Past Exhibition

Reinstallation of Bellini/Titian Feast of the Gods

Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”
Giovanni Bellini, Titian, The Feast of the Gods, 1514/1529, oil on canvas, Widener Collection, 1942.9.1

Details

  • Dates

    -

  • Locations

    West Building, Main Floor, Galleries 19 through 22
Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”
Giovanni Bellini, Titian, The Feast of the Gods, 1514/1529, oil on canvas, Widener Collection, 1942.9.1

Overview: The Feast of the Gods was reinstalled after completion of the painting's 4-year conservation. It was shown with 3 other Venetian Renaissance paintings and with didactic material, including photographs before and after treatment and other analytical conservation photographs. The Center for Advanced Study in the Visual Arts (CASVA) coordinated a symposium in conjunction with the reinstallation.

Organization: David Bull, chairman of painting conservation, was conservator for the project. David A. Brown, curator of southern Renaissance painting, coordinated the reinstallation. Gaillard Ravenel and Mark Leithauser designed the reinstallation, and Gordon Anson designed the lighting.

Sponsor: A film on the conservation of the painting was made possible by The Circle of the National Gallery of Art and by Salomon Inc.

Related publication: The Feast of the Gods: Conservation, Examination, and Interpretation, by David Bull and Joyce Plesters. Studies in the History of Art 40. Monograph Series II. Washington, DC: National Gallery of Art, 1990.

Film: The Feast of the Gods, produced by the National Gallery of Art.

Attendance: 114,060

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