Saskia van Uylenburgh, the Wife of the Artist

probably begun 1634/1635 and completed 1638/1640

Rembrandt van Rijn

Artist, Dutch, 1606 - 1669

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us. She has gray eyes, a rounded nose, and her pink lips are slightly parted. A golden veil covers long strawberry-blond hair and falls down over the shoulders of her dark dress. The dress has a high, white lace collar, and a gold chain hangs over her shoulders and on her chest. Painted mostly with deep browns and earth tones, the light that falls on her face and hair creates an aura-like effect.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden. Around 1632 he moved to Amsterdam, quickly establishing himself as the town’s leading artist, specializing in history paintings and portraiture. He received many commissions and attracted a number of students who came to learn his method of painting.

Rembrandt’s wife, Saskia van Uylenburgh, came from a patrician family in Leeuwarden, the capital of the province of Friesland; her father served as the town’s burgomaster. Hendrik van Uylenburgh, Saskia’s cousin, was a painter and flourishing art dealer in Amsterdam. After moving to Amsterdam Rembrandt invested in Van Uylenburgh’s business and came to live in the art dealer’s house. The promising young painter must have met Saskia soon thereafter. They married in 1634, a year after their betrothal, and were together until her death in 1642. The couple had four children, but only Titus, born in 1641, survived infancy.

Rembrandt’s many drawings, etchings, and paintings of Saskia have left us with varied depictions of her personality, including her warmth and tenderness, but also a certain aloofness; her zest for life, but also the debilitating illness that frequently weakened her after the mid-1630s. Rembrandt probably began this painting around 1634–1635, shortly after their marriage. Saskia, wearing a fashionable dress, glances over her right shoulder toward her husband and the viewer. The diaphanous shawl that drapes her head enabled Rembrandt to present a softer, more intimate portrayal of his wife than a conventional bonnet would have allowed.

On View

West Building Main Floor, Gallery 48

Order reproductions from the Gallery Shop

Artwork overview

  • Medium

    oil on panel

  • Credit Line

    Widener Collection

  • Dimensions

    overall: 62.5 × 49 cm (24 5/8 × 19 5/16 in.)
    framed: 88.6 x 75.6 x 11.4 cm (34 7/8 x 29 3/4 x 4 1/2 in.)

  • Accession

    1942.9.71

More About this Artwork

Scholarly Article:  Dutch Paintings of the Seventeenth Century: Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640

This horizontal painting shows a group of eight light-skinned musicians and onlookers gathered closely around a rectangular, carpet-covered table. The front edge of the table runs parallel to the bottom edge of the painting, and seems close to us. Shown from about the waist up, the men and women’s vivid lapis-blue, coral-red, buttercup-yellow, lilac-purple, and moss-green garments fall in crisp folds. Bright reflections on the fabric suggest a satin-like material. Two women wear feathers in their hair and one man’s hat is plumed. One man, wearing crimson red and black, sits with his back to us to our left on the near side of the table. He holds the neck of a bass viol, about the size of a cello, with his left hand, and points to pages of an open music book with the bow in his right hand. The other people cluster on the far side of the table. A man to the left plays a violin; a woman at the center plays a guitar-sized bandora, and a woman to our right plays a lute. The musicians, along with a man who leans over the table from between the two women, look down at the music books. A young man behind the woman at the center holds up a glass of pale liquid with his right hand as he touches his left forefinger to his smiling lips. A man and woman stand close together in the background to our right, in the top right corner of the canvas.

Scholarly Series:  Dutch Paintings of the Seventeenth Century

Artwork history & notes

Provenance

Bourchier Cleeve [d. 1760], Foots Cray Place, Kent; by inheritance to his daughter, Elizabeth; by marriage 1765 to her husband, Sir George Yonge, Bart., London; (his sale, at his residence by Mr. White, London, 24-25 March 1806, 2nd day, no. 79); Foster. William Wells [1760-1847], Redleaf, near Penshurst, Kent, by 1831;[1] by inheritance to his grandnephew, William Wells [1818-1889], Redleaf; (his granduncle's estate sale, Christie & Manson, London, 12-13 May 1848, no. 67, probably bought in for or by Wells); (his estate sale, Christie, Manson & Woods, London, 10 and 12 May 1890, no. 93); (P. & D. Colnaghi & Co., London); Henry Bingham Mildmay [1828-1905], Shoreham Place, Kent, and Flete House, Devon; (his sale, Christie, Manson & Woods, London, 24 June 1893, no. 58); (Wertheimer, London). (Charles Sedelmeyer, Paris); sold 30 July 1894 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA.
[1] Wells lent the painting to an 1831 exhibition at the British Institution.

Associated Names

Exhibition History

1831

  • British Institution for Promoting the Fine Arts in the United Kingdom, London, 1831, no. 85.

1909

  • The Hudson-Fulton Celebration, The Metropolitan Museum of Art, New York, 1909, no. 81.

1969

  • Rembrandt in the National Gallery of Art [Commemorating the Tercentenary of the Artist's Death], National Gallery of Art, Washington, D.C., 1969, no. 2, 12, repro.

2003

  • Dutch and Flemish Treasures from the National Gallery of Art, Chrysler Museum of Art, Norfolk, 2003, no cat.

2005

  • Loan for display with permanent collection, The Hyde Collection, Glens Falls, New York, 2005.

2013

  • Amsterdam DNA, Amsterdam Museum, 2013-2015, no catalogue.

2019

  • Inside Rembrandt. 1601-1669, Wallraf-Richartz-Museum, Cologne; Narodni galerie v Praze, Praque, 2019-2021 (shown only in Cologne), no. 77, repro.

2021

  • Rembrandt in Amsterdam: Creativity and Competition, Städelsches Kunstinstitut und Städtische Galerie, Frankfurt am Main; National Gallery of Canada, Ottawa, 2021 - 2022, pl. 7.

Bibliography

1829

  • Smith, John. A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters. 9 vols. London, 1829-1842: 7(1836):183, no. 576.

1836

  • Passavant, Johann David. Tour of a German artist in England. 2 vols. Translated by Elizabeth Rigby. London, 1836: 2:71-72.

1885

  • Catalogue of Paintings Forming the Collection of P.A.B. Widener, Ashbourne, near Philadelphia. 2 vols. Paris, 1885-1900: 2(1900):241, repro.

1894

  • Sedelmeyer, Charles. Illustrated Catalogue of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools belonging to the Sedelmeyer Gallery. Paris, 1894: 38, no. 31, repro.

1897

  • Bode, Wilhelm von, and Cornelis Hofstede de Groot. The Complete Work of Rembrandt. 8 vols. Translated by Florence Simmonds. Paris, 1897-1906: 3:6, 50, no. 153, repro.

1899

  • Bell, Malcolm. Rembrandt van Rijn and His Work. London, 1899: 185.

1904

  • Rosenberg, Adolf. Rembrandt: des Meisters Gemälde. Klassiker der Kunst in Gesamtausgaben 2. Stuttgart, 1904: 98, repro.

1906

  • Rosenberg, Adolf. Rembrandt, des Meisters Gemälde. Klassiker der Kunst in Gesamtausgaben 2. 2nd ed. Stuttgart, 1906: repro. 98.

1907

  • Hofstede de Groot, Cornelis. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century. 8 vols. Translated by Edward G. Hawke. London, 1907-1927: 6(1916):297, no. 615.

  • Bell, Malcolm. Rembrandt van Rijn. The great masters in painting and sculpture. London, 1907: 156.

  • Rosenberg, Adolf. The Work of Rembrandt, reproduced in over five hundred illustrations. Classics in Art 2. New York, 1907: 98.

1908

  • Rosenberg, Adolf. Rembrandt, des Meisters Gemälde. Klassiker der Kunst in Gesamtausgaben 2. 3rd ed. Stuttgart and Berlin, 1908: repro. 129.

1909

  • Valentiner, Wilhelm R. Catalogue of a collection of paintings by Dutch masters of the seventeenth century. The Hudson-Fulton Celebration 1. Exh. cat. Metropolitan Museum of Art. New York, 1909: xx, 82, no. 81, repro., 155, 161.

  • Rosenberg, Adolf. Rembrandt: Des Meisters Gemälde. Edited by Wilhelm R. Valentiner. Klassiker der Kunst in Gesamtausgaben 2. Stuttgart and Leipzig, 1909: repro. 98.

1910

  • Valentiner, Wilhelm R. Catalogue of a Loan Exhibition of Paintings by Old Dutch Masters Held at the Metropolitan Museum of Art in Connection with the Hudson-Fulton Celebration. New York, 1910: 9, 278, no. 81, repro. 279.

1913

  • Hofstede de Groot, Cornelis, and Wilhelm R. Valentiner. Pictures in the collection of P. A. B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early German, Dutch & Flemish Schools. Philadelphia, 1913: unpaginated, repro.

  • Rosenberg, Adolf. The Work of Rembrandt, reproduced in over five hundred illustrations. Classics in Art 2. Edited by Wilhelm R. Valentiner. 2nd ed. New York, 1913: repro. 129.

1914

  • Sedelmeyer, Charles. Hundred masterpieces. A selection from the pictures by old masters which form or have formed part of the Sedelmeyer Gallery. Paris, 1914: 72, no. 34, repro.

  • Valentiner, Wilhelm R. The Art of the Low Countries. Translated by Mrs. Schuyler Van Rensselaer. Garden City, NY, 1914: 244, no. 24.

1921

  • Valentiner, Wilhelm R. Rembrandt: wiedergefundene Gemälde (1910-1922). Klassiker der Kunst in Gesamtausgaben 27. Stuttgart and Berlin, 1921: 129, repro.

  • Rosenberg, Adolf. The Work of Rembrandt. Edited by Wilhelm R. Valentiner. Classics in Art 2. 3rd ed. New York, 1921: 129, repro.

1923

  • Van Dyke, John C. Rembrandt and His School. New York, 1923: 124.

  • Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro.

  • Meldrum, David S. Rembrandt’s Painting, with an Essay on His Life and Work. New York, 1923: 20, 41, 67, 68, 69, 192, pl. 167.

1930

  • Valentiner, Wilhelm R. "Important Rembrandts in American Collections." Art News 28, no. 30 (26 April 1930): 3.

1931

  • Valentiner, Wilhelm R. Rembrandt Paintings in America. New York, 1931: intro., no. 51, pl. 30.

  • Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 60, repro.

1935

  • Bredius, Abraham. Rembrandt Schilderijen, 630 Afbeeldingen. Utrecht, 1935: no. 96, repro.

  • Bredius, Abraham. Rembrandt Gemälde, 630 Abbildungen. Vienna, 1935: no. 96, repro.

1936

  • Bredius, Abraham. The Paintings of Rembrandt. New York, 1936: no. 96, repro.

1938

  • Waldmann, Emil. "Die Sammlung Widener." Pantheon 22 (November 1938): 336, 341.

1942

  • National Gallery of Art. Works of art from the Widener collection. Washington, 1942: 6.

  • Bredius, Abraham. The Paintings of Rembrandt. 2 vols. Translated by John Byam Shaw. Oxford, 1942: 1:7, no. 96, repro.

1948

  • National Gallery of Art. Paintings and Sculpture from the Widener Collection. Washington, 1948: 36, repro.

1959

  • National Gallery of Art. Paintings and Sculpture from the Widener Collection. Reprint. Washington, DC, 1959: 36, repro.

1963

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 312, repro.

1965

  • National Gallery of Art. Summary Catalogue of European Paintings and Sculpture. Washington, 1965: 111.

1966

  • Bauch, Kurt. Rembrandt Gemälde. Berlin, 1966: 25, Harris, Neil. Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago, 2013:no. 488, repro.

1968

  • Gerson, Horst. Rembrandt Paintings. Amsterdam, 1968: 292, 495, no. 174, repro.

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 96, repro.

1969

  • Haak, Bob. Rembrandt: His Life, His Work, His Time. Translated by Elizabeth Willems-Treeman. New York, 1969: 92, no. 134, repro.

  • Bredius, Abraham. Rembrandt: The Complete Edition of the Paintings. Revised by Horst Gerson. 3rd ed. London, 1969: repro. 85, 555, no. 96.

  • National Gallery of Art. Rembrandt in the National Gallery of Art: Commemorating the tercentenary of the artist's death. Exh. cat. National Gallery of Art, Washington, 1969: 7, 12, no. 2, repro.

1973

  • Louttit, Margaret. "The Romantic Dress of Saskia van Ulenborch: Its Pastoral and Theatrical Associations." The Burlington Magazine 65 (May 1973): 317-326, repro. no. 76.

1975

  • National Gallery of Art. European paintings: An Illustrated Summary Catalogue. Washington, 1975: 290-291, repro.

1977

  • Kettering, Alison McNeil. "Rembrandt’s Flute player: a unique treatment of pastoral." Simiolus 9 (1977): 19-44.

  • Bolten, J., and H. Bolten-Rempt. The Hidden Rembrandt. Translated by Danielle Adkinson. Milan and Chicago, 1977: 180, no. 166.

1978

  • King, Marian. Adventures in Art: National Gallery of Art, Washington, D.C. New York, 1978: 49, pl. 26.

1981

  • Janson, Anthony F. "Rembrandt in the Indianapolis Museum of Art." Perceptions 1 (1981): 6-21.

  • Miller, David A. "Conservator’s Report." Perceptions 1 (1981): 23-33.

1984

  • Schwartz, Gary. Rembrandt: Zijn leven, zijn schilderijen. Maarssen, 1984: 190, no. 204, repro.

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 273, no. 352, color repro.

1985

  • National Gallery of Art. European Paintings: An Illustrated Catalogue. Washington, 1985: 333, repro.

  • Schwartz, Gary. Rembrandt: His Life, His Paintings. New York, 1985: 190, no. 204, repro.

1986

  • Sutton, Peter C. A Guide to Dutch Art in America. Washington and Grand Rapids, 1986: 312, no. 467, repro.

  • Tümpel, Christian. Rembrandt. Translated by Jacques and Jean Duvernet, Léon Karlson, and Patrick Grilli. Paris, 1986: repro. 114, 410, no. 183.

  • Guillaud, Jacqueline, and Maurice Guillaud. Rembrandt: das Bild des Menschen. Translated by Renate Renner. Stuttgart, 1986: no. 331, repro.

  • Guillaud, Jacqueline, and Maurice Guillaud. Rembrandt, the human form and spirit. Translated by Suzanne Boorsch et al. New York, 1986: no. 331, repro.

1989

  • Stichting Foundation Rembrandt Research Project. A Corpus of Rembrandt Paintings. Vol. 3: 1635-1642. Edited by Josua Bruyn, et al. Dordrecht, Boston, and London, 1989: 651-656, repro.

1990

  • Liedtke, Walter A. "Dutch Paintings in America: The Collectors and their Ideals." In Great Dutch Paintings from America. Edited by Ben P.J. Broos. Exh. cat. Royal Picture Gallery Mauritshuis, The Hague; Fine Arts Museums of San Francisco. Zwolle, 1990: 42.

  • Liedtke, Walter A. "Dutch Paintings in America: The Collectors and their Ideals." In Great Dutch Paintings from America. Edited by Ben P.J. Broos. Exh. cat. Royal Picture Gallery Mauritshuis, The Hague; Fine Arts Museums of San Francisco. The Hague and Zwolle, 1990: 42.

1991

  • Grimm, Claus. Rembrandt selbst: Eine Neuhewertung seiner Porträtkunst. Stuttgart, 1991: 61, fig. 105, 72, color repro. 36 (detail).

1995

  • Wheelock, Arthur K., Jr. Dutch Paintings of the Seventeenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1995: 210-215, color repro. 211.

1999

  • Schama, Simon. Rembrandt's Eyes. New York, 1999: 354, repro.

2000

  • Wright, Christopher. Rembrandt. Collection Les Phares 10. Translated by Paul Alexandre. Paris, 2000: 306, fig. 307.

2004

  • Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 202, no. 158, color repro.

2013

  • Harris, Neil. Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago and London, 2013: 235, 248, 250.

2014

  • Wheelock, Arthur K, Jr. "The Evolution of the Dutch Painting Collection." National Gallery of Art Bulletin no. 50 (Spring 2014): 2-19, repro.

Wikidata ID

Q20177135

You may be interested in

Loading Results