Edvard Munch

Norwegian, 1863 - 1944

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The image shows a charcoal drawing of a man's face and upper body. The man is facing forward, with facial features depicted through strong shadowing and expressive lines, giving a rugged appearance. He has a beard and a neutral to slightly stern expression. He is wearing a wide-brimmed hat that casts a shadow over part of his face, particularly his eyes. The man is dressed in a loose garment with minimal detail. There are no visible objects or pieces of jewelry. The background is plain, with light shading suggesting a studio setting.
Edvard Munch, Grøndahl & Søn, Portrait of Hans Jaeger III, 1943-1944, lithograph on tan wove paper, The Epstein Family Collection, 2018.204.4

Portrait of Hans Jaeger III

Edvard Munch, Grøndahl & Søn · 1943-1944 · lithograph on tan wove paper ·  Accession ID  2018.204.4
The image shows an abstract representation of two figures standing close together in an embrace. The figures are depicted in a shadowy, indistinct manner with no detailed features or clothing. They appear to lean towards each other, creating a sense of closeness. The background features textured surfaces with wavy, reddish-brown brush strokes resembling a wood-like pattern, and lighter, off-white lines suggestive of distant mountains or clouds. There are no visible facial features, distinct hair, jewelry, or objects in the scene. The artwork exudes a dreamlike quality with rich textures and a warm-toned palette.
Edvard Munch, Edvard Munch, The Kiss in the Field, 1943, woodcut printed in red-brown with oil paint on wove paper, Gift of Ruth Cole Kainen, 2007.75.1

The Kiss in the Field

Edvard Munch, Edvard Munch · 1943 · woodcut printed in red-brown with oil paint on wove paper ·  Accession ID  2007.75.1
The image is a black and white sketch of an individual shown from the shoulders up. The person is facing forward with a stern expression, wearing a hat. Minimal details are visible in the hair, ears, and clothing. The background is plain and abstract. No jewelry or objects are depicted in the sketch.
Edvard Munch, Grøndahl & Søn, Hans Jaeger III, 1943-1944, lithograph, The Epstein Family Collection, 2022.172.18

Hans Jaeger III

Edvard Munch, Grøndahl & Søn · 1943-1944 · lithograph ·  Accession ID  2022.172.18
The image depicts a stylized person with only the upper half of their body visible. The facial features are abstract with white brushstroke lines outlining the face, and long, flowing hair in a similar style. The figure wears a garment with colorful circular patterns in red, yellow, and green. Beside the figure is a brightly colored bird with shades of blue, orange, green, and yellow. The background is dark and textured, bordered by a lighter beige frame.
Edvard Munch, Edvard Munch, Birgitte III (The Gothic Girl), 1930, hand-colored woodcut, The Epstein Family Collection, 2024.148.21

Birgitte III (The Gothic Girl)

Edvard Munch, Edvard Munch · 1930 · hand-colored woodcut ·  Accession ID  2024.148.21
The image shows an expressionist painting of a person standing sideways with a head tilt. The facial features are obscured by red and brown shades, with hair depicted in loose brushstrokes of darker red and brown. The body is painted in bright yellow against a shadowy background. The setting includes a red and brown bed and a patterned wall with abstract shapes. It appears to be indoors, perhaps in a bedroom, with textured walls extending in the background. No specific objects or jewelry are prominent in the person's depiction.
Edvard Munch, Anton Peder Nielsen Kildeborg, Weeping Young Woman by the Bed, 1930, hand colored lithograph, The Epstein Family Collection, 2024.148.23

Weeping Young Woman by the Bed

Edvard Munch, Anton Peder Nielsen Kildeborg · 1930 · hand colored lithograph ·  Accession ID  2024.148.23
The image shows most of the bodies of two individuals seated at a table. One person, on the left, is seen in profile looking towards the other person. The other individual, a woman positioned facing the viewer, has exaggerated facial features, large dark eyes, and short, voluminous hair. She is dressed in a garment that exposes her shoulders and chest. A dark bottle and a glass are placed on the table. The room has a textured background with spirals and lines on the wall, and a smaller figure is visible through a door-like opening in the background. The composition has a monochromatic style.
Edvard Munch, Brothel Scene (Bordellscene), 1930, lithograph on wove paper, The Epstein Family Collection, 2023.161.11

Brothel Scene (Bordellscene)

Edvard Munch · 1930 · lithograph on wove paper ·  Accession ID  2023.161.11
The image shows a person standing on the right side. Their facial features are vague, with long dark hair. They wear a long coat or dress. The background features walls with patterns. On the left, another person is reclining on a piece of furniture. A table nearby holds an object. The scene is monochromatic in black and gray tones.
Edvard Munch, Murder (Mord), 1930, lithograph on wove paper, The Epstein Family Collection, 2023.161.9

Murder (Mord)

Edvard Munch · 1930 · lithograph on wove paper ·  Accession ID  2023.161.9
The image depicts a person seated at a table from the torso upwards in a possible restaurant or bar setting. The person is sitting upright with their arms resting on the table, displaying a composed facial expression with distinct features. They have sleek, styled hair and are dressed in a suit. On the table, there is a bottle, a glass, and a plate. In the background, two other figures in suits are visible sitting behind the main figure. The scene is illustrated in monochrome, emphasizing form and shadow.
Edvard Munch, L. Hagen & Co, Anton Peder Nielsen Kildeborg, Self-Portrait with a Bottle of Wine (Selvportrett ved vinen), 1930, lithograph on wove paper, The Epstein Family Collection, 2023.161.6

Self-Portrait with a Bottle of Wine (Selvportrett ved vinen)

Edvard Munch, L. Hagen & Co, Anton Peder Nielsen Kildeborg · 1930 · lithograph on wove paper ·  Accession ID  2023.161.6
The image shows a sketch drawn from a direct viewpoint. Two large tree trunks are depicted with bold, energetic lines. Additional tree lines and cloud-like shapes are visible in the background, with hints of fences and structures. The sketch is monochromatic, with black lines on a cream-colored background.
Edvard Munch, Untitled [Large Tree Trunk with Segment of Street in Background], 1929, pen and ink on wove paper, The Epstein Family Collection, 2023.161.28

Untitled [Large Tree Trunk with Segment of Street in Background]

Edvard Munch · 1929 · pen and ink on wove paper ·  Accession ID  2023.161.28
The image is a black and white artwork showing multiple figures in a room. One person is lying in bed, partly covered by a blanket. Another figure is beside the bed, and two more figures stand behind them. The setting includes a window in the background.
Edvard Munch, Anton Peder Nielsen Kildeborg, The Death of the Bohemian (Bohemens død), 1929, lithograph on wove paper, The Epstein Family Collection, 2023.161.24

The Death of the Bohemian (Bohemens død)

Edvard Munch, Anton Peder Nielsen Kildeborg · 1929 · lithograph on wove paper ·  Accession ID  2023.161.24

Bibliography

2018

  • Bruteig, Magne, Frank Høifødt, Petra Pettersen, Sivert Thue, and Gerd Woll. The Drawings of Edvard Munch. (online catalogue raisonné) Oslo, Norway: Munch Museet, 2018. http://munch.emuseum.com/en/start/images