Georges Braque

French, 1882 - 1963

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  • ""

    Frontispiece

    Georges Braque, Hesiod, Ambroise Vollard

    1932, published 1955

    Etching and aquatint with drypoint in beige and black  Accession ID  2014.112.10.1

    Not on view
  • ""

    Untitled

    Georges Braque, Hesiod, Ambroise Vollard

    1932, published 1955

    Etching with drypoint  Accession ID  2014.112.10.9

    Not on view
  • ""

    Untitled

    Georges Braque, Hesiod, Ambroise Vollard

    1932, published 1955

    Etching with drypoint  Accession ID  2014.112.10.14

    Not on view
  • ""

    Untitled

    Georges Braque, Hesiod, Ambroise Vollard

    1932, published 1955

    Etching with drypoint  Accession ID  2014.112.10.10

    Not on view
  • ""

    Untitled

    Georges Braque, Hesiod, Ambroise Vollard

    1932, published 1955

    Etching with drypoint  Accession ID  2014.112.10.11

    Not on view
  • ""

    Théogonie

    Georges Braque, Hesiod, Ambroise Vollard

    published 1955

    Unbound volume with 21 prints on auvergne paper including: 1 etched cover in five colors; 1 color frontispiece in etching with aquatint and drypoint; 16 full-page etchings wtih drypoint; 1 etched chapter title; 1 etched cul de lampe; and 1 intaglio contents page with thumbnails of all illustrations  Accession ID  2014.112.10.1-21

    Not on view
  • ""

    Untitled

    Georges Braque, Hesiod, Ambroise Vollard

    1932, published 1955

    Etching with drypoint  Accession ID  2014.112.10.4

    Not on view

  • Théogonie, Page 39

    Georges Braque

    1932

    Etching in black on wove paper  Accession ID  1964.8.387

    Not on view

  • Théogonie, Page 41

    Georges Braque

    1932

    Etching in black on wove paper  Accession ID  1964.8.388

    Not on view

  • Athênê (Athena)

    Georges Braque

    1932

    Color lithograph  Accession ID  1943.3.2097

    Not on view
  • A wood table is piled with stylized and abstracted objects, including a jug, lemons, a knife, guitar, newspaper, and a smoking pipe in this horizontal still life painting. The objects are made up of areas of mostly flat color and many are outlined in black, creating the impression that some shapes are two-dimensional and assembled almost like a collage. We look down onto the top of the table and at the front, where the grain of the wood is painted in tan against a lighter background. Concentric black and white circles make up the knob on the face of the table’s single drawer. There are two rows of objects on the table. Along the front, near the left corner of the table, the knife hangs with its blade slightly over the open drawer. A newspaper with the title “LE JOUR” rests next to the knife. Next to the newspaper are two yellow pieces of fruit, near the front right corner of the table. Behind the fruit, the right third of the pitcher is marine blue and the left two thirds is mostly straw yellow, with one round olive-green area near the handle. Next to the pitcher is a tobacco pipe, and, at the back left edge of the table, the guitar. The instrument rests on its side so the front of the soundboard faces the viewer, and the neck extends to our left. The instrument is bisected lengthwise into two halves that appear to be spliced together, and the edges and features of the halves are not symmetrical or aligned with each other. The bottom half of the guitar is painted a beige color, and is curved like a typical guitar body. The top half is painted black, and the contour of the instrument’s body rises into two pointed peaks instead of mirroring the rounded forms below. The sound hole is markedly smaller on the bottom half, and the two halves of the hole do not exactly line up. A rectangular form behind the table could be a screen. The left side is fern green, the right side black. Behind the screen is a wallpapered wall above wood paneling. The wallpaper is patterned with teardrop shapes, dots, and zigzagging lines in fawn brown against parchment white. The artist signed and dated the painting in the lower right corner, “G Braque 29.”

    Still Life: Le Jour

    Georges Braque

    1929

    Oil on canvas  Accession ID  1963.10.91

    On View: NGA, East Building, EG-103-B
  • A jumble of abstracted objects, including a stringed instrument, tableware, and fruit, are gathered on a tabletop in this horizontal still life painting. The objects are made up of areas of mostly flat color in muted fawn brown, cream, bright white, fern green, slate gray, and black. Many forms are outlined in black, creating the impression that the some shapes are two-dimensional and assembled almost like a collage. To our left, a musical instrument, perhaps a lute, sits next to appears to be lined paper, perhaps abstracted sheet music, at the center of the composition. In front of the paper, two pieces of pale yellow fruit sit on a silver plate. A rolled up white napkin sits next to the plate in front of an urn and a jug. A steel-gray goblet sits to the left of the plate. The background behind the table is painted with zones of moss green, sky blue, and gray. The edges appear torn, as if the painting is done on a loose canvas or sheet of paper that was then affixed to a support. The surface of the painting is rough and appears scratched throughout, and looks as if paint had been applied when nearly dry. The artist signed and dated the painting in white near the lower left corner: “G Braque 28.”

    Still Life: The Table

    Georges Braque

    1928

    Oil on canvas  Accession ID  1963.10.92

    On View: NGA, East Building, EG-103-B