The Biglin Brothers Racing

1872

Thomas Eakins

Associated Names
Thomas Eakins

Artist, American, 1844 - 1916

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting. The low, honey-colored wooden boat extends off both sides of the canvas. Both men face our left as they row to our right. The man in front looks ahead of him, beyond the stern of the boat, and the man to our right, closer to the bow, tucks his chin down to look past his shoulder. Their bare, muscled arms are extended straight as the two oars sweep back. The tip of another boat runs close and parallel to the bottom edge of the composition, spanning the left three-quarters of the painting. The opposite riverbank is lined with a dense forest of pine-green trees. People crowd along the decks of a steamboat and a paddleboat near the riverbank to our left. Another narrow skuller, rowed by four people wearing ruby-red shirts, cuts through the water at the back center of the river. The riverbank beyond is lined with people, painted with strokes of black and white, and minuscule touches of red. The horizon comes halfway up the composition. Cream-white clouds float across a muted, topaz-blue sky above the trees.

Media Options

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Rowing was one of America’s most popular sports after the Civil War. A five-mile race held on the Schuylkill River in Philadelphia in May 1872 attracted thousands of spectators, as seen in the background. Professional oarsmen John and Bernard (Barney) Biglin from New York bested their Pittsburgh competitors by one minute and were proclaimed world champions.

An avid rower himself, Thomas Eakins directs our attention to details that enhance the painting’s narrative. Barney Biglin glances at the stern of the opposing racing shell to gauge his position, while his brother John begins his next stroke. Diagonal clouds and treetops echo their leaning torsos. The red boats and distant shoreline divide the space into horizontal bands.

On View

West Building Main Floor, Gallery M68


Artwork overview


Artwork history & notes

Provenance

The artist [1844-1916]; by inheritance to his wife, Susan Macdowell Eakins [Mrs. Thomas Eakins, 1851-1938], Philadelphia; sold 1933 through (E. & A. Milch, Inc., New York) to the Whitney Museum of American Art, New York; consigned 18 February 1950 to (M. Knoedler & Co., New York); sold 19 April 1950 to Mr. and Mrs. Cornelius Vanderbilt Whitney, New York; bequest 1953 to NGA.

Associated Names

Exhibition History

1917

  • Memorial Exhibition of the Works of the Late Thomas Eakins, Pennsylvania Academy of the Fine Arts, 1917-1918, no. 1, as Biglen Brothers Ready to Start Race.

1930

  • Thomas Eakins, Babcock Art Galleries, New York, 1930-1931, no. 3, repro., as Ready to Start the Race (The Biglen Brothers).

1936

  • An Exhibition of American Genre Paintings, Carnegie Institute, Pittsburgh, 1936, no. 31, as The Biglen Brothers Ready to Start the Race.

1941

  • Painting Today and Yesterday in the United States, Santa Barbara Museum of Art, 1941, no. 44, as Biglen Brothers Ready to Start.

1945

  • Thomas Eakins Centennial Exhibition, Carnegie Institute, Pittsburgh, 1945, no. 42, as The Biglen Brothers Ready to Start the Race.

1948

  • Sport in Art, Albright Art Gallery, Buffalo, 1948, no. 10, as The Biglen Brothers Racing.

1961

  • Thomas Eakins: A Retrospective Exhibition, National Gallery of Art, Washington, D.C.; The Art Institute of Chicago; Philadelphia Museum of Art, 1961-1962, no. 12, repro.

1968

  • An Exhibition Honoring the XIX Olympiad, Phoenix Art Museum, Arizona, 1968, no. 29, repro.

1970

  • Thomas Eakins Retrospective Exhibition, Whitney Museum of American Art, New York, 1970, no. 14.

1976

  • American Marine Painting, Virginia Museum of Fine Arts, Richmond; The Mariners Museum, Newport News, 1976, no. 40, repro.

1984

  • The Waters of America: 19th Century American Paintings of Rivers, Streams, Lakes, and Waterfalls, New Orleans Museum of Art, 1984, no. 46, repro.

1996

  • Thomas Eakins: The Rowing Pictures, National Gallery of Art, Washington, D.C.; Yale University Art Gallery, New Haven; Cleveland Museum of Art, 1996-1997, unnumbered catalogue, fig. 22, fig. 23 (detail).

2010

  • Manly Pursuits: The Sporting Images of Thomas Eakins, Los Angeles County Museum of Art, Los Angeles, 2010, no catalogue.

Bibliography

1930

  • Goodrich, Lloyd. "Thomas Eakins, Realist." Pennsylvania Museum Bulletin 25 (March 1930): 18, no. 19.

  • Art News 29 (20 December 1930): repro. 68.

1933

  • Goodrich, Lloyd. Thomas Eakins: His Life and Work. New York, 1933: no. 61, 165.

1956

  • Walker, John. National Gallery of Art, Washington. New York, 1956: 56, repro.

1959

  • Bouton, Margaret. American Painting in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number One in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 7, 28, color repro.

1962

  • Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art. New York, 1962: 146, color repro.

1963

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 289, repro.

1966

  • Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:484, color repro.

1967

  • Schendler, Sylvan. Eakins. Boston, 1967: 37, repro. 38.

1968

  • Gandolfo, Giampaolo et al. National Gallery of Art, Washington. (Great Museums of the World.) New York, 1968: 160, color repro.

1970

  • American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 52, repro.

1973

  • Williams, Hermann Warner. Mirror to the American Past: A Survey of American Genre Painting, 1750-1900. Greenwich, Connecticut, 1973: 224.

1974

  • Hendricks, Gordon. The Life and Work of Thomas Eakins. New York, 1974: 71, 325, fig. 58.

1977

  • Rosenzweig, Phyllis D. The Thomas Eakins Collection of the Hirshhorn Museum and Sculpture Garden. Washington, D.C., 1977: repro. 52.

1980

  • Wilmerding, John. American Masterpieces from the National Gallery of Art. National Gallery of Art, Washington, D.C., 1980: 16, 144, no. 38, color repro.

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 148, repro.

1981

  • Williams, William James. A Heritage of American Paintings from the National Gallery of Art. New York, 1981: 152, repro.

1982

  • Goodrich, Lloyd. Thomas Eakins. 2 vols. Cambridge, Massachusetts, 1982: 1:97, 117, color fig. 42.

  • Carmean, E.A., Jr., et al. Bellows: The Boxing Pictures. Exh. cat. National Gallery of Art, Washington, D.C., 1982: 18-19, repro. 18.

1983

  • Johns, Elizabeth. Thomas Eakins: The Heroism of Modern Life. Princeton, 1983: 42, note 51, fig. 29.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 550, no. 836, color repro.

1988

  • Wilmerding, John. American Masterpieces from the National Gallery of Art. Rev. ed. National Gallery of Art, Washington, D.C., 1988: 132, no. 43, color repro.

1992

  • Homer, William Innes. Thomas Eakins: His Life and Art. New York, 1992: 129, color repro. 132.

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 165, repro.

1996

  • Kelly, Franklin, with Nicolai Cikovsky, Jr., Deborah Chotner, and John Davis. American Paintings of the Nineteenth Century, Part I. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 157-162, color repro.

1997

  • Gebhardt, Volker. Kunstgeschichte Malerei, 1997, no.177, repro.

1998

  • Gilbert, Rita. Living with Art. 5th ed. New York, 1998: fig. 92.

2004

  • Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 316-317, no. 256, color repro.

2025

  • " American and British Paintings for the Nation: An Interview with Franklyn Kelly." Art for the Nation 70 (Summer 2025):5, fig. 3.

Wikidata ID

Q20188744

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