- The City
- Ongoing from February 20, 2020
- East Building, Ground Level - Gallery 106A
Towering skyscrapers, massive steel bridges, and the hubbub of city streets captivated artists working in the first half of the twentieth century. Roaming the rapidly changing urban environment, they explored ways to convey the awe-inspiring scale and speed of the modern American city. For photographers, technological advances such as hand-held cameras and faster film and shutter speeds enabled new visual practices, from off-kilter, oblique views and bird’s and worm’s eye vantage points to the blurred effects of motion. Printmakers likewise experimented with cropped compositions and varying proportions to underscore verticality or broad expanse.
Drawn to the social strata of the metropolis, artists portrayed a wide variety of city-dwellers going about their daily lives. The dynamic geometry of the skyline and vitality of the city offered endless sources of inspiration, from the dramatically cast shadows of cavernous streets, the cadence of drying laundry suspended in rows, and the swirling forms of Coney Island’s amusement rides to the repeating curves of ornamental lampposts and the dazzling lights of the city at night.
About this Series
American Art, 1900–1950: Prints, Drawings, and Photographs
During a period fueled by enormous urban growth and technological changes, riven by world wars, and rocked by new modes of thought, American artists explored many diverse means to express their changing experience and environment. Prints, drawings, and photographs were vital media through which artists pursued radical experiments in form, figuration, and abstraction. Reevaluating European traditions, they developed new ways of seeing the modern world around them.
Complementing the American modernist paintings and sculptures in the adjacent galleries, these rotating installations feature prints, drawings, and photographs by American artists working in the first half of the 20th century. By looking at pairs or groups of artists, or at broader themes such as abstract portraiture or the Machine Age, the installations spark conversations between established and lesser-known figures in American modernism and highlight the era’s full range and complexity.
Organization: Organized by the National Gallery of Art, Washington
Passes: Admission is always free and passes are not required
Installations in this Series
Alfred Stieglitz and His Circle
September 30, 2016–April 11, 2017
Made in America: Radical Figures
April 12–November 15, 2017
Machine Age Modernism
November 17, 2017–May 29, 2018
Alfred Stieglitz and John Marin
June 1–December 10, 2018
Diverse Modernisms, 1935-1955
December 13, 2018–July 30, 2019
American Surreal: Arshile Gorky and Nathan Lerner
Ongoing from July 31, 2019