William Marshall

English, active 1617/1649

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The image depicts an engraved portrait of a woman. She is facing forward but slightly turned to her left. She has large, wide eyes, a somber expression, and her hair is mostly covered by a dark headdress. She wears a modest neckline garment, holds a closed fan or object in her right hand close to her chest. The setting includes an elaborate border with leaf-like patterns. Below the portrait, there are ornate decorations, such as a skull, an "In Domino Quies" inscription on a cartouche, cherub-like figures holding drapery, and a scene showing a ship at sea. The background features delicate lines and shading typical of historical engravings.
William Marshall, Leticia Morison, Viscountess Falkland, published 1649, engraving, Rosenwald Collection, 1951.11.438

Leticia Morison, Viscountess Falkland

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.438
The image displays a seated man in an oval frame. The man faces forward, holding a book with hands resting in front of him. He has a round face, a prominent nose, slightly downturned lips, and eyes looking straight at the viewer. He wears a cap, a large collar, and dark robe-like clothing. The background contains textured line work and books with labels like "SCHOLAST" and "PARES." Latin inscriptions surround the portrait, providing information about the subject and the artwork.
William Marshall, Josiah Shute, B.D., published 1649, engraving, Rosenwald Collection, 1951.11.467

Josiah Shute, B.D.

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.467
This is a drawing of figures representing various emotions connected to Reason and Divine Grace. The figures are labeled with names such as "Fear," "Joy," "Sorrow," and "Choler." They are linked by chains to a central female figure representing Reason, who is advised by Divine Grace from above. Each emotion is engaged in a symbolic activity reflecting its nature. The detailed scene conveys the relationship between human passions, reason, and divine grace. The style and labeling suggest a didactic or illustrative purpose, possibly conveying moral or philosophical ideas visually.
William Marshall, Title Page to J.F. Lenault, The Use of the Passions, published 1649, engraving, Rosenwald Collection, 1951.11.488

Title Page to J.F. Lenault, The Use of the Passions

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.488
The image features an engraving of a kneeling man in profile, facing left. The man is kneeling on a step, pointing with his right hand towards an open book with text, while resting his left hand on his chest. He has a beard, long hair, and wears elaborate clothing. The background shows a wall with two windows, a table with the book, a floral arrangement labeled "Gratia," and a scroll labeled "Christi Tracto." Through the windows, a landscape with a mountain and trees is visible, and there are clouds with beams of light towards the man's heart labeled with Latin inscriptions. In the bottom right corner, there is a crown labeled "Splendidiam et Gloriam". The scene is divided by a column, and the lighting accentuates the man's contemplative posture.
William Marshall, Charles I, published 1649, engraving, Rosenwald Collection, 1951.11.430

Charles I

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.430
The image shows a portrait engraving of a man from the waist up. He is facing slightly to the left, with one hand on his chest. The man has an elongated face, arched eyebrows, a slight mustache, and chin-length wavy hair. He wears a formal period garment with a wide collar, buttons down the front, and a circular pendant around his neck. The background features trees, a path, and a drawn-back curtain. The border includes inscriptions in Latin, and a poetic verse is below the portrait.
William Marshall, Edmund Gregory, published 1649, engraving, Rosenwald Collection, 1951.11.441

Edmund Gregory

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.441
The image is a portrait engraving of a person's upper body. The individual faces forward with a slightly tilted head. They have a long face, prominent nose, slightly parted lips, and eyes looking ahead. The person has long, wavy hair reaching their shoulders and wears formal attire with a dark, buttoned jacket and a light collar with a bow tie or decorative element. They hold a paper in their right hand against their chest. The background features a decorative oval frame with a crest and floral or leafy elements. Below the portrait is a block of text providing context or inscription.
William Marshall, John Quarles, Poet, published 1649, engraving, Rosenwald Collection, 1951.11.461

John Quarles, Poet

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.461
The image shows a three-quarter length portrait of a person seated, facing slightly to the left with their left arm resting on a surface, holding a book. The individual has high cheekbones, a long nose, and a neutral expression. They have long, wavy hair past the shoulders and wear a dark jacket with button details, a light-colored collar, a decorative collar, and a lace cuff. They wear a chain with a pendant. The person holds a small book labeled "MOYLE WARE" in their left hand. The background features a pattern with an oval frame decorated and topped with a crest with symbols of a bird and stars. Below the portrait, there is a block of text.
William Marshall, John Quarles, 1649, engraving, Rosenwald Collection, 1951.11.462

John Quarles

William Marshall · 1649 · engraving ·  Accession ID  1951.11.462
The sculpture is a bust of a man identified as Henricus Dom. Cary, Baro de Leppington, Com. de Monmouth. The bust depicts the man with wavy, shoulder-length hair, a mustache, and a part of a goatee, facing to the left. The sculpture appears to be made of stone or marble, indicated by its detailed texture and the engraving style of the artwork. The bust is mounted on an ornate pedestal that features inscriptions, and it stands against a backdrop of stylized horizontal lines. In the background, there is a serene landscaped setting with trees and a small church, all presented in a monochrome, detailed engraving style that enhances the classic and formal appearance of the portrait.
William Marshall, Henry Cary, Earl of Monmouth, published 1649, engraving, Rosenwald Collection, 1951.11.455

Henry Cary, Earl of Monmouth

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.455
The image is an engraved portrait of Johannes Ogilvius, depicted from the chest up. He is facing slightly to the right, with his head turned towards the viewer. He has a long, prominent nose, full lips, and deep-set eyes. His hair is long and wavy, reaching his shoulders. Ogilvius wears a dark, collared robe with horizontal lines, and he is holding a medallion or coin in his right hand with a profile image. There is no visible jewelry. The background has intricate line work, with the portrait set within an oval frame. Below the oval is a curtain-like design with the engraving's title, "JOHANNES OGILVIUS," the artist's name, "Guil: Marshall fecit," and the year "1649" at the bottom.
William Marshall, John Ogilby, 1649, engraving, Rosenwald Collection, 1951.11.458

John Ogilby

William Marshall · 1649 · engraving ·  Accession ID  1951.11.458
The image shows a bust of a man. The bust is in profile facing left, displaying only one side of his facial features. The man has a prominent nose, mustache, and wavy hair that falls just below his ears. He appears to be wearing a garment with ruffled or patterned edges. The base of the bust sits on a pedestal with inscriptions stating "Henricus Dom: CARY; Baro de Lepington; Com: de Monmouth." The background features hills, trees, and a building resembling a church with a pointed roof surrounded by trees. The style of the image is detailed engraving.
William Marshall, Bust of Earl of Monmouth, published 1649, engraving, Rosenwald Collection, 1951.11.487

Bust of Earl of Monmouth

William Marshall · published 1649 · engraving ·  Accession ID  1951.11.487