Elaine de Kooning

de Kooning, Elaine

American, 1918 - 1989

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Various curved and jagged lines form an outline resembling the shape of an animal. The abstract composition is filled with speckles and scattered textures. The figure at the center is enclosed by swirling motifs suggesting movement and vitality.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing I from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.1

Torchlight Cave Drawing I from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.1

The image depicts a collection of curving lines and speckles, forming abstract representations resembling an ox or bull at the top and a rhinoceros at the bottom, set against a backdrop of swirling shapes. The lines create a textured effect that suggests movement, akin to ancient cave drawings. The outlines capture the essence of the animals, connecting the viewer to wildlife art etched into stone.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing IV from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.4

Torchlight Cave Drawing IV from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.4

The image features sweeping black lines and rounded shapes set against a textured backdrop of soft, muted tones. These abstract forms resemble familiar shapes akin to two animals: a horse or zebra leaping above a rhinoceros or boar-like creature. The horse figure is depicted with elongated limbs and a mane of flowing lines, while the other figure below it is more robust with a distinct horn or snout. The entire image is interspersed with scattered spots and patches, adding to the abstract nature that evokes a dynamic scene from the wilderness.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Pech-Merle, 1985, color sugarlift and spitbite aquatint on Arches 88 paper, Gift of Kathan Brown, 1998.40.297

Pech-Merle

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · color sugarlift and spitbite aquatint on Arches 88 paper ·  Accession ID  1998.40.297

This is a drawing of a rhinoceros and horses. The drawing showcases simplified outlines and forms of a rhinoceros in the foreground and two horses in the background. The art is done in a monochromatic style with a stippled effect, creating a dynamic texture. The use of shadowing and highlighting emphasizes contours, giving the impression of ancient artistry.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing V from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.5

Torchlight Cave Drawing V from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.5

The image displays wavy lines and curves intertwining to create an abstract network. These lines form shapes resembling animals with elongated bodies and dotted patterns. There are also hand shapes reminiscent of human hands raised. The overall appearance is akin to a cave drawing or ancient artistic expression with a textured style.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing VIII from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.8

Torchlight Cave Drawing VIII from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.8

The image displays curving lines and organic shapes etched into a dark surface. The outlines and patterns resemble animal figures, such as horses or cows found in prehistoric cave drawings. These forms are interconnected with textured lines that suggest movement, similar to animals in an ancient landscape.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing VII from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.7

Torchlight Cave Drawing VII from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.7

The image displays a pattern of lines and curves forming abstract horse-like figures. The lines create a rhythmic flow on the canvas, outlining the shapes of horses in various galloping poses. The artwork features a night sky filled with small star-like dots, adding to its abstract quality. The horses appear in an ethereal form similar to ancient cave paintings, conveying movement and freedom.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing III from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.3

Torchlight Cave Drawing III from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.3

This is a drawing of animals etched in a monochromatic style. The image depicts several animal figures positioned across the space in various stances. The drawing utilizes a technique that emphasizes texture and form through the use of fine dots and lines. The background provides a speckled appearance, suggesting a natural setting like a cave wall. The use of light and shadow contrasts give the impression of depth and movement within the composition.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing VI from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.6

Torchlight Cave Drawing VI from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.6

The image displays a series of curved and intersecting lines on a textured background that creates an abstract form. The lines converge to resemble the outline of an animal, reminiscent of a deer in motion. Surrounding textured details add depth and complexity, reminiscent of rippling water or rocky surfaces, enhancing the abstract composition.
Elaine de Kooning, Peter Pettengill, Crown Point Press, Torchlight Cave Drawing II from Torchlight Cave Drawings, 1985, one from a portfolio of eight aquatints on laid Richard De Bas paper, Gift of Kathan Brown, 1998.40.298.2

Torchlight Cave Drawing II from Torchlight Cave Drawings

Elaine de Kooning, Peter Pettengill, Crown Point Press · 1985 · one from a portfolio of eight aquatints on laid Richard De Bas paper ·  Accession ID  1998.40.298.2

The image shows swirling, organic shapes cascading downwards, layered with muted greens and grays. Patches of deeper green resembling leaves or foliage are scattered throughout. The design may evoke a stone sculpture within a garden, with mingling colors creating depth and movement.
Elaine de Kooning, Tamarind Institute, Untitled, 1975, color lithograph on wove paper, Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.205.78.3

Untitled

Elaine de Kooning, Tamarind Institute · 1975 · color lithograph on wove paper ·  Accession ID  1991.205.78.3