Audio Tour Stop 6

New York, George Bellows

NGA, East Building, EG-106-B, W
Part of East Building: Featured Selections

纽约

班洛斯

这幅充满活力的大型画作由乔治·班洛斯于 1911 年 2 月创作完成，表现了新纽约城现代生活的特质。班洛斯刻意地避免表现纽约城中任何一处真实的地方。他选择以几处繁华的商业区为素材，创作出一幅虚构的全景图，以难以想象的拥挤场景，淋漓尽致地表现了纽约城的狂躁氛围。

New York (Chinese)
We look slightly down onto a crush of pedestrians, horse-drawn carriages, wagons, and streetcars enclosed by a row of densely spaced buildings and skyscrapers opposite us in this horizontal painting. The street in front of us is alive with action but the overall color palette is subdued with burgundy red, grays, and black, punctuated by bright spots of harvest yellow, shamrock green, apple red, and white. Most of the people wear long dark coats and black hats but a few in particular draw the eye. For instance, in a patch of sunlight in the lower right corner, three women wearing light blue, scarlet-red, or emerald-green dresses stand out from the crowd. The sunlight also highlights a white spot on the ground, probably snow, amid the crowd to our right. Beyond the band of people in the street close to us, more people fill in the space around carriages, wagons, and trolleys, and a large horse-drawn cart piled with large yellow blocks, perhaps hay, at the center of the composition. A little in the distance to our left, a few bare trees stand around a patch of white ground. Beyond that, in the top half of the painting, city buildings are blocked in with rectangles of muted red, gray, and tan. Shorter buildings, about six to ten stories high, cluster in front of the taller buildings that reach off the top edge of the painting. The band of skyscrapers is broken only by a gray patch of sky visible in a gap between the buildings to our right of center, along the top of the canvas. White smoke rises from a few chimneys and billboards and advertisements are painted onto the fronts of some of the buildings. The paint is loosely applied, so many of the people and objects are created with only a few swipes of the brush, which makes many of the details indistinct. The artist signed the work with pine-green paint near the lower left corner: “Geo Bellows.”
George Bellows, New York, 1911, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1986.72.1

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