Philip Mercier

Mercier, Philippe
French, born Germany, 1689 - 1760

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Five men and boy, all with pale skin, crowd around a book of music propped on a wooden stand on a piano or similar instrument in this horizontal painting. Light falls across the scene from high to our left. The boy is closest to us, in the lower left corner. Shown from the shoulders up, he holds an open book but looks up at the keyboardist. His lips are mouth parted and his face deep in shadow. Three of the men appear to sing, one plays a bassoon, and the keyboardist plays with grim determination, his downturned lips pressed tightly together. The keyboardist’s eyebrows are lowered under a high forehead. He wears a long, gray wig and a gray jacket. The bassoonist is over his shoulder to our left. He appears to be bald or balding and wears a frilly white cravat tucked into an ochre-yellow vest. His eyes and cheeks bulge as he plays, his lips pressed around the reeds. The brown suits of the other three men nearly blend into the wall behind them, and they all have chin-length gray hair, presumably wigs. The man to our far left glares down at a book with his dark brows arched up and away from his nose, and his lopsided mouth open wide. The man next to him leans in to look at the book in front of the pianist, and the third singer, to the far right, lifts one hand as he opens his mouth wide, his brows gathered, and his wig pushed back on his head.
Philip Mercier, The Singing Party, c. 1732/1760, oil on canvas, Gift of Duncan Phillips, 1952.4.2

The Singing Party

Philip Mercier · c. 1732/1760 · oil on canvas ·  Accession ID  1952.4.2
The image is a portrait of a man looking directly at the viewer. He has a prominent nose and a calm expression. The man wears a patterned cap with floral designs, a robe-like garment with large buttons and tassels, and a scarf around his neck. He is holding a palette and paintbrushes. In the background are shelves with many books.
John Faber II, Philip Mercier, 1735, mezzotint on laid paper, Paul Mellon Fund, 2001.118.78

Philip Mercier

John Faber II · 1735 · mezzotint on laid paper ·  Accession ID  2001.118.78

Bibliography

1952

  • Waterhouse, Sir Ellis. "English Painting and France in the Eighteenth Century." Journal of the Warburg and Courtauld Institutes 15 (1952): 127-128.

1969

  • Raines, Robert and John Ingamells. Philip Mercier 1689-1760. Exh. cat. City Art Gallery, York; Iveagh Bequest, Kenwood, London. London, 1969.

1978

  • Ingamells, John and Robert Raines. "A Catalogue of the Paintings, Drawings and Etchings of Philip Mercier." Walpole Society 46 (1978): 1-70.

1992

  • Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 168-169.