Jean-Baptiste Massé

French, 1687 - 1767

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This is a detailed drawing of a classical scene. The image depicts a large arch-shaped composition with various figures, symbols, and designs. In the center, there is a prominent figure with outstretched arms, surrounded by cherub-like figures carrying items or playing instruments. To the right, musicians are shown playing wind instruments. The image is bordered by an ornate frame, enhancing its grandeur. The scene is set against a backdrop of clouds and trees. The drawing is finely executed with detailed linework and shading.
Jean-Baptiste Massé, Jacques Nicolas Tardieu, L'Espagne Cintre du Salon de la Paix sur l'Arcade de la Galerie (Spain, Center of the Salon of Peace in the Gallery's Arcade) [pl. 47], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.51

L'Espagne Cintre du Salon de la Paix sur l'Arcade de la Galerie (Spain, Center of the Salon of Peace in the Gallery's Arcade) [pl. 47]

Jean-Baptiste Massé, Jacques Nicolas Tardieu · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.51
This is a drawing of an ornate ceiling composition with mythological figures. The scene within the circular frame features a gathering of classical mythological figures, including deities and cherubs, surrounded by swirling clouds. The figures are clothed in flowing robes, holding various objects such as a shield and a musical instrument, and are posed dynamically around a central figure. The composition conveys a sense of motion and divine assembly, with attention to detailing in both the figures and the cloud formations. The outer edge of the circle is bordered with an intricately designed ornamentation.
Jean-Baptiste Massé, Michel Aubert, Laurent Cars, Coupole du Salon de la Paix (Cupola of the Salon of Peace) [pl. 44], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.48

Coupole du Salon de la Paix (Cupola of the Salon of Peace) [pl. 44]

Jean-Baptiste Massé, Michel Aubert, Laurent Cars · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.48
This is a drawing of a mythological/allegorical scene. The composition features winged figures around the outer circumference holding scrolls/canvases with scenes of conflicts. In the center, an authoritative figure sits enthroned amidst light. The scene is enclosed by an ornate border resembling a large ceiling dome or medallion projection. The drawing is detailed with shading and intricate depictions of clouds and figures.
Jean-Baptiste Massé, Simon Francois Ravenet I, Johann Martin Preissler, Coupole du Salon de la Guerre (Cupola of the Salon of War) [pl. 35], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.39

Coupole du Salon de la Guerre (Cupola of the Salon of War) [pl. 35]

Jean-Baptiste Massé, Simon Francois Ravenet I, Johann Martin Preissler · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.39
This is a drawing featuring ornate classical figures and motifs. The image includes an elaborate architectural and decorative composition with an oval medallion at its center. Within the medallion, a scene depicts multiple classical figures in drapery surrounding a reclining lion. Outside the medallion, two bearded figures stand draped in fabric on each side. Above the medallion is a decorative crest with a human face, wings, floral garlands, and two cherubic figures. The architecture includes classical columns and ornate embellishments, with an inscription at the base reading "La Prééminence de la France reconnue par l'Espagne 1602."
Jean-Baptiste Massé, Bernard Lépicié, La Prééminence de la France reconnue par l'Espagne 1662 (The Preeminance of France Recognized by Spain 1662) [pl. 17], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.21

La Prééminence de la France reconnue par l'Espagne 1662 (The Preeminance of France Recognized by Spain 1662) [pl. 17]

Jean-Baptiste Massé, Bernard Lépicié · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.21
This is a photograph of a historical title page. The page shows a printed text announcing a work titled "La Grande Galerie de Versailles, et les deux Salons qui l'accompagnent," credited to Charles Le Brun, with designs by Jean-Baptiste Massé and engraving by artists supervised by Le Brun. The page features a central decorative emblem, a detailed crest surrounded by foliage. The text is laid out elegantly, with various font sizes and styles, and indicates Paris as the place of printing by the Royal Printer in 1752. The background has a slightly aged appearance, typical of old paper.
Jean-Baptiste Massé, Johann Georg Wille, Various Artists, La Grande Galerie de Versailles, et les deux salons qui l'accompagnent (The Grand Gallery of Versailles and Two Accompanying Salons), 1752, bound volume with 56 engravings including 1 engraved portrait of Massé and 23 double-spread plates, Gift of David H. McDonnell, 2015.142.1.1-56

La Grande Galerie de Versailles, et les deux salons qui l'accompagnent (The Grand Gallery of Versailles and Two Accompanying Salons)

Jean-Baptiste Massé, Johann Georg Wille, Various Artists · 1752 · bound volume with 56 engravings including 1 engraved portrait of Massé and 23 double-spread plates ·  Accession ID  2015.142.1.1-56
This is a drawing of an allegorical scene within an ornate semi-circular frame. The central image shows a serene ensemble of figures and symbols signifying peace and harmony. The figures are arranged in a balanced composition, with mythical creatures and classic European artistic symbols. Cherubic figures and attributes like a cornucopia and a lamp are included, pointing to themes of abundance and enlightenment. Lush trees and architectural elements are visible in the background, adding depth. The border features decorative leaf motifs and classical patterns.
Jean-Baptiste Massé, Jean-Michel Liotard, Johann Georg Wille, L'Europe Chrêtienne en Paix Cintre du Salon de la Paix du côté des appartemens de la Reine (Christian Europe in Peace, Center of the Salon of Peace next to the Queen's Chambers) [pl. 45], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.49

L'Europe Chrêtienne en Paix Cintre du Salon de la Paix du côté des appartemens de la Reine (Christian Europe in Peace, Center of the Salon of Peace next to the Queen's Chambers) [pl. 45]

Jean-Baptiste Massé, Jean-Michel Liotard, Johann Georg Wille · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.49
This is a drawing of a historic battle scene. The image features various combatants engaged in battle with weapons and armor. There are fallen warriors and a flag with an eagle symbol. An elaborate arch frames the scene, with intricate foliage carvings. The sky and clouds add to the drama of the battle.
Jean-Baptiste Massé, Louis Desplaces, L'Allemagne Cintre du Salon de la Guerre du côté des appartemens du Roi (Germany, Center of the Salon of War next to the King's Chambers) [pl. 37], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.41

L'Allemagne Cintre du Salon de la Guerre du côté des appartemens du Roi (Germany, Center of the Salon of War next to the King's Chambers) [pl. 37]

Jean-Baptiste Massé, Louis Desplaces · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.41
This is a drawing of allegorical figures and activities. The scene depicts a grand assembly with many figures engaged in various tasks. In the center, there are majestic figures seemingly in dialogue or holding court, surrounded by people in different poses. On the left side, figures are laboring with hammers, suggesting a scene of crafting or forging, while on the right, figures in helmets are bearing arms. The composition is within a semi-circular frame adorned with floral motifs. The artistry includes detailed garments and expressions, capturing movement and depth. The title below suggests dedication to themes of warfare or a historical event.
Jean-Baptiste Massé, Laurent Cars, Alliance de l'Allemagne et de l'Espagne avec la Hollande 1672 Cintre de la Gallerie du côté du Salon de la Guerre (Alliance of Germany and Spain with Holland 1672, Center of the Gallery next to the Salon of War) [pl. 31], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.35

Alliance de l'Allemagne et de l'Espagne avec la Hollande 1672 Cintre de la Gallerie du côté du Salon de la Guerre (Alliance of Germany and Spain with Holland 1672, Center of the Gallery next to the Salon of War) [pl. 31]

Jean-Baptiste Massé, Laurent Cars · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.35
This is a drawing of an elaborate decorative scene centered around an oval frame depicting a handshake. The drawing features a detailed and ornate design, with the central oval frame enclosed by intricate floral motifs and architectural elements. Surrounding the frame, there are two muscular figures positioned on each side. Above the figures, cherubic forms recline amidst a garland of flowers. The interior of the oval frame within the main structure displays a scene of two figures in classical attire shaking hands, with others observing. The overall style is reminiscent of baroque design, emphasizing grandeur and elaborate detail.
Jean-Baptiste Massé, Nicolas-Gabriel Dupuis, Renouvellement d'Alliance avec les Suisses 1663 (Renewal of Alliance with the Swiss 1663) [pl. 18], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.22

Renouvellement d'Alliance avec les Suisses 1663 (Renewal of Alliance with the Swiss 1663) [pl. 18]

Jean-Baptiste Massé, Nicolas-Gabriel Dupuis · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.22
This is a drawing featuring a variety of figures arranged in a semi-circular design. The central figures appear engaged in discussion or awakening amidst swirling drapery and clouds. Surrounding them are other figures in dynamic poses, some in conflict while others gesture skyward. Architectural elements and sailing ships are visible in the background, with a decorative border framing the artwork.
Jean-Baptiste Massé, Benoît Audran II, La Hollande accepte la paix et se détache de l'Allemagne et de l'Espagne 1678 Cintre de la Galerie du côté du Salon de la Paix (Holland Accepts Peace and Detaches Itself from Germany and Spain 1678, Center of the Gallery next to the Salon of Peace) [pl. 33], published 1752, engraving on laid paper, Gift of David H. McDonnell, 2015.142.1.37

La Hollande accepte la paix et se détache de l'Allemagne et de l'Espagne 1678 Cintre de la Galerie du côté du Salon de la Paix (Holland Accepts Peace and Detaches Itself from Germany and Spain 1678, Center of the Gallery next to the Salon of Peace) [pl. 33]

Jean-Baptiste Massé, Benoît Audran II · published 1752 · engraving on laid paper ·  Accession ID  2015.142.1.37