Jacopo Zanguidi, called Bertoia

Bertoja, Jacopo Zanguidi
Zanguidi, Jacopo
Jacopo Bertoia

Parmese, 1544 - 1573/1574

Explore selected works

This is a drawing of three winged figures in a dynamic composition. The drawing depicts three angelic figures with wings, rendered in shades of brown and white. One figure kneels in the foreground with a forward-leaning posture, while another stands behind with slightly open wings, and a third is positioned horizontally in flight. The figures are executed with strong outlines and flowing lines. The background is minimal and the use of white highlights gives a sense of luminosity to their forms.
Jacopo Zanguidi, called Bertoia, Christ in Gethsemane, 1560s, pen and brown ink over black chalk, with brown wash and white gouache on light green-blue paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2017.77.1

Christ in Gethsemane

Jacopo Zanguidi, called Bertoia · 1560s · pen and brown ink over black chalk, with brown wash and white gouache on light green-blue paper ·  Accession ID  2017.77.1

The image depicts two figures, one standing and one bending forward as if assisting the other. The larger figure has long hair and indistinct facial features, wearing flowing clothing. The background is abstract with flowing lines and shades of gray. The figures are within a decorative frame with a light green tint.
Jacopo Zanguidi, called Bertoia, Nude with Putto, pen and brown ink with brown wash and white heightening over black chalk, laid down, Julius S. Held Collection, 1985.1.16

Nude with Putto

Jacopo Zanguidi, called Bertoia · · pen and brown ink with brown wash and white heightening over black chalk, laid down ·  Accession ID  1985.1.16

The image shows two figures in full view. The person on the left is slightly turned to the right, with their right arm raised and pointing. The person on the right faces left, holding a circular shield. The figure on the left has wavy, long hair pulled back, and the figure on the right has short, curly hair mostly covered by a helmet with a large plume. The left figure is draped in a flowing garment that exposes much of their body, including their legs, and has a face motif at their waist. The figure on the right wears detailed armor with a breastplate featuring a face motif, a skirt-like piece, and intricate leg armor. The background is lightly sketched, with minimal detail beyond the figures.
Jacopo Zanguidi, called Bertoia, Mars and Diana [recto], pen and brown ink with brown wash over black chalk, Andrew W. Mellon Fund, 1977.82.1.a

Mars and Diana [recto]

Jacopo Zanguidi, called Bertoia · · pen and brown ink with brown wash over black chalk ·  Accession ID  1977.82.1.a

The image shows a sketch of a person in a slightly leaning position with arms raised outwards. The figure's face is faintly drawn, with long hair cascading over the shoulders. The person is wearing a long flowing garment with loose sleeves. The background is blank or lightly smudged.
Jacopo Zanguidi, called Bertoia, Kneeling Woman [verso], pen and brown ink, Andrew W. Mellon Fund, 1977.82.1.b

Kneeling Woman [verso]

Jacopo Zanguidi, called Bertoia · · pen and brown ink ·  Accession ID  1977.82.1.b

This is a drawing featuring figures and architecture. The artwork depicts a crowded scene with numerous figures interacting amidst an architectural setting dominated by large columns. The drawing uses heavy shading and detailed linework to give the impression of depth and complexity, with figures in various poses suggestive of movement. The background features architectural elements like columns and arches which emphasize the grandeur of the scene. The drawing style has a classical and Renaissance influence, focusing on the human form and architectural detail.
Jacopo Zanguidi, called Bertoia, Massacre of the Innocents [recto], pen and brown ink with brown wash on blue-green paper, Ailsa Mellon Bruce Fund, 1971.67.7.a

Massacre of the Innocents [recto]

Jacopo Zanguidi, called Bertoia · · pen and brown ink with brown wash on blue-green paper ·  Accession ID  1971.67.7.a

This is a painting of a pastoral scene with figures engaged in various activities. The image illustrates a rural setting where several nude figures are involved in milking animals. A central figure leans over a large tub, while another pours liquid into a container. In the background, a building with a smoking chimney and arched entryway is visible. To the left, a sculpture-like figure stands in a contrapposto pose. The scene features a variety of textures, with hatch lines and shading adding depth and form to the figures and landscape. This painting reflects bucolic themes typically found in works exploring human interaction with nature.
Anton Maria Zanetti I, Pastoral Scene, 1741, chiaroscuro woodcut in black and green, with green watercolor, Gift of the Washington Print Club in memory of Daryl R. Rubenstein, 1981.72.1

Pastoral Scene

Anton Maria Zanetti I · 1741 · chiaroscuro woodcut in black and green, with green watercolor ·  Accession ID  1981.72.1

The image shows a frieze featuring classical mythological figures in dynamic poses within an ornate architectural setting with floral elements and scrollwork. Cherubic figures assist larger beings in the scene. The drawing is monochromatic with detailed line work and shadowing, creating depth and richness.
Italian 16th Century, Prophet and Sybil, pen and brown ink with brown wash over graphite, heightened with white, on two joined sheets of laid paper, mounted to canvas, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.7

Prophet and Sybil

Italian 16th Century · · pen and brown ink with brown wash over graphite, heightened with white, on two joined sheets of laid paper, mounted to canvas ·  Accession ID  1991.150.7

""

Studies of Heads and Male Nudes [verso]

Jacopo Zanguidi, called Bertoia · · pen and brown ink with black chalk on blue-green paper ·  Accession ID  1971.67.7.b