Sean Scully

American, born Ireland, 1945

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  • The image displays a series of rectangles and squares arranged in an abstract manner, with soft, diffused edges. The shapes resemble familiar views like a modern architectural floor plan or a city block layout. Muted brownish tones create a pattern with a sense of depth and dimension. Darker, shaded areas contrast with lighter sections, creating visual separation within the geometric layout.

    Room [working proof 14]

    Sean Scully, Brian Shure

    1988

    Drypoint, aquatint, soapground aquatint, spitbite aquatint, crayon resist on somerset paper (wp 14 – square fragment, pink aquatint, black spit bite, drypoint) [working proof 14]  Accession ID  2024.132.608

    Not on view
  • ""

    Wall [working proof 13]

    Sean Scully, Brian Shure

    1988

    Aquatint, spitbite aquatint, soapground aquatint, crayon resist on somserset paper (wp 13 – brown aquatint with light pink in square and rectangle) [working proof 13]  Accession ID  2024.132.606

    Not on view
  • The image shows vertical and horizontal shapes in brown tones on a beige background. The composition includes three vertical bands resembling columns and a horizontal band at the lower part. The arrangement may evoke tall structures against an open space.

    Room [working proof 17]

    Sean Scully, Brian Shure

    1988

    Drypoint, aquatint, soapground aquatint, spitbite aquatint, crayon resist on somerset paper (wp 17 – square fragment (not used) tan aquatint, black spit bite, drypoint) [working proof 17]  Accession ID  2024.132.610

    Not on view
  • The image contains rectangular and square shapes with thick black lines forming a grid pattern on a dark brown background. The composition resembles a chessboard or a patchwork quilt. The intersecting shapes suggest structures like buildings or doors, conveying a sense of order and division.

    Room [working proof 15]

    Sean Scully, Brian Shure

    1988

    Drypoint, aquatint, soapground aquatint, spitbite aquatint, crayon resist on somerset paper (wp 15 – square fragment, brown aquatint, black spit bite, drypoint) [working proof 15]  Accession ID  2024.132.609

    Not on view
  • ""

    Room

    Sean Scully, Crown Point Press, Brian Shure

    1988

    Color aquatint, drypoint, and crayon resist on somerset textured white paper  Accession ID  1997.8.187

    Not on view
  • ""

    Sotto Voce [working proof 2]

    Sean Scully, Brian Shure

    1988

    Color aquatint with flat bite etching and spit bite and soap ground aquatints on somerset paper (wp 2 – black aquatint with black soap ground) [working proof 2]  Accession ID  2024.132.613

    Not on view
  • The image shows an abstract composition of rectangular shapes arranged vertically. The central panel consists of multiple bands. The outer sections feature shades of light gray and blue brush strokes resembling weathered wood or sanded paint. In the center, there is a dominant vertical red-brown strip segmented horizontally by a dark gray band with diagonal streaks. The overall image gives the impression of a simplified skyline or architectural facade.

    Square Light I

    Sean Scully, Crown Point Press, Brian Shure

    1988

    Color soapground aquatint, aquatint, spitbite aquatint, and crayon resist on somerset textured paper  Accession ID  1998.40.410

    Not on view
  • ""

    Sotto Voce

    Sean Scully, Crown Point Press, Brian Shure

    1988

    Aquatint, openbite, spitbite, and soapground etching on somerset textured white paper  Accession ID  1997.8.188

    Not on view
  • ""

    Sotto Voce [working proof 3]

    Sean Scully, Brian Shure

    1988

    Color aquatint with flat bite etching and spit bite and soap ground aquatints on somerset paper (wp 3 – brown aquatints and soap ground) [working proof 3]  Accession ID  2024.132.614

    Not on view
  • ""

    Sotto Voce [working proof 1]

    Sean Scully, Brian Shure

    1988

    Color aquatint with flat bite etching and spit bite and soap ground aquatints on somerset paper (wp 1 – red oxide aquatints) [working proof 1]  Accession ID  2024.132.612

    Not on view
  • ""

    Wall [working proof 14]

    Sean Scully, Brian Shure

    1988

    Aquatint, spitbite aquatint, soapground aquatint, crayon resist on somserset paper (wp 14 – orange aquatint with purple, red and blue soap ground) [working proof 14]  Accession ID  2024.132.607

    Not on view
  • The image displays a composition of horizontal and vertical rectangles in earthy tones. The arrangement forms layered blocks, with tan and ochre bands resembling stacked wooden planks or fabric. A blue rectangle sits atop a black one, evoking a window or door within a wall. The abstract shapes create a structure reminiscent of everyday architecture.

    All There Is

    Sean Scully

    1986

    Oil on linen  Accession ID  2010.13.1.1

    Not on view