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Women Behind the Camera: Vera Lutter

Drawing on one of the earliest forms of photographic technology, Vera Lutter (German, b. 1960) creates monumental photographs of compelling architectural spaces. She first builds a camera obscura by darkening the interior of closed spaces—a suitcase, shipping container, or apartment—and leaving a small pinhole opening for light to enter. Placing light-sensitive paper opposite the opening, Lutter then exposes an image of the exterior view on the paper for an extended period of hours, days, even months. The unusually long exposure time challenges notions of photography’s instantaneity, producing images that capture the passage of time rather than a singular moment. For Ca' del Duca Sforza, Venice II: January 13–14, 2008, Lutter transformed a room in the Palazzo Sforza into a camera to create a stunning and uncanny view of the Grand Canal in Venice.

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A student smiles in front of a painted mural at Altadena Elementary School

Video:  How a Mural Healed a Community

After a wildfire destroyed their elementary school, a group of young artists came together to rebuild—by painting a mural inspired by Mary Cassatt’s lost masterpiece.

Two Black men stand in a subway car facing the camera. Both are shown from the hips up. The man on the left wears a black leather jacket and brown fur hat, and wraps his arms around the body. He has a neutral expression but direct gaze. The man on the right wears a black leather jacket over a brown sweater. He points a finger on each hand at his head, which is topped by a brown newsboy cap.

Video:   How The Legend Jamel Shabazz Shaped Street Photography 

Street photographer Jamel Shabazz documented fashion, life, and culture in his New York City community for over 40 years.

 

 

Video:  Print Like a Great: Elizabeth Catlett

What happens when legacy, artistry, and womanhood collide? LaToya Hobbs creates a stunning woodcut portrait of Naima Mora, inspired by the life and work of legendary printmaker Elizabeth Catlett—Naima’s own grandmother.