Eugène Bléry

French, 1805 - 1887

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See all 36 works of art
The image depicts a dense forest with a winding path surrounded by tall trees. The horizon is obscured by foliage, and there is a monochrome color scheme focused on black, gray, and white tones. The brushstrokes detail tree bark, leaves, and forest floor textures. Light filters through the canopy, creating patterns of light and shadow on the ground and tree trunks.
Eugène Bléry, Le Charlemagne (forêt de fontainebleau), 1861, etching on chine collé, Ailsa Mellon Bruce Fund, 2012.52.1

Le Charlemagne (forêt de fontainebleau)

Eugène Bléry · 1861 · etching on chine collé ·  Accession ID  2012.52.1
The image consists of large leaves and foliage in the center and front. The color palette is shades of gray. Delicate plants and tree trunks are visible in the background. All objects are centrally positioned in the rectangular frame against a blank margin.
Eugène Bléry, Burdock in Bloom, 1858, etching on chine collé, Ellwanger/Mescha Collection, 2017.19.6

Burdock in Bloom

Eugène Bléry · 1858 · etching on chine collé ·  Accession ID  2017.19.6
The image shows a forest scene with a prominent tree in the center. The horizon is low with smaller trees and bushes in the distance. The brushstrokes are detailed, capturing the tree's texture and foliage. The color palette is monochromatic with shades of brown and beige. Two figures are depicted near the base of the tree. In the background, smaller trees and undergrowth are clustered, creating a serene natural setting.
Eugène Bléry, Ancient Oak in the Bois de Boulougne, 1855, etching on chine collé, Ailsa Mellon Bruce Fund, 2006.85.1

Ancient Oak in the Bois de Boulougne

Eugène Bléry · 1855 · etching on chine collé ·  Accession ID  2006.85.1
The image shows a landscape with hills, trees, a path, and water. The view is from a slightly elevated perspective, allowing a broad view of the terrain. The horizon is low in the image with rolling hills, a line of trees in the distance, and a dense cluster of trees on the right. A path winds through the grass, and there are fine, delicate lines showing details like tree textures and water ripples. The color palette is monochromatic, with varying shades of grey, emphasizing details and contrasts.
Eugène Bléry, Oaks near a Pond, 1852, etching on chine collé on wove paper, Ellwanger/Mescha Collection, 2017.19.49

Oaks near a Pond

Eugène Bléry · 1852 · etching on chine collé on wove paper ·  Accession ID  2017.19.49
The image displays an array of plants and foliage. The largest plants are tall, slender stems with clusters of small flowers on the right side. The color scheme is monochrome, with varying shades of black and white. Broad leaves are in the foreground, while climbers and floral tendrils rise on the left side. The detailing indicates a flourishing, natural growth in the scene.
Eugène Bléry, La petite berle aux liserons (Small Water-parsnip with Bindweed), published 1849, etching on chine collé, Ailsa Mellon Bruce Fund, 1993.36.7

La petite berle aux liserons (Small Water-parsnip with Bindweed)

Eugène Bléry · published 1849 · etching on chine collé ·  Accession ID  1993.36.7
This is a photograph of a title page for a collection of etchings. The image displays a page with printed and handwritten text. The printed text reads "SUITE DE 8 EAUX-FORTES GRAVÉES SUR NATURE PRÈS DAMPIERRE PAR Eug. BLÉRY," which translates to a suite of eight nature-etched prints near Dampierre by Eugène Bléry. The handwritten text on the left side appears to enumerate a list, likely corresponding to the etchings described in the suite, written in French. The typography is formal and balanced, emphasizing the artist's name, title, and nature of the work. The paper is aged, giving it a historical look.
Eugène Bléry, 8 Eaux-Fortes Gravées sur Nature, published 1849, portfolio with wrapper of 8 etchings on chine collé, Ailsa Mellon Bruce Fund, 1993.36.1-8

8 Eaux-Fortes Gravées sur Nature

Eugène Bléry · published 1849 · portfolio with wrapper of 8 etchings on chine collé ·  Accession ID  1993.36.1-8
The image shows a wooded scene with trees and foliage, viewed from a ground-level perspective. The forest canopy is dense, obscuring the horizon. The detailed etching features intricate line work creating textures, from gnarled tree roots in the foreground to tree trunks and foliage in the middle ground. The monochromatic color palette contrasts dark ink with light paper for depth. Light and shadow play is evident, with shafts of light illuminating parts of the forest.
Eugène Bléry, L'arbre aux racines (Tree with Roots), published 1849, etching on chine collé, Ailsa Mellon Bruce Fund, 1993.36.3

L'arbre aux racines (Tree with Roots)

Eugène Bléry · published 1849 · etching on chine collé ·  Accession ID  1993.36.3
The image shows a rustic rural scene with a cottage, trees, and a well. The perspective is slightly elevated, capturing the landscape. In the center, a cottage with a thatched roof is visible, partially hidden by foliage. The style appears to be etching, with fine lines defining texture. The color scheme is primarily sepia and grey. On the right, a well with stonework and timber can be seen. The overall composition invites exploration of the pastoral setting.
Eugène Bléry, La chaumière au puits (Cottage with Well), published 1849, etching on chine collé, Ailsa Mellon Bruce Fund, 1993.36.1

La chaumière au puits (Cottage with Well)

Eugène Bléry · published 1849 · etching on chine collé ·  Accession ID  1993.36.1
The image shows a natural scene with dense foliage, featuring a stream bordered by tall grasses and leafy plants. There are intricate lines creating textures of the vegetation, with a monochromatic color palette of black and white capturing light and shadow. In the background, there are more trees and bushes, giving a sense of depth to the forested area.
Eugène Bléry, Le petit ruisseau (The Little Brook), published 1849, etching on chine collé, Ailsa Mellon Bruce Fund, 1993.36.8

Le petit ruisseau (The Little Brook)

Eugène Bléry · published 1849 · etching on chine collé ·  Accession ID  1993.36.8
The image shows a woodland scene viewed from the edge of a forest glade. The view is focused within a clearing surrounded by dense foliage and towering trees, creating a canopy effect. There are no distinct objects on the horizon line. The artwork uses intricate lines and cross-hatching to depict textures of leaves, bark, and shadows. The color palette is monochrome, emphasizing shades of brown and black. Plants and undergrowth are visible near us, leading the eye towards distant trees and rocky formations. The etching captures the natural world's richness, balancing light and shadow.
Eugène Bléry, Les roches blanches (White Rocks), published 1849, etching on chine collé, Ailsa Mellon Bruce Fund, 1993.36.2

Les roches blanches (White Rocks)

Eugène Bléry · published 1849 · etching on chine collé ·  Accession ID  1993.36.2

Bibliography

1907

  • Ref Number: IV.113
    T.-B.IV.113