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lower right in ink: John S. Sargent


Estate of Henry Schlesinger; Mrs. A. H. Berly; (Christie's, March 3, 1913, lot 33); (Colnaghi and Obach, New York, 1913); (Robinson and Farr, Philadelphia, Pennsylvania, 1913); (Macbeth Gallery, New York); Mabel Stevens Smithers, Greenwich, Connecticut, 1925; Corcoran Gallery of Art, Washington, DC, 1952; acquired 2014 by the National Gallery of Art

Exhibition History
The Salon, Paris, France, 1881, no. 3413 (or 3414), as "Vue de Venise"
[exhibition title unknown], Macbeth Galleries, New York, 1925, no. 18, as "Piazza, Venice"
John Singer Sargent: Drawings from the Corcoran Gallery of Art, Corcoran Gallery of Art, Washington, DC; Smithsonian Institution Traveling Exhibition Service, 1983, p. 54, no. 26, repro
John Singer Sargent, Whitney Museum of American Art, 1986-1987; Art Institute of Chicago, Illinois, 1987, p. 213, no. 174, repro
Whistler and His Circle in Venice, Corcoran Gallery of Art, Washington, DC, 2003, p. 121, no. 89, repro
Sargent and the Sea, Corcoran Gallery of Art, Washington, DC, 2009-2010
Focus on the Corcoran: Works on Paper, 1860-1990, National Gallery of Art, Washington, DC, 2015.
Adelson, Warren. John Singer Sargent: His Own Work. New York: Coe Kerr Gallery, 1980, p. unknown, as "Venetian Piazza"
Simmons, Linda Crocker and with the assistance of Adrianne J. Humphrey, et al. American Drawings, Watercolors, Pastels, and Collages in the Collection of the Corcoran Gallery of Art. Washington, DC: Corcoran Gallery of Art, 1983: p. 105, no. 688.
Honour, Hugh, and John Fleming. The Venetian Hours of Henry James, Whistler, and Sargent. London: Walker Books, 1991, p. 102.