Afro-Atlantic Histories explores the transatlantic slave trade and its legacies. The exhibition’s 150 works, dating from the 16th to 21st centuries, explore diasporic connection, grapple with the violent legacy of slavery, show the widespread presence and experiences of black people across social strata, and change our understanding of black Atlantic history. Originally organized by the Museu de Arte de São Paulo in 2018 and coordinated with Molly Donovan, National Gallery of Art curator of contemporary art, the exhibition is a collaboration with the Houston Museum of Fine Arts and will open in Washington DC in April 2022. We will also produce a companion to the exhibition that showcases voices of scholars and artists and contextualizes some of the included works.
Research is central to the mission of the Center for Advanced Study in the Visual Arts. In addition to the studies carried out by the professors and fellows in residence, each of the three deans undertakes a long-term project that is meant not only to advance scholarship, but also to serve as a resource for the discipline. Research associates, usually recent PhDs on term appointments, provide key support for these projects. The following represent some of the projects inaugurated since 1979.
Current Project Staff
Therese O'Malley Miriam K. Said Lauren Taylor Matthew J. Westerby Abby S. Whitlock Fulvia Zaninelli
Current Research Projects
Kerry James Marshall, Voyager, 1992, acrylic and collage on canvas, Corcoran Collection (Gift of the Women’s Committee of the Corcoran Gallery of Art), 2014.79.52
Marcantonio Raimondi, Raphael, The Massacre of the Innocents, c. 1511, engraving, Print Purchase Fund (Rosenwald Collection), 1975.54.1
The Felsina pittrice (1678) is one of the most important early modern texts on Italian art, yet it lacks a modern critical edition and full English translation. A team of scholars led by Dean Emerita Elizabeth Cropper and Professor Lorenzo Pericolo (University of Warwick) is producing a richly illustrated multivolume edition of the Italian text and associated preparatory notes, together with an annotated English translation. Volume 1, devoted to the art of late medieval Bologna, appeared in 2012. Volume 13, on the lives of Domenichino and Francesco Gessi, was published in 2013. Published in 2017, volume 2, part 2 (2 vols.), features the life of Marcantonio Raimondi but also includes the most detailed catalogueof prints published in Europe before the eighteenth century.
Thomas Chambers, Mount Auburn Cemetery, mid 19th century, oil on canvas, Gift of Edgar William and Bernice Chrysler Garbisch, 1958.5.1
Directed by Associate Dean Therese O’Malley, this project centers on a work in progress, the History of Early American Landscape Design (heald.nga.gov), a digital resource tracing the development of landscape and garden terminology. It makes available thousands of texts and images and offers an extensively cross-referenced compendium of information on the social and geographical history of landscape design in early American history. It follows and expands on Keywords in American Landscape Design (2010).
Pierfrancesco Alberti, A Painter’s Academy, c. 1625, detail. Research Library, The Getty Research Institute, Los Angeles, California (2007.PR.29)
Directed by Associate Dean Peter Lukehart, The History of the Accademia di San Luca, c. 1590-1635 (www.nga.gov/accademia) publishes and examines archival documents and other research materials concerning one of the first artists’ academies in Europe. These resources document the breadth of activities and interests across the city of Rome and beyond, examining the affairs of the people who ran or supported the Academy and the places where they interacted. A companion volume of interpretive essays was published in 2010, The Accademia Seminars: The Accademia di San Luca in Rome, c. 1590–1635.
Past Research Projects
Overseer with quipucamayo of an Inca storehouse. From Felipe Guaman Poma de Ayala, Nueva corónica y buen gobierno, 1936 (c. 1615), p. 335. Royal Library of Denmark
This project was directed by Joanne Pillsbury, formerly assistant dean of the Center and now Andrall E. Pearson Curator in the department of the arts of Africa, Oceania, and the Americas at the Metropolitan Museum of Art. The three-volume reference work, published in 2008, supports research on the pre-Hispanic, viceregal, and early republican periods of the Andean region of South America. The work is intended for scholars in anthropology, history, archaeology, art history, and related disciplines. It includes 29 thematic essays and 186 biographical and bibliographical entries reflecting contributions from 125 scholars in 19 countries. Copublished by the National Gallery of Art and the University of Oklahoma Press, the guide addresses key texts of the sixteenth through the nineteenth centuries concerning the region defined by the extent of the Inca Empire (modern Peru, Bolivia, Ecuador, and parts of Colombia, Argentina, and Chile).
A Spanish translation (Las Fuentes documentales para los estudios andinos, 1530-1900) was copublished with the Pontificia Universidad Católica del Perú in 2016.
Architectural Drawings Advisory Group / Foundation for Documents of Architecture
Claude Gillot, Studies of Ornament and Architecture, c. 1710, pen and brown ink over traces of graphite on laid paper, Woodner Collection, Gift of Andrea Woodner, 2006.11.13.b
In 1983 the Center convened an international group of architectural drawings specialists representing major repositories in North America and Europe to build consensus concerning cataloguing standards for architectural drawings. ADAG explored how a network might be established to apply guidelines for descriptive cataloguing in both electronic and printed form. In 1986 the Foundation for Documents of Architecture (FDA), a nonprofit corporation, was founded by several ADAG members to promote ADAG’s recommendations in an automated cataloguing environment and to translate ADAG’s recommended standards into published guidelines. In 1994 ADAG and the FDA published A Guide to the Description of Architectural Drawings by Vicki Porter and Robin Thornes with G. K. Hall & Company on behalf of the Getty Art History Information Program. Henry A. Millon initiated and led ADAG and also served as president of the FDA (1986–1992).
Attributed to Pietro Righini, scenography. London, The British Museum, © The Trustees of the British Museum
The Italian Architectural Drawings Photograph Collection (IADPC) was assembled under the direction of the Center’s founding dean, Henry A. Millon, for the photographic archives of the National Gallery of Art Library. The collection of approximately 45,000 photographs and 350 manuscripts on microfilm documents drawings made before 1800 of Italian architecture from repositories around the world. The artists and draftsmen who produced these drawings are not exclusively Italian, but come from throughout Europe. The architectural drawings fall into various categories, such as working, project, and presentation drawings; views, panoramas, travel sketches, treatises, architectural details, and architectural ornament. Also included are drawings from related fields in which the influence of architecture is pronounced and where the designers frequently were architects, for example shipbuilding, carriage and furniture design, and gold and silverware. The IADPC photographs may be consulted by scholars in the National Gallery of Art Library department of image collections.