Herbert Bayer

American, born Austria, 1900 - 1985

Explore selected works

See all 24 works of art
The image shows a collection of geometric shapes and lines on a neutral-toned background. There are intersecting lines forming a large, fan-like shape on the left side. On the right, there is a colorful curved line in shades of black, green, cyan, yellow, and red. This line leads towards a cluster of beige and brown triangular structures. The elements are arranged with precise geometric lines, creating an abstract composition.
Herbert Bayer, Editions Press, Evelyn Lincoln, Spiral and Free Curve, 1979, color lithograph on gray Don Farnsworth handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.3

Spiral and Free Curve

Herbert Bayer, Editions Press, Evelyn Lincoln · 1979 · color lithograph on gray Don Farnsworth handmade paper ·  Accession ID  2016.148.3

The image displays geometric shapes and lines on a vibrant green background. Stars, circles, and diagonal lines intersect, creating a structured and dynamic composition. Central star is segmented with colors, resembling a compass rose, while a crescent shape is present. Overlapping circles with gradient colors in the top left add depth, reminiscent of layers of a flower or concentric rings. Familiar shapes in an abstract setting guide the viewer's exploration of interconnected elements.
Herbert Bayer, Charting the Future, 1976, acrylic and pen and black ink over graphite on wove paper, Gift of Stephen P. Strickland in memory of Tamara G. Strickland, 1992.33.1

Charting the Future

Herbert Bayer · 1976 · acrylic and pen and black ink over graphite on wove paper ·  Accession ID  1992.33.1

The image shows a large, solid blue square with fine vertical and horizontal lines creating a fabric-like texture. It includes the bold red word "bayer" in the lower right quadrant. The design evokes a plain hardcover book or poster.
Herbert Bayer, Tamarind Institute, 8 Monochromes, 1965, portfolio w/ 8 color lithographs (stone) plus title page and colophon (aluminum) on Copperplate Deluxe, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.1-10

8 Monochromes

Herbert Bayer, Tamarind Institute · 1965 · portfolio w/ 8 color lithographs (stone) plus title page and colophon (aluminum) on Copperplate Deluxe ·  Accession ID  1983.18.224.1-10

In this image, a blue oval mark with textured lines sits alongside italic blue text that reads "eight monokromes by herbert bayer 1965" on a beige background.
Herbert Bayer, Tamarind Institute, 8 Monochromes (Title Page), 1965, lithograph (aluminum) in blue on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.1

8 Monochromes (Title Page)

Herbert Bayer, Tamarind Institute · 1965 · lithograph (aluminum) in blue on Copperplate Deluxe paper ·  Accession ID  1983.18.224.1

The image has a vertical white line dividing it into two sections. The upper section is a textured, deeper blue rectangle, while the lower section is a smoother, lighter blue area, resembling a horizon. The white line may suggest light or a minimalist representation of a road, giving a sense of division or continuity.
Herbert Bayer, Tamarind Institute, 8 Monochromes I, 1965, lithograph (stone) in two blues on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.2

8 Monochromes I

Herbert Bayer, Tamarind Institute · 1965 · lithograph (stone) in two blues on Copperplate Deluxe paper ·  Accession ID  1983.18.224.2

The image shows rectangular shapes formed by densely packed dots in a symmetrical abstract pattern. A central white rectangular space is surrounded by gradients of densely dotted brownish tones.
Herbert Bayer, Tamarind Institute, 8 Monochromes VII, 1965, lithograph (stone) in two dark browns on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.8

8 Monochromes VII

Herbert Bayer, Tamarind Institute · 1965 · lithograph (stone) in two dark browns on Copperplate Deluxe paper ·  Accession ID  1983.18.224.8

The image shows gradient rectangles arranged in a rhythmic pattern on a deep blue background. Horizontal lines cut through each shape. The composition resembles staggered steps or bars of light, creating a sense of motion or cascading waterfalls. The gradient adds depth and dimension, while the lines introduce structure to the piece.
Herbert Bayer, Tamarind Institute, 8 Monochromes VI, 1965, lithograph (stone) in dark blue on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.7

8 Monochromes VI

Herbert Bayer, Tamarind Institute · 1965 · lithograph (stone) in dark blue on Copperplate Deluxe paper ·  Accession ID  1983.18.224.7

The image shows a large central trapezoidal shape in bold red, with two horizontal dotted lines across the canvas. This abstract artwork uses geometric elements. The background is a gradient of red fading into white.
Herbert Bayer, Tamarind Institute, 8 Monochromes IV, 1965, lithograph (stone) in two reds on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.5

8 Monochromes IV

Herbert Bayer, Tamarind Institute · 1965 · lithograph (stone) in two reds on Copperplate Deluxe paper ·  Accession ID  1983.18.224.5

The image shows horizontal rectangular shapes and lines alternating in shades of gray and off-white. The rectangles are arranged in a staggered pattern. The shades within each rectangle create depth and texture. The design creates a visual rhythm.
Herbert Bayer, Tamarind Institute, 8 Monochromes III, 1965, lithograph (stone) in two grays on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.4

8 Monochromes III

Herbert Bayer, Tamarind Institute · 1965 · lithograph (stone) in two grays on Copperplate Deluxe paper ·  Accession ID  1983.18.224.4

This is an image showing neatly hand-written text in blue ink on the right side of a light beige paper. The text is organized and features an elegant calligraphy style. It addresses a series of monotypes and lithographs, mentioning artists and a lithography workshop among other details. The composition leaves negative space on the left to highlight the handwritten text.
Herbert Bayer, Tamarind Institute, 8 Monochromes (Colophon), 1965, lithograph (aluminum) in blue on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.224.10

8 Monochromes (Colophon)

Herbert Bayer, Tamarind Institute · 1965 · lithograph (aluminum) in blue on Copperplate Deluxe paper ·  Accession ID  1983.18.224.10