Max Liebermann

German, 1847 - 1935

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The image depicts an older male figure with deep facial lines and shadows. He has sparse, short hair and a receded hairline, and is dressed in semi-formal attire with a jacket, collar, and tie visible. The sketch uses bold, impressionistic lines typical of charcoal or pencil on a plain, light background.
Max Liebermann, Self-Portrait, 1924, lithograph on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.60

Self-Portrait

Max Liebermann · 1924 · lithograph on wove cream paper ·  Accession ID  2012.92.60

The image is a charcoal sketch of a man with notable features, including deep-set eyes, a prominent mustache, and wavy hair brushed back from his forehead. He is wearing a collared shirt, tie, and suit jacket. There are no additional objects in the plain background. The artist's signature is visible in the bottom corner.
Max Liebermann, Albert Einstein, 1922, lithograph on wove paper, Gift of Dr. Ruth Ivor, 1992.8.1

Albert Einstein

Max Liebermann · 1922 · lithograph on wove paper ·  Accession ID  1992.8.1

This is a painting of an abstract cover illustration with humanoid figures depicted in a simple, stylized manner alongside text. The figures are arranged in various poses and interact with minimal line-drawn landscape elements on a brown background using blue ink. Hand-drawn text in German is placed at the top and bottom of the image. The style is expressive and emotive, reminiscent of Henri Matisse.
Various Artists, Kurt Pfister, Lovis Corinth, Max Liebermann, Käthe Kollwitz, Max Slevogt, August Gaul, Hans Meid, Alfred Kubin, Emil Nolde, Paul Klee, George Grosz, Ernst Barlach, Christian Rohlfs, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Max Pechstein, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Oskar Kokoschka, Unknown, Klinkhardt & Biermann Verlag, Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions, Gift of Ingrid Rose in memory of her husband Milton Rose, 2014.7.3.1-24

Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Various Artists, Kurt Pfister, Lovis Corinth, Max Liebermann, Käthe Kollwitz, Max Slevogt, August Gaul, Hans Meid, Alfred Kubin, Emil Nolde, Paul Klee, George Grosz, Ernst Barlach, Christian Rohlfs, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Max Pechstein, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Oskar Kokoschka, Unknown, Klinkhardt & Biermann Verlag · 1920 · bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions ·  Accession ID  2014.7.3.1-24

This is a drawing of two people in a boat on a body of water, with another boat in the background. The image features a dynamic composition of a smaller rowing boat in the foreground, occupied by two individuals. One person appears to be rowing with a paddle, while the other is seated facing them. The individuals and the boat are sketched in a slightly loose and impressionistic style, with shadows and lines suggesting movement and dimension. In the background, there is a landscape with a distant shoreline or series of hills. Another boat with figures is seen in the distance, adding depth to the scene. The drawing uses monochromatic shades and soft, blurred contours to create a serene and naturalistic atmosphere.
Max Liebermann, Canoeing, 1919, lithograph in black on laid paper, Rosenwald Collection, 1951.10.335

Canoeing

Max Liebermann · 1919 · lithograph in black on laid paper ·  Accession ID  1951.10.335

The image is an artistic drawing of a man shown in a three-quarter view portrait from his shoulders up. The man has his head tilted downward and is wearing a hat, a jacket with a notched lapel, and a collared shirt. His facial features are sketched with deep shadows under his eyes and lines around his mouth, giving the impression of a mustache. The background is simple with rough shading behind the man to the left.
Max Liebermann, Klinkhardt & Biermann Verlag, Unknown, Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1917, published 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.3

Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Max Liebermann, Klinkhardt & Biermann Verlag, Unknown · 1917, published 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.3

The image depicts a sketch of a man focusing on his upper body. The man's head, shoulders, and partial upper torso are highlighted. His position is slightly turned to one side, with his head tilted downward, casting a shadow across his face. The man has facial features sketched with rough lines and wears a mustache. He is depicted wearing a broad-brimmed hat with a dark band that casts a shadow over his eyes. The man's clothing appears to be a collared garment, suggested through bold strokes. The background is undecorated, and the man's outline is casually merged with some shading, with the rest left blank.
Max Liebermann, Unknown, Klinkhardt & Biermann Verlag, Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1917, published 1920, lithograph on card from a bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions, Gift of Ingrid Rose in memory of her husband Milton Rose, 2014.7.3.3

Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Max Liebermann, Unknown, Klinkhardt & Biermann Verlag · 1917, published 1920 · lithograph on card from a bound volume with 16 lithographs (including cover), eight woodcuts, and eight photomechanical reproductions ·  Accession ID  2014.7.3.3

The image shows a man seated on a chair in a side profile view, with his body facing slightly to the left. He is depicted sitting upright with his hands on the armrests. The man has a mustache, defined jawline, and high cheekbones. His hair is short and balding. He is wearing a suit with a jacket, trousers, and a tie. The background is blank, focusing solely on the man.
Max Liebermann, Burgermeister Dr. Burchard, 1911, drypoint, Gift of Jacob Kainen, 2002.98.306

Burgermeister Dr. Burchard

Max Liebermann · 1911 · drypoint ·  Accession ID  2002.98.306

This is a drawing of an indoor market scene. The image shows a group of figures gathered around tables holding goods for sale. The drawing is executed with sketch-like lines creating a sense of movement and activity. The background indicates a busy market atmosphere with more individuals in the densely packed area. The use of shading and line work suggests depth and the crowded nature of the scene.
Max Liebermann, From the Jewish Quarter in Amsterdam: Fishmarket on the Street Corner, 1908, etching on heavy wove cream paper, Gift of Ruth Cole Kainen, 2012.92.59

From the Jewish Quarter in Amsterdam: Fishmarket on the Street Corner

Max Liebermann · 1908 · etching on heavy wove cream paper ·  Accession ID  2012.92.59

This is a drawing of a street market with various figures engaging in activities. The urban setting features tall buildings framing the scene. The street is busy with market stalls, some covered with awnings, and figures interacting or shopping. The sketch emphasizes movement and a vibrant atmosphere, capturing daily urban life with spontaneity and intricacy.
Max Liebermann, Bruno Cassirer, The Jewish Quarter in Amsterdam, 1906, etching on laid cream paper, Gift of Ruth Cole Kainen, 2012.92.358

The Jewish Quarter in Amsterdam

Max Liebermann, Bruno Cassirer · 1906 · etching on laid cream paper ·  Accession ID  2012.92.358

The image depicts the upper body of a man seated and slightly turned to his right. He has a bald head with hair on the sides, a thick mustache, neutral facial expression, and is holding an object under his left arm. He is dressed in a jacket over a shirt. The background is plain.
Max Liebermann, Self-Portrait, 1906, etching on laid paper, Ailsa Mellon Bruce Fund, 1992.47.2

Self-Portrait

Max Liebermann · 1906 · etching on laid paper ·  Accession ID  1992.47.2