Plate 32: Skates with an Egg Case and Two Flat Fish

c.1575/1590s

Joris Hoefnagel

Associated Names
Joris Hoefnagel

Artist, Flemish, 1542 - 1600

The image shows four large fish with distinct shapes and appearances against a backdrop of a sandy shore and water. The color palette includes soft blue for the water, shades of brown for the sandy ground, and hues of pink, gray, and brown for the fish. In the center, a flat fish with a diamond shape and spots appears above the sand, while another fish with a similar shape is slightly in the background. To the left, a rounder, brownish fish with patterned markings touches the edge of the water. On the right side, a pinkish fish with extended fins lies partly on the sand near two shells. The illustration is enclosed in an oval frame with a thin gold border and handwritten text above and below.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

  • Medium

    watercolor and gold paint on parchment

  • Credit Line

    Gift of Mrs. Lessing J. Rosenwald

  • Dimensions

    page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)

  • Accession Number

    1987.20.7.33

  • Series Title

    Animalia Aqvatilia et Cochiliata (Aqva)

Associated Artworks

See all 59 artworks
This seems to be a red, leather-bound book with gold embellishments. The book cover features the word "AQVA" embossed in gold lettering at the center. The right side, top, and bottom of the book have golden clasps with three rivet-like details on each of them. The red leather surface displays wear and age, with visible scratches and areas of darker discoloration. The edges of the cover are lined with a thin, gold border.

Animalia Aqvatilia et Cochiliata (Aqva)

Joris Hoefnagel

1575

This is a drawing of an ornately decorated title page featuring the title "ANIMALIA AQVATILIA ET CÖCHILIATA" in the center. The border surrounding the text includes pastel-colored decorative elements such as ribbons, tassels, floral motifs, and beads. At the top, there is an aquatic-themed decoration with a vessel labeled "AQVA" releasing stylized water arcs. The drawing is framed with delicate scrollwork.

Title Page

Joris Hoefnagel

1570

Two turtles and a gray rodent are in or around a trickling stream within an oval, painted frame in this horizontal watercolor painting. A russet-brown turtle swims or lies in the shallow stream near the bottom center of the oval. A number 1 appears near its face. Labeled number 2, the second turtle lies on its back on the riverbank to our left to show its ivory-white underbelly. Pebbles and a few shells line the stream. The gray rodent, numbered 3, is about a quarter the size of the turtles. Outlined against the blank background beyond the riverbank, it hunches its oval body and wraps its long, sinewy tail close to its body. One tiny front paw is raised, and its mouth pulls back to reveal minuscule sharp teeth. Writing in all caps and red ink above the oval reads, “IPSI TESTVDINES EDITE QVI CEPISTIS.” Text in dark, golden yellow, the same color as the painted oval, reads, “DOMVS AMICA DOMVS OPTA.” The number 1 appears to the right of the oval.

Plate 1: Two Loggerhead or Green Sea Turtles, a Muskrat, and Shells

Joris Hoefnagel

1570


Artwork history & notes

Provenance

Emperor Rudolf II of Austria?[1]; Secretarius Heinrich Hagen, Vienna, 1611.[2] Count Emanuel Maria Joseph von Arco, Munich, 1751.[3] Graf von Seinsheim, canon of Salzburg and Speyer, 1753. Master stonemason Rüpfel, Munich, c. 1830. Joseph Anton Niggl [1792 - 1842], Markt Tölz. Karl August von Brentano [1817 - 1896], Augsburg. (sale, Rudolph Weigel, 28 October 1861, no. 2220-a-d]; (Frederick Startridge Ellis [active 1860 - 1885], London; formerly identified as F. S. Eliot)[3]; Henry Huth [1815 - 1878], London; by descent to his son, Alfred Henry Huth [1850 - 1910], London; (sale, Sotheby's' London, 12 June 1913, no. 3722); (William Wesley & Son, London); Charles Francis George Richard Schwerdt, Old Alresford House, Hampshire (his sale, Sotheby's' London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia); Lessing J. Rosenwald, Jenkintown; given to Edith Goodkind Rosenwald, Jenkintown; gift to NGA, 1987.
[1] Although Van Mander claims the series was commissioned and purchased by Rudolf, this is impossible as dates scattered throughout volumes pre-date Hoefnagel's' contact with Rudolf. The series does not appear in Rudolf's' inventory, though he is likely to have owned it at one time as many copies from the volumes appear in his natural history collections, now in Vienna (see Bass 2020, 12).
[2] Vignau-Wilberg 2017, 98 without documentation.
[3]Wolfgang Wegner, Kurfurst Carl Theodor von der Pfalz als Kunstsammler, Mannheim, 1960: 13.
[4] Ellis was a book dealer who frequently sold to Huth and wrote the catalogue of Huth's' collection. He started his own business just a year before The Four Elements appeared at Weigel. Ellis is correctly identified by M. Bartels, "Ueber abnorme Behaarung beim Menschen," Zeitschrift fu¨r Ethnologie 11 (1879): 155, note 1.

Associated Names

Bibliography

1984

  • Hendrix, Lee. Joris Hoefnagel and the Four Elements: a Study in Sixteenth-Century Nature Painting. Ph.D. Hendrix, Lee. Joris Hoefnagel and the Four Elements: a Study in Sixteenth-Century Nature Painting. Ph.D. dissertation, Princeton University, 1984 (series).dissertation, Princeton University, 1984 (series).

2017

  • Vignau-Wilberg, Thea. Joris and Jacob Hoefnagel: Art and Science around 1600. Berlin, 2017: no. A6 (for series).

2019

  • Bass, Marisa Ann. Insect Artifice: Nature and Art in the Dutch Revolt. Princeton, 2019 (for series).

Inscriptions

upper center in blue ink: Dante te illis colligent: Aperiente te manu[m] / tuam, o[m/n]ia implebuntur bonitate ps:103. (“What you give to them they shall gather up; when you open your hand, they shall all be filled with good.” Psalms 103:28) (Latin Vulgate Bible);
fish in image numbered .1., .2., .3., and .4., in red ink; shells in image numbered .5., .6., and .7., in red ink; center right in (gold?): XXXII.; lower center in blue ink: Auferente autem te faciem, turbabuntur: auferes spiritum eorum / et deficient, et in pulverem suum revertentur ps:103. (“But if you turn away your face, they shall be troubled; you shall take away their breath, and they shall fail, and shall return to their dust.” Psalms 103:29) (Latin Vulgate Bible)
Facing page: upper center in blue ink: Ampliat aetatis spatium tutissima virtus: / Omne solum bono Patria est ut piscibus Aequor.; lower center in red/violet ink: Ego sapientia girum coeli circuivi sola, et profundum / MARIS penetravi, et in fluctibus maris ambulavi, et / in omni terra steti .Ecc[us].24. (“I wisdom alone have compassed the circuit of heaven and have penetrated into the bottom of the sea and have walked in the waves of the sea. And have stood in all the earth.” Ecclesiasticus 24:8 and 9) (Latin Vulgate Bible)

Wikidata ID

Q64590933

You may be interested in

Loading Results