Brice Marden

American, 1938 - 2023

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  • The image displays a square composition filled with intersecting black lines and splatters on a white background. The lines are arranged in a complex pattern, creating a maze-like appearance.

    Untitled 14

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.21

    Not on view
  • The image displays a grid-like pattern of curved and angular black lines on a white background, forming an abstract composition with shapes resembling intricate calligraphy or stylized hieroglyphs. The forms give the impression of a coded language or symbols organized within a square frame, similar to a page from an ancient script.

    Untitled 6

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.13

    Not on view
  • The image features a square composition filled with intricate, angular lines and shapes intersecting. The lines form triangular and polygonal sections. There is a densely shaded area connecting to these lines. The design is contained within a square on a white background.

    Untitled 9

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.16

    Not on view
  • The image shows sharp, angular black lines and shapes intersecting and diverging across a square canvas with a textural gray background. The abstract forms resemble fragmented branches or shards, suggesting broken twigs or jagged spikes. The composition's stark contrast against the white background emphasizes the chaotic yet deliberate arrangement of the elements within the central area.

    Untitled 3

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.10

    Not on view
  • The image depicts a square filled with intersecting and jagged black lines that form abstract triangular shapes scattered across its surface. Each shape is connected by thin lines.

    Untitled 4

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.11

    Not on view

  • Untitled

    Brice Marden

    1979-1981

    Ink and graphite over etching on paper  Accession ID  2025.16.33

    Not on view
  • ""

    Tile I

    Brice Marden, Crown Point Press, Stephen Thomas, Anello Nancy

    1979

    Sugarlift aquatint in black on somerset satin white paper  Accession ID  2001.142.72

    Not on view
  • The image shows intersecting straight lines and shapes forming a diamond pattern. The composition features a mix of thick and thin, solid and dashed lines, creating a grid-like network across the diamond shape.

    Untitled

    Brice Marden

    1974

    Pen and black ink on wove paper  Accession ID  2015.19.2908

    Not on view
  • ""

    Untitled (from the Adriatics portfolio)

    Brice Marden, Patricia Branstead

    1973

    Etching and aquatint on rives bfk paper  Accession ID  1996.92.3

    Not on view
  • The image displays a large rectangular composition divided into two vertical sections. One side is a light, off-white color and the other side is a rich, dark black. The contrast between the two sections emphasizes the simplicity and boldness typical of abstract art.

    Ten Days (a)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black on arches paper  Accession ID  2003.92.1

    Not on view
  • The image displays a large rectangle divided into two sections - a dark blue rectangle on top and a light beige rectangle below. The composition resembles a clear sky meeting a sandy beach, creating a contrast between the two colors. A sharp horizontal line separates the two halves, emphasizing the division. The image contains only these color blocks.

    Ten Days (b)

    Brice Marden, Patricia Branstead, Kathan Brown, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black and blue on arches paper  Accession ID  2003.92.2

    Not on view
  • ""

    Ten Days

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Unbound portfolio of eight etchings  Accession ID  2003.92.1-8

    Not on view