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File name: 5226-002.jpg
Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer
A Crouching Apostle (Saint Peter), 1785

etching and aquatint printed in brown on laid paper
plate: 26.1 x 25 cm (10 1/4 x 9 13/16 in.)
sheet: 43.5 x 35.9 cm (17 1/8 x 14 1/8 in.)
National Gallery of Art, Washington, Gift of Jane Tarleton Smith Moore

File name: 5226-005.jpg
Peter Perez Burdett, after John Hamilton Mortimer
Two Brigands Frightening Three Fisherfolk, 1771

etching and aquatint printed in brown
sheet (trimmed to plate): 36 x 45.7 cm (14 3/16 x 18 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-007.jpg
François-Philippe Charpentier, after Carle Van Loo
Persee et Andromede (Perseus and Andromeda), 1762

etching and aquatint
sheet (trimmed to plate): 40.6 x 50.7 cm (16 x 19 15/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-010.jpg
François-Philippe Charpentier, after Jean Honore Fragonard
The Tumble, 1766

etching and aquatint printed in brown
plate: 29.9 x 41.9 cm (11 3/4 x 16 1/2 in.)
sheet: 35.7 x 54.1 cm (14 1/16 x 21 5/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-016.jpg
Giovanni David
Le Masque au caffe (The Masked Man Taking Coffee), 1775

etching with aquatint, printed in dark brown on laid paper
plate: 24.1 x 16.5 cm (9 1/2 x 6 1/2 in.)
sheet: 39.8 x 27.8 cm (15 11/16 x 10 15/16 in.) (irregular)
National Gallery of Art, Washington, New Century Fund

File name: 5226-017.jpg
Giovanni David
La Dame Venitienne en abit de masque (Venetian Woman in Carnival Dress), 1775

etching with aquatint, printed in dark brown on laid paper
plate: 24 x 16.6 cm (9 7/16 x 6 9/16 in.)
sheet: 38.4 x 26.6 cm (15 1/8 x 10 1/2 in.) (irregular)
National Gallery of Art, Washington, New Century Fund

File name: 5226-019.jpg
Giovanni David
Le Gondolier, 1775

etching with aquatint, printed in dark brown on laid paper
plate: 23.9 x 16.5 cm (9 7/16 x 6 1/2 in.)
sheet: 39.5 x 27.1 cm (15 9/16 x 10 11/16 in.) (irregular)
National Gallery of Art, Washington, New Century Fund

File name: 5226-020.jpg
Giovanni David
Le Perruquier fatigue (The Tired Wigmaker), 1775

etching with aquatint, printed in dark brown on laid paper
plate: 24 x 16.5 cm (9 7/16 x 6 1/2 in.)
sheet: 38.6 x 26.2 cm (15 3/16 x 10 5/16 in.) (irregular)
National Gallery of Art, Washington, New Century Fund

File name: 5226-021.jpg
Giovanni De Pian, after Francesco Galimberti
The "Giardin Scuro," for Executions by Strangling, 1797

etching and aquatint on laid paper
plate: 23.7 x 30.2 cm (9 5/16 x 11 7/8 in.)
sheet: 29.6 x 38 cm (11 5/8 x 14 15/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-022.jpg
Giovanni De Pian, after Francesco Galimberti
The "Ovens," for Those Who Wouldn't Admit Their Crimes, 1797

etching and aquatint on laid paper
plate: 24.7 x 30.2 cm (9 3/4 x 11 7/8 in.)
sheet: 30.7 x 39.2 cm (12 1/16 x 15 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-023.jpg
Giovanni De Pian, after Francesco Galimberti
The "Well," for Violators of State Law, 1797

etching and aquatint on laid paper
plate: 24.5 x 30.5 cm (9 5/8 x 12 in.)
sheet: 30 x 41.1 cm (11 13/16 x 16 3/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-025.jpg
Per Gustaf Floding, after François Boucher
Corps de Garde, 1762

etching and aquatint printed in brown
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-029.jpg
Francisco de Goya
Por que fue sensible (Because She Was Susceptible), plate 32 from the series Los Caprichos , published 1799

aquatint
plate: 21.8 x 15.2 cm (8 9/16 x 6 in.)
page size: 30.8 x 19.3 cm (12 1/8 x 7 5/8 in.)
image: 17.3 x 11.4 cm (6 13/16 x 4 1/2 in.)
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-030.jpg
Francisco de Goya
Estan Calientes (They Are Hot), published 1799

etching and burnished aquatint on laid paper
plate: 21.5 x 15.4 cm (8 7/16 x 6 1/16 in.)
sheet: 30.5 x 21.2 cm (12 x 8 3/8 in.)
National Gallery of Art, Washington, Gift of Ruth B. Benedict

File name: 5226-031.jpg
Francisco de Goya
Subir y bajar (To Rise and To Fall), published 1799

etching and burnished aquatint on laid paper
plate: 21.5 x 15.2 cm (8 7/16 x 6 in.)
sheet: 27.6 x 19.1 cm (10 7/8 x 7 1/2 in.)
National Gallery of Art, Washington, Gift of Ruth B. Benedict

File name: 5226-032.jpg
Francisco de Goya
Buen Viage (Bon Voyage), published 1799

etching, burnished aquatint, and engraving on laid paper
plate: 21.8 x 15.2 cm (8 9/16 x 6 in.)
sheet: 29.6 x 21.5 cm (11 5/8 x 8 7/16 in.)
National Gallery of Art, Washington, Gift of Ruth B. Benedict

File name: 5226-033.jpg
Francisco de Goya
No hay quien nos desate? (Can't Anyone Untie Us?), published 1799

etching and burnished aquatint on laid paper
plate: 21.6 x 15.2 cm (8 1/2 x 6 in.)
sheet: 28.7 x 18.9 cm (11 5/16 x 7 7/16 in.)
National Gallery of Art, Washington, Gift of Ruth B. Benedict

File name: 5226-034.jpg
Francisco de Goya, after Diego Velázquez
Barbarroxa, probably 1778

etching, aquatint, burin and roulette [trial proof]
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-042.jpg
Jean Jacques Lagrenee II
Une grande cuvette ornee d'un bas-relief, 1782

etching and aquatint printed in brown on laid paper
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

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Jean Jacques Lagrenee II
Ornamental Frieze, 1784

etching and aquatint printed in brown on laid paper
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-044.jpg
Jean Jacques Lagrenee II
Ornamental Frieze, 1784

etching and aquatint printed in brown on laid paper
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-046.jpg
Jean-Baptiste Le Prince
Oeuvres de J.-B. Le Prince, in or after 1770

1 vol: ill: etchings and engravings by Le Prince plus 1 loose print by Guillaume-Philippe Benoist after Perronneau (see 1942.9.1640)
plate: 38.4 x 30.6 cm (15 1/8 x 12 1/16 in.)
image: 30.1 x 23.8 cm (11 7/8 x 9 3/8 in.)
National Gallery of Art, Washington, Widener Collection

File name: 5226-047.jpg
Jean-Baptiste Le Prince
Les Pecheurs (The Fishermen), 1771

etching and aquatint printed in brown
image: 32.2 x 23.2 cm (12 11/16 x 9 1/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-048.jpg
Jean-Baptiste Le Prince
Les Laveuses (The Laundresses), 1771

etching and aquatint printed in brown on laid paper
sheet: 33.1 x 23.2 cm (13 1/16 x 9 1/8 in.)
National Gallery of Art, Washington, Gift of Mr. and Mrs. Paul S. Morgan in Honor of Margaret Morgan Grasselli

File name: 5226-050.jpg
Pierre Lelu, after Giorgio Vasari
Les Patriarches voyant leur deliverance prochaine par la conception de la Sainte Vierge, 1783

etching and aquatint printed in red-brown
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-051.jpg
Martin von Molitor
Mountain Landscape with a Rocky Outcrop, 1795

etching and aquatint on laid paper
plate: 16.8 x 24.5 cm (6 5/8 x 9 5/8 in.)
sheet: 17 x 24.8 cm (6 11/16 x 9 3/4 in.)
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Acquisition Fund

File name: 5226-053.jpg
Johann Gottlieb Prestel, after a 16th-Century German Artist
The Adoration of the Shepherds, published 1782

etching and aquatint in red-brown and black
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-055.jpg
Johann Gottlieb Prestel, after Lodovico Carracci (formerly attributed to Guido Reni)
The Ascension of the Virgin, 1776

etching and aquatint printed in brown on laid paper, laid down on Liechentstein album page
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-056.jpg
Johann Gottlieb Prestel, probably after Alessandro Moretti
The Temple of Hercules at Cori, c. 1784

color aquatint on wove paper
sheet: 49.1 x 65.1 cm (19 5/16 x 25 5/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-057.jpg
Maria Catharina Prestel, after Giorgio Vasari, after Raphael
Philosopher, 1779

aquatint and stipple printed in blue and black
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-058.jpg
Maria Catharina Prestel, after Jacopo Ligozzi
Virtue Overcoming Vice, 1781

etching and aquatint printed in brown and gold ink
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-059.jpg
Maria Catharina Prestel, after Willem van de Velde the Younger
Seascape, published 1782

etching and aquatint
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-060.jpg
Regina Schönecker, after Wigerus Vitringa
Seascape, published 1782

etching and aquatint
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-061.jpg
Jean-Claude-Richard, Abbe de Saint-Non
Naiads and Tritons, 1766

etching and aquatint printed in brown
plate: 23.7 x 37.4 cm (9 5/16 x 14 3/4 in.)
sheet: 31.3 x 44 cm (12 5/16 x 17 5/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-064.jpg
Jean-Claude-Richard, Abbe de Saint-Non, after Hubert Robert
Entrance of the Temple of Serapis at Pozzuoli, 1767

etching and aquatint printed in brown
plate: 27 x 37 cm (10 5/8 x 14 9/16 in.)
sheet: 30.6 x 38.8 cm (12 1/16 x 15 1/4 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-066.jpg
Jean-Claude-Richard, Abbe de Saint-Non, after Jean Honore Fragonard
Stairway in an Italian Garden: Villa d'Este or Caprarola, 1766

etching and aquatint printed in brown
plate: 21.5 x 28.4 cm (8 7/16 x 11 3/16 in.)
sheet: 26.1 x 33.4 cm (10 1/4 x 13 1/8 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-067.jpg
Paul Sandby
Pont-y-Pair over the River Conway above Llanrwst in the County of Denbigh, 1776

etching and aquatint printed in brown
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-068.jpg
Paul Sandby
Italianate Landscape, 1762/c. 1774

etching and aquatint printed in brown on wove paper
sheet (trimmed within plate mark): 42.9 x 33.8 cm (16 7/8 x 13 5/16 in.)
National Gallery of Art, Washington, Gift of the Washington Print Club in honor of Sherwood Smith

File name: 5226-069.jpg
Paul Sandby
Caernarvon Castle (Night), 1776

etching and aquatint printed in brown on laid paper
plate: 23.9 x 31.6 cm (9 7/16 x 12 7/16 in.)
sheet: 29 x 37.2 cm (11 7/16 x 14 5/8 in.)
National Gallery of Art, Washington, Gift of Ruth B. Benedict

File name: 5226-075.jpg
Elisha Kirkall, after Giulio Romano (formerly after Raphael)
The Holy Family, 1724

etching and mezzotint with woodcut printed in brown and ochre on laid paper
block: 27.9 x 35.1 cm (11 x 13 13/16 in.)
sheet: 29.2 x 37.5 cm (11 1/2 x 14 3/4 in.)
National Gallery of Art, Washington, Paul Mellon Fund

File name: 5226-078.jpg
Francesco Londonio
Woman Spinning Yarn by an Arch, 1764

etching heightened with white on blue paper
sheet: 23.4 x 18 cm (9 3/16 x 7 1/16 in.) [trimmed within platemark]
mount: 43.2 x 27.9 cm (17 x 11 in.)
National Gallery of Art, Washington, Ellwanger/Mescha Collection

File name: 5226-080.jpg
Jean-Charles François, after Carle Van Loo
Corps de Garde (Guard Corps), 1758

softground etching, and chalk-manner printed in brown ink
plate: 45.9 x 67.8 cm (18 1/16 x 26 11/16 in.)
sheet: 47.4 x 68 cm (18 11/16 x 26 3/4 in.)
National Gallery of Art, Washington, Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips

File name: 5226-081.jpg
William Wynne Ryland, after Sir Anthony van Dyck
Jacob Persuaded to Send Benjamin with His Brethren into Egypt, 1762

stipple etching on laid paper
plate: 30.7 x 30.7 cm (12 1/16 x 12 1/16 in.)
sheet: 33.8 x 31.9 cm (13 5/16 x 12 9/16 in.)
National Gallery of Art, Washington, Ellwanger/Mescha Collection

File name: 5226-084.jpg
Louis-Marin Bonnet, after Carle Van Loo
Marie-Rosalie Vanloo, c. 1764

chalk manner printed in black and white inks on blue paper
image: 35.8 x 28.9 cm (14 1/8 x 11 3/8 in.)
plate: 40.2 x 30.2 cm (15 13/16 x 11 7/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-085.jpg
Jean-François Janinet, after Hubert Robert
Colonnade et Jardins du Palais de Medici (Colonnade and Gardens of the Palazzo Medici), c. 1776

etching and wash manner, printed in blue, red, yellow, and black inks
plate: 29.2 x 24.5 cm (11 1/2 x 9 5/8 in.)
sheet: 37.5 x 29.3 cm (14 3/4 x 11 9/16 in.)
National Gallery of Art, Washington, Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips

File name: 5226-086.jpg
Jean-Claude-Richard, Abbe de Saint-Non
Fragments choisis dans les Peintures...des Palaix et des Eglises de l'Italie, 1767–1775

bound volume with 200 etching and aquatint illustrations (6 titles, 194 plates), printed in dark gray, gray-brown, and brown
book: 27.7 x 20.7 x 3.5 cm (10 7/8 x 8 1/8 x 1 3/8 in.)
National Gallery of Art, Washington, Purchased as an Anonymous Gift

File name: 5226-087.jpg
Jean Claude Richard de Saint-Non, after Jean-Honore Fragonard, after Sebastiano Ricci
Details from the Adoration of the Magi and the Pool at Bethesda, 1774

etching counterproof reworked in brown wash on laid paper
sheet (trimmed within plate mark): 18.6 x 13.1 cm (7 5/16 x 5 3/16 in.)
National Gallery of Art, Washington, Gift of the Christian Humann Foundation

File name: 5226-088.jpg
François-Philippe Charpentier, after Jean-Honore Fragonard, published by Pierre-François Basan
La Culbute (The Tumble), 1766

aquatint and etching in brown ink
plate: 30 x 41.7 cm (11 13/16 x 16 7/16 in.)
National Gallery of Art, Washington, Widener Collection

File name: 5226-089.jpg
Jean-Baptiste Greuze
A Tired Woman with Two Children, 1750/1761

pen and brown ink with brown wash over black chalk on laid paper; laid down
sheet: 22.3 x 27.9 cm (8 3/4 x 11 in.)
support: 24.5 x 29.7 cm (9 5/8 x 11 11/16 in.)
National Gallery of Art, Washington, The Armand Hammer Collection

File name: 5226-090.jpg
François-Philippe Charpentier, after Jean-Baptiste Greuze
Italian Peasant Woman, 1762/1766

etching and aquatint on laid paper [proof printed in black]
sheet (trimmed to plate): 22.8 x 16.7 cm (9 x 6 9/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-092.jpg
Jean-Baptiste Le Prince
Head of a Man, Slightly Turned, 1768

etching and aquatint on laid paper
plate: 14.4 x 11.1 cm (5 11/16 x 4 3/8 in.)
sheet: 14.4 x 11.2 cm (5 11/16 x 4 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund and Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-093.jpg
Jean-Baptiste Le Prince
Head of a Young Woman, 1768

etching and aquatint on laid paper
plate: 15.2 x 11.6 cm (6 x 4 9/16 in.)
sheet: 15.2 x 11.7 cm (6 x 4 5/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund and Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-094.jpg
Jean-Baptiste Le Prince
Head of a Woman, Full Face, 1768

etching and aquatint on laid paper
image: 10.2 x 8.7 cm (4 x 3 7/16 in.)
sheet: 14.2 x 11.4 cm (5 9/16 x 4 1/2 in.), trimmed within platemark
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund and Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-095.jpg
Jean-Baptiste Le Prince
Head of a Turbaned Man without a Moustache, 1768

etching and aquatint on laid paper
image: 10.5 x 9 cm (4 1/8 x 3 9/16 in.)
sheet: 14.9 x 10.4 cm (5 7/8 x 4 1/8 in.), cut within platemark
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund and Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-096.jpg
Jean-Baptiste Le Prince
Head of a Drooping Old Woman, 1768

etching and aquatint on laid paper
sheet: 14.9 x 11 cm (5 7/8 x 4 5/16 in.), trimmed within platemark
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund and Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-097.jpg
Jean-Baptiste Le Prince
Title Page: Head of a Turbaned Man, 1768

etching and aquatint on laid paper
plate: 15.2 x 11.1 cm (6 x 4 3/8 in.)
sheet: 15.5 x 11.3 cm (6 1/8 x 4 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund and Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-098.jpg
Alexandre Briceau, after Jean-Baptiste Hüet, I
The Four Seasons, 1770s/1780s

color etching and aquatint with hand coloring on laid paper
plate: 34 x 30.5 cm (13 3/8 x 12 in.)
sheet: 37.8 x 33.2 cm (14 7/8 x 13 1/16 in.)
National Gallery of Art, Washington, Gift of Ivan E. and Winifred Phillips

File name: 5226-099.jpg
French 18th Century
A Fan with Classical Figures Processing to Apollo, c. 1795

etching and aquatint, printed in brown ink, on laid paper
sheet: 49.2 x 24.4 cm (19 3/8 x 9 5/8 in.) (cut inside platemark and measured at widest points)
National Gallery of Art, Washington, Katharine Shepard Fund

File name: 5226-100.jpg
Jean Jacques Lagrenee II
Title Page, 1782

etching and aquatint printed in brown on laid paper [trial proof]
National Gallery of Art, Washington, Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter

File name: 5226-102.jpg
George Richardson (author)
A New Collection of Chimney Pieces, Ornamented to the Style of the Etruscan, Greek and Roman Architecture; Containing Thirty Six Designs suitable to the most Elegant Range of Apartments, published 1781

1 vol: ill:
National Gallery of Art, Washington, Mark J. Millard Architectural Collection, David K.E. Bruce Fund

File name: 5226-106.jpg
Giovanni David
La Cuisiniere (The Cook), 1775

etching with aquatint, printed in dark brown on laid paper
plate: 23.9 x 16.9 cm (9 7/16 x 6 5/8 in.)
sheet: 39.2 x 26.8 cm (15 7/16 x 10 9/16 in.) (irregular)
National Gallery of Art, Washington, New Century Fund

File name: 5226-107.jpg
Giovanni David
Gaspar Gribolari brocanteur à Padoue (Gaspar Gribolari, Secondhand Dealer in Padua), 1775

etching with aquatint, printed in dark brown on laid paper
plate: 23.9 x 16.7 cm (9 7/16 x 6 9/16 in.)
sheet: 38.7 x 27.2 cm (15 1/4 x 10 11/16 in.) (irregular)
National Gallery of Art, Washington, New Century Fund

File name: 5226-108.jpg
Richard Cooper II (artist and publisher); John Boydell (publisher)
Roman Ruins, c. 1779

etching and aquatint in brown on laid paper
sheet (cut within platemark): 37.8 x 52.2 cm (14 7/8 x 20 9/16 in.)
National Gallery of Art, Washington, Gift of Jacob Kainen

File name: 5226-111.jpg
Francisco de Goya
Nada (Nothing), 1810/1820

etching, burnished aquatint and lavis [working proof]
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-113.jpg
Thomas Rowlandson (artist); Elizabeth Jackson (publisher)
A Bawd on Her Last Legs, 1784

etching and aquatint
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-114.jpg
Thomas Rowlandson (artist); S W Fores (publisher)
A Bawd on Her Last Legs, 1792

hand-colored etching and aquatint
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-119.jpg
Eugène Delacroix
A Blacksmith (Un Forgeron), 1833

aquatint and drypoint
plate: 22.6 x 16 cm (8 7/8 x 6 5/16 in.)
sheet: 39.8 x 32 cm (15 11/16 x 12 5/8 in.)
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-120.jpg
conte Antonio Maria Zanetti I, after Parmigianino
Mucius Scaevola Putting his Hand in a Fire,

chiaroscuro woodcut printed from 3 blocks: green and pink tone blocks with red line block
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-121.jpg
Andrea Scacciati, after Jacopo Chimenti
Christ Consigning the Keys to Saint Peter, c. 1766

etching and sulfur-tint printed in green on laid paper
sheet: 61.5 x 44.5 cm (24 3/16 x 17 1/2 in.)
plate: 50 x 38.5 cm (19 11/16 x 15 3/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-122.jpg
Friedrich von Martens, after Ambroise-Louis Garneray
Pêche du Cachalot, Cachalot Fishery, 1835

aquatint and engraving
National Gallery of Art, Washington, Gift of Harry W. Havemeyer in memory of his father, Horace Havemeyer

File name: 5226-124.jpg
Francisco de Goya
Brujas à volar (Witches Preparing to Fly), 1796/1797

brush and black ink and gray wash with scraping on laid paper
overall: 23.7 x 15 cm (9 5/16 x 5 7/8 in.)
National Gallery of Art, Washington, Woodner Collection

File name: 5226-125.jpg
Francisco de Goya
Y aun no se van! (And Still They Don't Go!), 1799

etching, aquatint, and engraving on laid paper
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-126.jpg
William Moss and Francis Jukes
Part of Somerset House in the Strand, 1777

etching, aquatint, and mezzotint on laid paper
sheet: 51.3 x 72.5 cm (20 3/16 x 28 9/16 in.)
plate: 50.4 x 71.5 cm (19 13/16 x 28 1/8 in.)
image: 43.6 x 68.2 cm (17 3/16 x 26 7/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-127.jpg
Louis-Jean Desprez
Tomb with Death Standing, 1779/1784

etching with brush and black wash on laid paper (recto); graphite (verso)
National Gallery of Art, Washington, New Century Fund and Eugene L. and Marie-Louise Garbáty Fund

File name: 5226-128.jpg
Giovanni De Pian, after Francesco Galimberti
Carceri sotterracquee della aristocrazia triumvirale, dette Pozzi, fatte demolire dalla Municipalità provisoria di Venezia li 25 maggio 1797, 1797

etching and aquatint on laid paper
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-129.jpg
Giovanni De Pian, after Francesco Galimberti
Canale dei Maranni, dove per li fu Inquisitori di Stato si facevano annegare li rei, 1797

etching and aquatint on laid paper
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-130.jpg
Giovanni De Pian, after Francesco Galimberti
Ultima Carcere Sotterracquea...e cadde morto frà le bracia di suo Fratello senza poter terminare la letale sentenza, 1797

etching and aquatint on laid paper
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-131.jpg
Cornelis Ploos van Amstel (editor) and Cornelis Brouwer (printmaker), after Ludolf Backhuysen
Fisherman with Pack over His Shoulder, 1779, published 1781

chalk manner and aquatint with etching printed in black ink on laid paper
sheet: 14.4 x 21.1 cm (5 11/16 x 8 5/16 in.) cut within platemark
National Gallery of Art, Washington, Gift of Sherwood B. Smith, Jr.

File name: 5226-134.jpg
Maria Catharina Prestel, after Herman Saftleven
Wooded Landscape, published 1782

aquatint in gray and brown
National Gallery of Art, Washington, Rosenwald Collection

File name: 5226-137.jpg
Cornelis Ploos van Amstel (editor) and Cornelis Brouwer (printmaker), after Gerbrand van den Eeckhout
Horticulturist, 1780, published 1787

aquatint with some etching printed in red-brown ink on laid paper
sheet: 9.2 x 12.8 cm (3 5/8 x 5 1/16 in.) cut within platemark
National Gallery of Art, Washington, Gift of Sherwood B. Smith, Jr.

File name: 5226-138.jpg
Cornelis Ploos van Amstel (editor) and Cornelis Brouwer (printmaker), after Ludolf Backhuysen
Seascape with Full Moon, 1779, published 1781

aquatint printed in black ink on laid paper
sheet: 13.8 x 20.8 cm (5 7/16 x 8 3/16 in.) cut within platemark
National Gallery of Art, Washington, Gift of Sherwood B. Smith, Jr.

File name: 5226-139.jpg
Cornelis Ploos van Amstel (editor) and Cornelis Brouwer (printmaker), after Caspar Netscher
Lady with Guitar, 1781

aquatint with etching printed in black ink on laid paper
sheet: 15.7 x 12.8 cm (6 3/16 x 5 1/16 in.) cut within platemark
National Gallery of Art, Washington, Gift of Sherwood B. Smith, Jr.

File name: 5226-140.jpg
Jean Pierre Louis Laurent Hoüel (artist/author)
Voyage Pittoresque des Isles de Sicile, de Malte et de Lipari (vol. 1), published 1782–1789

1 vol: ill:
National Gallery of Art, Washington, Mark J. Millard Architectural Collection

File name: 5226-141.jpg
Francisco de Goya
Fuerte cosa es! (That's Tough!), 1810/1820

etching, burnished aquatint, and drypoint [proof]
plate: 15.5 x 20.3 cm (6 1/8 x 8 in.)
National Gallery of Art, Washington, The Ahmanson Foundation and Pepita Milmore Memorial Fund

File name: 5226-142.jpg
Charles Francis Greville
Title Page, c. 1786

etching and aquatint on laid paper
plate: 25.2 x 35.5 cm (9 15/16 x 14 in.)
sheet: 30.6 x 49.4 cm (12 1/16 x 19 7/16 in.)
National Gallery of Art, Washington, Gift of James A. Bergquist in honor of Jamie Gabbarelli

File name: 5226-143.jpg
Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Paolo Veronese
Concert des Anges autour de l'enfant Jesus (Concert of Angels around the Infant Jesus), 1770s

etching and aquatint printed in brown on laid paper
plate: 40.3 x 31.2 cm (15 7/8 x 12 5/16 in.)
sheet: 44.6 x 33.2 cm (17 9/16 x 13 1/16 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5226-144.jpg
Louis-Jean Desprez
Tomb with Death Standing, 1779/1784

etching and aquatint printed in brown
sheet: 36.3 x 51 cm (14 5/16 x 20 1/16 in.)

File name: 5226-153.jpg
Johann Carl Richter, after Pierre-Jacques Volaire
Vesuvausbruch von 1771 (The Eruption of Mount Vesuvius in 1771), c. 1779

etching and aquatint printed in brown, laid down on a mount with a contemporary printed ornamental border on blue paper and collaged title
sheet: 20 x 30 cm (7 7/8 x 11 13/16 in.)
mount: 24 x 33.8 cm (9 7/16 x 13 5/16 in.)
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Acquisition Fund

File name: 5226-154.jpg
Henry Tresham
ΦΑΙΝΟΜΑΙ ΑΠΝΟΥΣ (I Seem to Be Breathless), Plate from Le Avventure di Saffo (The Adventures of Sappho), 1784

etching and aquatint printed in brown and gray
book: 44 x 33.5 x 0.9 cm (17 5/16 x 13 3/16 x 3/8 in.)
National Gallery of Art, Washington, William B. O'Neal Fund

File name: 5226-155.jpg
Giovanni De Pian, after Francesco Galimberti
Court of the Former State Inquisitors, 1797

etching and aquatint on laid paper
plate: 23.7 x 30.2 cm (9 5/16 x 11 7/8 in.)
sheet: 27.9 x 34.9 cm (11 x 13 3/4 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-156.jpg
Giovanni De Pian, after Francesco Galimberti
The "Sotto Piombi," Where Death Sentences Were Read, 1797

etching and aquatint on laid paper
plate: 23.9 x 30.6 cm (9 7/16 x 12 1/16 in.)
sheet: 28.2 x 35.4 cm (11 1/8 x 13 15/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-158.jpg
Eugène Delacroix
A Blacksmith (Un Forgeron), 1833

aquatint on laid paper
image: 15.9 x 96 cm (6 1/4 x 37 13/16 in.)
plate: 22.5 x 16.2 cm (8 7/8 x 6 3/8 in.)
sheet: 57.5 x 37.2 cm (22 5/8 x 14 5/8 in.)
National Gallery of Art, Washington, Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Ritcher, and Ailsa Mellon Bruce Fund

File name: 5226-160.jpg
Gaetano Gandolfi
Nativita, 1734–1802

aquatint
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-161.jpg
Karl Friedrich Thiele, Ernst Theodor Amadeus Hoffmann (author)
Meister Floh. Ein Marchen in sieben Abentheuern zweier Freunde (Master Flea: A Fairy-Tale in Seven Adventures of Two Friends, 1822

bound volume with one etching and aquatint printed in brown on the cover
book: 18.6 x 12.4 x 2 cm (7 5/16 x 4 7/8 x 13/16 in.)
National Gallery of Art, Washington, William B. O'Neal Fund

File name: 5226-162.jpg
Daniel Nikolaus Chodowiecki
The Artist in His Mother's Room, Danzig, 1774

etching and aquatint on laid paper
plate: 11.8 x 18.2 cm (4 5/8 x 7 3/16 in.)
sheet: 18.7 x 26.4 cm (7 3/8 x 10 3/8 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-163.jpg
Joseph Fischer
Portrait of the Artist, 1798

etching and aquatint in brown
sheet: 13.2 x 22.8 cm (5 3/16 x 9 in.)
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Acquisition Fund

File name: 5226-164.jpg
Carl Russ
Diogenes in His Tub with Alexander and His Generals, 1810

etching and aquatint
image: 20.9 x 30.1 cm (8 1/4 x 11 7/8 in.)
plate: 21.4 x 30.8 cm (8 7/16 x 12 1/8 in.)
sheet: 27.8 x 38.8 cm (10 15/16 x 15 1/4 in.)
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Acquisition Fund

File name: 5226-165.jpg
James Gillray
Monstrous Craws, at a New Coalition Feast, 1787

etching, engraving, and aquatint with publisher's cover
sheet: 37.8 x 47.8 cm (14 7/8 x 18 13/16 in.)
National Gallery of Art, Washington, Anonymous Gift

File name: 5226-166.jpg
Jean-Philippe-Guy le Gentil, Comte de Paroy
Mythological Roundels, 1790s

etching and aquatint on laid paper
plate: 27.3 x 16.5 cm (10 3/4 x 6 1/2 in.)
sheet: 30.5 x 19 cm (12 x 7 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-167.jpg
Giovanni David
Gaspar Gribolari Brocanteur à Padoüe (Gaspar Gribolari, Secondhand Dealer in Padua), 1775

etching on laid paper
plate: 24.2 x 17 cm (9 1/2 x 6 11/16 in.)
sheet: 37.9 x 26.8 cm (14 15/16 x 10 9/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-169.jpg
William Moss and Francis Jukes
Part of Somerset House in the Strand, 1777

etching, aquatint, and mezzotint on laid paper
sheet: 51.4 x 72.5 cm (20 1/4 x 28 9/16 in.)
plate: 50.5 x 71.5 cm (19 7/8 x 28 1/8 in.)
image: 43.2 x 67.1 cm (17 x 26 7/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5226-170.jpg
Maria Anna Fischer
A Lakeside Chapel by Moonlight, 1810s(?)

etching with aquatint
sheet: 13.5 x 20 cm (5 5/16 x 7 7/8 in.)
sheet: 14.7 x 21 cm (5 13/16 x 8 1/4 in.)
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Acquisition Fund

File name: 5226-173.jpg
Carlo Labruzzi
Family at Rest, Plate from Figure Originali, 1788

etching and aquatint printed in brown
page size: 25.9 x 18.8 cm (10 3/16 x 7 3/8 in.)
overall size (volume closed): 26.5 x 20.2 x 1.4 cm (10 7/16 x 7 15/16 x 9/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Aquatint: From Its Origins to Goya

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