Indian Shops, Gay Head, Massachusetts

1940

Lois Mailou Jones

Painter, American, 1905 - 1998

Lois Mailou Jones

Attributed to

From an elevated perspective, we look slightly down on a tan tepee and two shed-like structures on sandy ground overlooking a glistening sea in this almost square, loosely painted landscape. In the left third of the composition, the tall, pyramidal tepee has thin, dark brown horizontal stripes that divide the sides facing us into sections with blended bands of sage green, pale blue, pink, and mustard yellow. A window in the side of the tepee opens onto unidentifiable brown and cream-white shapes, perhaps objects on a table. One shed is near the tepee and the other is near the right edge of the canvas. Openings and awnings in both face each other. Two people inside the left-hand shed have brown skin, black hair, and wear pink or blue. Beyond the structures, the sandy ground gives way to grassy dunes painted with visible strokes of emerald and avocado green. A sailboat floats on the sparkling, topaz-blue water, which reaches back to the horizon. In the top fifth of the painting, the sun lights a bank of clouds to cream white and pale peach. The artist signed and dated the lower right corner, “Lois M. Jones '40.”

Media Options

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On View

East Building Ground Level, Gallery 106-C


Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Corcoran Collection (Gift of the artist)

  • Dimensions

    overall: 53.34 × 65.41 cm (21 × 25 3/4 in.)
    framed: 72.71 × 83.82 × 8.89 cm (28 5/8 × 33 × 3 1/2 in.)

  • Accession Number

    2015.19.212

More About this Artwork

Video:  Inside the Corcoran’s Incredible Art Collection

From 1869 to 2014, the Corcoran Gallery of Art was one of the oldest art museums in the United States, reflecting the country’s move from the ashes of the Civil War into the 21st century.

From an elevated perspective, we look slightly down on a tan tepee and two shed-like structures on sandy ground overlooking a glistening sea in this almost square, loosely painted landscape. In the left third of the composition, the tall, pyramidal tepee has thin, dark brown horizontal stripes that divide the sides facing us into sections with blended bands of sage green, pale blue, pink, and mustard yellow. A window in the side of the tepee opens onto unidentifiable brown and cream-white shapes, perhaps objects on a table. One shed is near the tepee and the other is near the right edge of the canvas. Openings and awnings in both face each other. Two people inside the left-hand shed have brown skin, black hair, and wear pink or blue. Beyond the structures, the sandy ground gives way to grassy dunes painted with visible strokes of emerald and avocado green. A sailboat floats on the sparkling, topaz-blue water, which reaches back to the horizon. In the top fifth of the painting, the sun lights a bank of clouds to cream white and pale peach. The artist signed and dated the lower right corner, “Lois M. Jones '40.”

Article:  Out of the Shadows, A Black Painter Finds Her Place in the Sun

American painter Lois Mailou Jones had to conceal her identity to exhibit this idyllic landscape — and achieved recognition on her own terms.

Article:  Your Tour of Black Artists at the National Gallery

These 10 works by Black artists are on view in our galleries, so you can see them during your next visit.


Artwork history & notes

Provenance

Gift March 1997 from the artist to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.

Associated Names

Exhibition History

1941

  • Society of Washington Artists Fiftieth Annual Exhibition, Corcoran Gallery of Art, Washington, 1-23 February 1941.

1994

  • The World of Lois Mailou Jones, Corcoran Gallery of Art, Washington, 17 September - 14 November 1994.

2006

  • Painting Summer in New England, Peabody Essex Museum, Salem, 2006, unnumbered catalogue, pl. 4.

2009

  • Loïs Mailou Jones: A Life in Vibrant Color, Mint Museum, Charlotte; Polk Museum of Art, Lakeland, Florida; National Museum of Women in the Arts, Washington; Hunter Museum of American Art, Chattanooga; The Women's Museum, Dallas, 14 November 2009 - 23 July 2011, unnumbered catalogue, repro.

2013

  • American Journeys: Visions of Place, Corcoran Gallery of Art, Washington, 21 September 2013 - 28 September 2014, unpublished checklist.

Bibliography

2011

  • Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington, 2011: 304, repro.

Inscriptions

lower right: Lois M. / Jones '40

Wikidata ID

Q46635449


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