H.C. Westermann

Westermann, Horace Clifford

American, 1922 - 1981

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The image features swirling lines and dynamic shapes, creating a sense of motion. The scene depicts a plane descending into a jungle environment. The lines and shapes around the plane resemble waves and palm trees, with bold streaks of red and blue possibly indicating a crash landing. The setting evokes a dense forest or jungle with exaggerated plant forms around the image.
H.C. Westermann, David Panosh, Jerry Raidiger, Crash in the Jungle, 1972, color lithograhph on BFK Rives paper, Gift of Ruth Cole Kainen, 2006.57.35

Crash in the Jungle

H.C. Westermann, David Panosh, Jerry Raidiger · 1972 · color lithograhph on BFK Rives paper ·  Accession ID  2006.57.35

The image shows an envelope with abstract elements - curved lines and colorful borders (red, blue, and yellow). In the upper left corner, there is an abstract anchor symbol integrated with the address text. The envelope also has hand-written text in cursive and bold lettering for names and addresses, as well as stamps depicting a face profile.
H.C. Westermann, Al Shean c/o Ed Ruscha [envelope], 1972, pen and black ink with watercolor on envelope, Dorothy and Herbert Vogel Collection, 2007.6.201.2

Al Shean c/o Ed Ruscha [envelope]

H.C. Westermann · 1972 · pen and black ink with watercolor on envelope ·  Accession ID  2007.6.201.2

This is a drawing of a correspondence art piece featuring various elements and text. The composition shows a caricatured profile with a yellow face and slicked-back hair, dressed in a bow tie and suit, emphasizing exaggerated facial features. The figure's hand is extended backward, reaching towards a stylized blue rodent-like creature. Surrounding the character is hand-written text resembling a casual letter or note with mentions of personal interactions and greetings. A small butterfly with the label ‘Feb 24’ and the signature 'Cliff 72’ occupies the bottom right corner. The style suggests a playful, personal communication, enhanced by bold lines and a selective use of color.
H.C. Westermann, Al Shean c/o Ed Ruscha [letter], 1972, pen and black ink with watercolor on wove paper, Dorothy and Herbert Vogel Collection, 2007.6.201.1

Al Shean c/o Ed Ruscha [letter]

H.C. Westermann · 1972 · pen and black ink with watercolor on wove paper ·  Accession ID  2007.6.201.1

The image shows a landscape with a large yellow sun in the sky. Rolling red hills are visible in the distance, along with a winding yellow waterway. Various forms in blue and green are present, including a palm-like shape. A lone animal is seen in the foreground. Bold brushstrokes and vibrant colors dominate the scene. The title "GREEN RIVER" is displayed in green letters at the top left.
H.C. Westermann, Jerry Raidiger, Arthur Kleinman, Green River, 1972, color lithograhph on Special Arjomari wove paper, Gift of Ruth Cole Kainen, 2006.57.36

Green River

H.C. Westermann, Jerry Raidiger, Arthur Kleinman · 1972 · color lithograhph on Special Arjomari wove paper ·  Accession ID  2006.57.36

This is a drawing of a large ship with beams of light surrounding it on water, accompanied by the words "SEE AMERICA FIRST". The image features a central ship emitting smoke from a funnel, with yellow beams of light emanating from its front. The ship sits on water, reflecting its form. Above, the text "SEE AMERICA FIRST" spans across the top. On the left side, there are abstract shapes, like an anchor and a leaf, mingled with textured patterns resembling waves or skies. In the lower left corner, there is a cluster of detailed fish. The artwork uses a limited color palette of blacks and yellows.
H.C. Westermann, Tamarind Institute, See America First 4, 1968, lithograph (aluminum) in yellow and black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1136.5

See America First 4

H.C. Westermann, Tamarind Institute · 1968 · lithograph (aluminum) in yellow and black on Copperplate Deluxe paper ·  Accession ID  1984.34.1136.5

The image depicts an abstract composition with orange curves resembling a human posterior, a yellow tree trunk design, and green palm tree foliage. The background features gray uppercase text saying "SEE AMERICA FIRST" and a circled number "8" in the lower right corner.
H.C. Westermann, Tamarind Institute, See America First 8, 1968, lithograph (zinc and aluminum) in yellow, two oranges, green and black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1136.9

See America First 8

H.C. Westermann, Tamarind Institute · 1968 · lithograph (zinc and aluminum) in yellow, two oranges, green and black on Copperplate Deluxe paper ·  Accession ID  1984.34.1136.9

The image features elongated, stylized figures of a woman and a man against a textured backdrop. The woman wears a yellow dress with handprint-like patterns, while the man wears a suit. Their speech bubbles are empty. A leafless, cactus-like tree and a bird with a long beak are in the background. A birdbath-like structure stands beside the woman.
H.C. Westermann, Tamarind Institute, See America First 13, 1968, lithograph (aluminum and stone) in yellow and black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1136.14

See America First 13

H.C. Westermann, Tamarind Institute · 1968 · lithograph (aluminum and stone) in yellow and black on Copperplate Deluxe paper ·  Accession ID  1984.34.1136.14

The image shows abstract curved and jagged lines forming two skeletal figures embracing. The figures have exaggerated smiles and intertwining tongues. Their bodies have cracks and spots, resembling worn porcelain. The figures wear a mix of formal wear and tattoos. A text "SEE TULSA FIRST" is in the top right corner. In the bottom left, there is the number "11," an anchor, and abstract shapes.
H.C. Westermann, Tamarind Institute, See America First 11, 1968, lithograph (aluminum) in pink and black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1136.12

See America First 11

H.C. Westermann, Tamarind Institute · 1968 · lithograph (aluminum) in pink and black on Copperplate Deluxe paper ·  Accession ID  1984.34.1136.12

This is a drawing of a coastal scene. The drawing features a large geometric structure with a red roof against a backdrop of blue water. To the left is a small yellow building, and on the right, a large wave splashes dramatically. The wave's crest resembles a radiant sunburst with hues of yellow, blue, and green. A small ship in the water emits a billow of smoke, creating a juxtaposition between the structured form of architecture and the dynamic natural element of the wave.
H.C. Westermann, Tamarind Institute, See America First 9, 1968, lithograph (aluminum) in yellow, red, blue and black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1136.10

See America First 9

H.C. Westermann, Tamarind Institute · 1968 · lithograph (aluminum) in yellow, red, blue and black on Copperplate Deluxe paper ·  Accession ID  1984.34.1136.10

The image shows bold black lines forming an abstract silhouette of a figure with outstretched arms against a vivid yellow and black sunburst pattern. The figure appears to be wearing a tall hat and pointing in one direction. A leafless branch rises next to the figure, mirroring its curves. The phrase "SEE AMERICA FIRST" is displayed at the bottom of the image.
H.C. Westermann, Tamarind Institute, See America First 17, 1968, lithograph (aluminum and stone) in yellow and black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1136.18

See America First 17

H.C. Westermann, Tamarind Institute · 1968 · lithograph (aluminum and stone) in yellow and black on Copperplate Deluxe paper ·  Accession ID  1984.34.1136.18