Robert Blackburn

American, 1920 - 2003

Displaying 37 - 48 of 48

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  • This print contains swirling shapes and lines on an off-white background. On the left is a large, irregular, black form surrounded by vivid splashes of red. On the right is a blue shape containing dots of bright yellow. Surrounding these two main shapes are additional wavy lines and irregular splotches in black, red, and blue.

    First Stone

    Helen Frankenthaler, Robert Blackburn, Universal Limited Art Editions

    1961

    Five-color lithograph on arches satine paper  Accession ID  1964.8.869

    Not on view
  • The image is an abstract composition with dark shapes resembling ink blots, enclosed by a teal frame. The central forms resemble irregular figures, similar to blobs or creature silhouettes. Lighter splashes, dots, and pebble-like shapes appear within the frame, set against a textured beige backdrop.

    Brown Moons

    Helen Frankenthaler, Robert Blackburn, Universal Limited Art Editions

    1961

    Three-color lithograph on unbleached crisbrook hand-made paper  Accession ID  1976.56.32

    Not on view
  • The image shows circular shapes and swirling lines, creating motion and depth. The composition features concentric circles with textural variations.

    Target [artist's proof]

    Jasper Johns, Robert Blackburn, Universal Limited Art Editions

    1960

    Lithograph in gray on wove paper [artist's proof]  Accession ID  2004.28.1

    Not on view
  • The image shows an array of overlapping lines forming a dense, textured pattern. In the center, the outline of a coat hanger is visible amidst the chaotic composition. The lines create a tangled effect, contrasting with the clear silhouette of the hanger.

    Coat Hanger I

    Jasper Johns, Robert Blackburn, Universal Limited Art Editions, Universal Limited Art Editions

    1960

    Lithograph on german copperplate paper  Accession ID  1964.1.18

    Not on view
  • The image shows concentric circles, with the central circle solid black and the surrounding circles having a textured appearance of overlapping scribbles and scratches.

    Target [artist's proof]

    Jasper Johns, Robert Blackburn, Universal Limited Art Editions

    1960

    Lithograph in gray and black on japan paper [artist's proof]  Accession ID  2004.28.2

    Not on view
  • ""

    Flag I

    Jasper Johns, Universal Limited Art Editions, Robert Blackburn

    1960

    Lithograph (stone) in black on arches paper  Accession ID  1964.8.1128

    Not on view
  • The image features a complex arrangement of lines and shapes, consisting of thick, dark arcs and intersecting straight lines arranged in an abstract composition. The use of lines and curves forms an intricate network. These shapes converge into a form somewhat reminiscent of a stylized or deconstructed numeral or letter.

    0 through 9

    Jasper Johns, Robert Blackburn, Universal Limited Art Editions

    1960

    Lithograph (stone) in black on arches paper  Accession ID  1964.8.1129

    Not on view
  • The image displays abstract shapes and lines in soft hues against a dark background. A prominent vertical line curves, with a series of rectangular and circular forms clustered on one side. To the right, a swooping curve is present, creating an enigmatic, abstract landscape. The arrangement of shapes maintains an ethereal, otherworldly quality.

    Child Alone

    Will Barnet, Robert Blackburn

    1951

    Lithograph in black and gray on arches paper  Accession ID  1986.55.19

    Not on view
  • ""

    Child Alone

    Will Barnet, Robert Blackburn

    1951

    Lithograph in tan and black on arches paper  Accession ID  1986.55.20

    Not on view

  • We Have Been Believers

    Charles White, Robert Blackburn

    1949

    Lithograph in black on wove paper  Accession ID  2008.115.289

    Not on view
  • The illustration depicts the upper bodies of two individuals closely embracing. One person is seated and leaning slightly towards the other individual. The individuals have distinct features, one with dark hair and sharp facial features, while the other's face is turned sideways with flowing hair. Both are dressed in loose, flowing garments that blend together. The background features sketchy outlines suggestive of chairs in a simple interior setting. Light and shadow are used to create a dramatic effect, emphasizing the interaction between the figures.

    Lovers

    Ernest Crichlow, Robert Blackburn, Federal Art Project (New York City)

    1938 (printed 1987)

    Lithograph in black on wove paper  Accession ID  2008.115.45

    Not on view

  • Blind Musician

    Hale Woodruff, Robert Blackburn

    1935 (published 1981)

    Woodcut in black on wove paper  Accession ID  2016.14.1

    Not on view