Overview: The exhibition consisted of 77 paintings and 14 sculptures dating from the 6th to the 19th century. It came from the Commission for Protection of Cultural Properties of the Government of Japan in Tokyo. Included were early Buddhist paintings as well as gilt-bronze, wood, and lacquer sculpture, screens, scrolls, and illustrated books lent by 6 museums, 2 cities, 27 Buddhist monasteries, a Shinto shrine, 21 private collectors, and the emperor of Japan. 18 paintings were registered by the Japanese government as National Treasures, while 45 paintings and 6 sculptures were classified as Important Cultural Properties. 3 paintings were allowed to be exhibited for one week only at each museum. 6 Japanese curators and technicians accompanied the exhibition during its tour.

Special installations were prepared under the direction of Perry B. Cott using 8 glass vitrines for scrolls and books borrowed from the Freer Gallery of Art, 6 long table cases from the Metropolitan Museum, and 4 single sloping vitrines from the Library of Congress. Orchids on loan from the greenhouses at Dumbarton Oaks aroused great interest.

President and Mrs. Dwight Eisenhower visited for an hour on the first Sunday morning.

Other Venues:

• Metropolitan Museum of Art, New York, 03/26/1953–05/10/1953
• Seattle Art Museum, 07/09/1953–08/09/1953
• Art Institute of Chicago, 09/15/1953–10/15/1953
• Museum of Fine Arts, Boston, 11/15/1953–11/17/1953