the foreground. The skull and jug are positioned towards the bottom right, while the foliage fills the upper left of the image.
Jules-Ferdinand Jacquemart, La terre (Earth), 1863, etching and drypoint with roulette on cream laid paper, Ailsa Mellon Bruce Fund, 2006.92.3

La terre (Earth)

Jules-Ferdinand Jacquemart · 1863 · etching and drypoint with roulette on cream laid paper ·  Accession ID  2006.92.3

The image shows a collection of worn shoes and boots scattered on a wooden floor. A rolled-up item is leaning against a piece of furniture in the background. The color palette is composed of varying shades of black and white. In the foreground, the shoes and boots are clustered together in a somewhat disordered fashion, with the rolled item positioned directly behind them, leading up to the right side where the wooden furniture leg can be seen along with some draped fabric.
Jules-Ferdinand Jacquemart, Auguste Delâtre, Cadart & Chevalier, Souvenirs de voyage (Travel Souvenirs), 1862, etching on laid paper, Ailsa Mellon Bruce Fund, 2015.102.1

Souvenirs de voyage (Travel Souvenirs)

Jules-Ferdinand Jacquemart, Auguste Delâtre, Cadart & Chevalier · 1862 · etching on laid paper ·  Accession ID  2015.102.1