Ron McPherson

McPherson, Ronald

American, active late 20th century

Displaying 169 - 180 of 261

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  • The image contains geometric shapes and straight lines. It includes a large yellow rectangle with a diagonal blue-striped section and a semi-circle inside. A bright yellow circle is on the right side against a light blue background. A small red square and vertical line are on the right, and various diagonal lines in black and blue intersect. Blue and white bars are at the bottom to suggest a calm sea surface.

    Bull Head III

    Roy Lichtenstein, Serge Lozingot, Ron McPherson, Jeff Wasserman, Gemini G.E.L.

    1973

    Color lithograph, screenprint, and line-cut on arjomari wove paper  Accession ID  1983.71.23

    Not on view
  • This is a painting of a cow standing on a blue ground with a striped blue background. The cow is rendered in a bold graphic style using the colors blue, white, and black. The blue areas form shapes across the cow's body, outlined in black. The background consists of diagonal blue stripes, contrasting with the white areas. The style is reminiscent of Roy Lichtenstein, showcasing ben-day dots and comic-strip aesthetics associated with Pop Art.

    Bull II

    Roy Lichtenstein, Ron McPherson, Bruce Porter, Ron Olds, Gemini G.E.L.

    1973

    Lithograph and line-cut in blue and black on arjomari wove paper  Accession ID  1981.5.62

    Not on view
  • The image shows bold geometric shapes outlined in black, with vertical zigzag lines and contrasting colors. It features a series of overlapping shapes that suggest the outline of a reclining figure and an animal form with a distinct face-like structure. The figure to the right resembles a stylized human form, while the curved lines on the left evoke the silhouette of a sitting animal. The use of diagonal stripes and flat colors, like blue, red, yellow, and white, adds a sense of dynamic movement.

    Bull III

    Roy Lichtenstein, Daniel Freeman, Ron McPherson, Robbin Geiger, Gemini G.E.L.

    1973

    Color lithograph, screenprint, and line-cut on arjomari wove paper  Accession ID  1981.5.116

    Not on view
  • ""

    Pauillac, #1

    Robert Motherwell, Kenneth Tyler, Ron McPherson, Gary Reams, Robert Knisel, Gemini G.E.L.

    1973

    Color lithograph with embossing and collage on arjomari wove paper  Accession ID  1981.5.118

    Not on view
  • The image shows intersecting geometric lines and shapes in the form of thick, tan bars on a textured black and grey background. Within this composition, there are layered elements resembling bones, hands, facial profiles, and colored rectangles with numbers at the ends of the bars.

    Four Panels from Untitled 1972 [D panel, working proof 11]

    Jasper Johns, Gemini G.E.L., Ron McPherson, Serge Lozingot, Charles Ritt, James Webb

    1973, published 1974

    Color lithograph with chalk and crayon on copperplate deluxe wove paper [working proof]  Accession ID  2008.136.52

    Not on view
  • ""

    Harvest, in Scotland

    Robert Motherwell, Serge Lozingot, Ron McPherson, Robert Knisel, Gary Reams, Gemini G.E.L.

    1973

    Color lithograph with collage on arjomari wove paper  Accession ID  1981.5.218

    Not on view
  • This is a painting of a stylized animal head with horns against a vibrant backdrop. The work features a minimalistic depiction of a bull's head using bold black lines and large areas of flat color. The background is dominantly yellow. In the upper-right corner, there are abstract elements in polka dot patterns and solid green areas. The use of simple shapes and bright colors encapsulates a pop art style.

    Bull Head I

    Roy Lichtenstein, James Webb, Ron McPherson, Robbin Geiger, Gemini G.E.L.

    1973

    Color lithograph and line-cut on arjomari wove paper  Accession ID  1983.71.21

    Not on view
  • The image displays intersecting wooden plank-like shapes creating a lattice pattern. Organic, stone-like forms are dispersed throughout the wooden elements.

    Four Panels from Untitled 1972 [D panel, trial proof 14]

    Jasper Johns, Gemini G.E.L., Ron McPherson, Serge Lozingot, Charles Ritt, James Webb

    1973, published 1974

    Color lithograph on copperplate deluxe wove paper [trial proof]  Accession ID  2008.136.54

    Not on view
  • ""

    White and Black

    Ellsworth Kelly, Robert Knisel, Ron McPherson, Gemini G.E.L.

    1973

    Screenprint with embossing on arjomari paper  Accession ID  1985.47.70

    Not on view
  • The image depicts an abstract composition of geometric shapes and colors. A blue rectangle serves as the background, intersected by a green rectangle at the bottom. In the center, there is a torn cream-colored paper with uneven edges. Next to it is a thin black vertical rectangle. The arrangement of shapes may evoke a window view, a field under a clear sky, a building, or a sheet of notepaper. A circular stamp on the paper reads "CAITHNESS CHEESE, WICK, SCOTLAND."

    The Highlands

    Robert Motherwell, James Webb, Ron McPherson, Gary Reams, Robert Knisel, Gemini G.E.L.

    1973

    Color lithograph with collage on georges duchêne hawthorne of larroque handmade paper  Accession ID  2013.150.3

    Not on view
  • The image depicts bold, flowing black lines creating an abstract representation of an animal's head with prominent, curved horns. The design simplifies the animal's features, highlighting the horns and facial outline. In the background, vibrant yellow fills most of the space, complemented by blue-dot patterning and green shapes.

    Bull Head I

    Roy Lichtenstein, James Webb, Ron McPherson, Robbin Geiger, Gemini G.E.L.

    1973

    Color lithograph and line-cut on arjomari wove paper  Accession ID  1981.83.5

    Not on view
  • The image shows a view of a valley from a slightly elevated perspective. In the background, there are hills on the horizon. A lightning bolt slashes vertically across the scene, stretching from dark clouds above. A winding path or road runs through the lower part of the image, leading towards the lightning. The artwork features soft brush strokes and a grayscale palette, emphasizing the contrast between the dark land and the bright sky. The grayscale tones create a moody atmosphere, with the lightning adding a striking element. The overall effect is one of tension and an approaching storm.

    Lightning

    David Hockney, Ron Olds, Jeff Wasserman, Ron McPherson, Gemini G.E.L.

    1973

    Color lithograph and screenprint on arjomari wove paper  Accession ID  1976.56.54

    Not on view