Allen Ginsberg
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Artwork
Francesco Clemente, painter inspired by Wm. Blake, looking over album I'd scribed for his watercolor illumination, his loft overlooking Great Jones Street Manhattan. He liked this picture, October 1984
Francesco Clemente, painter inspired by Wm. Blake, looking over album I'd scribed for his watercolor illumination, his loft overlooking Great Jones Street Manhattan. He liked this picture, October 1984
Allen Ginsberg
1984, printed 1990
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Artwork
William Burroughs listening to new poetry-music tapes I'd made with Elvin Jones. We were staying in adjoining apartments at Varsity Townhouses, rented for the Summer session of Naropa Institute's Jack Kerouac School of Disembodied Poetics in Boulder, Colorado. We'd come every year since 1974, along with Peter Orlovsky, & Gregory Corso as frequent visitor. Anne Waldman & I co-directed the Buddhist-oriented poetry section. July 1984.
William Burroughs listening to new poetry-music tapes I'd made with Elvin Jones. We were staying in adjoining apartments at Varsity Townhouses, rented for the Summer session of Naropa Institute's Jack Kerouac School of Disembodied Poetics in Boulder, Colorado. We'd come every year since 1974, along with Peter Orlovsky, & Gregory Corso as frequent visitor. Anne Waldman & I co-directed the Buddhist-oriented poetry section. July 1984.
Allen Ginsberg
1984, printed 1990
Not on view -
Artwork
Robert Frank, his Bleeker [sic] Street house New York January 1984, old Polaroid 195 gives negative, portrait for my Collected Poems 1947-1980 back-jacket--Peter Orlovsky present snapped us both that hour.
Robert Frank, his Bleeker [sic] Street house New York January 1984, old Polaroid 195 gives negative, portrait for my Collected Poems 1947-1980 back-jacket--Peter Orlovsky present snapped us both that hour.
Allen Ginsberg
1984
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Artwork
Irving Rosenthal, Burroughs' Naked Lunch editor at 1959 Chicago Review, Big Table Magazine, & Grove Press, author of Classic Sheeper (Grove, N.Y. 1967) prose, here at home an anonymous commune in San Francisco-- A visit October 12, 1984, we hadn't seen each other for several years, I was on my way to China--
Irving Rosenthal, Burroughs' Naked Lunch editor at 1959 Chicago Review, Big Table Magazine, & Grove Press, author of Classic Sheeper (Grove, N.Y. 1967) prose, here at home an anonymous commune in San Francisco-- A visit October 12, 1984, we hadn't seen each other for several years, I was on my way to China--
Allen Ginsberg
1984
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Artwork
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Artwork
Kay MacDonough, their son Nile, and Gregory Corso at home, Telegraph Hill, San Francisco October 12, 1984… “and she gives birth to a child and I am sleepless, worn, / up for nights, head bowed against a quiet window / the past behind me…” Marriage, 1958.
Kay MacDonough, their son Nile, and Gregory Corso at home, Telegraph Hill, San Francisco October 12, 1984… “and she gives birth to a child and I am sleepless, worn, / up for nights, head bowed against a quiet window / the past behind me…” Marriage, 1958.
Allen Ginsberg
1984
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Artwork
William Burroughs' later phase as painter, "Shotgun art" a beginning work at his side, "The Bunker" his old loft on New York's Bowery, 1984. He'd recently moved to Lawerence, Kansas, was visiting New York.
William Burroughs' later phase as painter, "Shotgun art" a beginning work at his side, "The Bunker" his old loft on New York's Bowery, 1984. He'd recently moved to Lawerence, Kansas, was visiting New York.
Allen Ginsberg
1984
Not on view -
Artwork
Lou Reed, poet-musician (hero to avant-guard Czechoslovak intellectual rock-band dissident "Plastic People of the Universe" defended from government persecution by playwright Vaclav Havel and his Charter 77 friends) at make-up table in green room, public Theater Lafayette Street New York, invited by impresario Rose Lesniak (above) to Master Ceremonies, Premiere of Poetry- Music Video Clips by Anne Waldman ("uh! oh! plutonium") and myself ("Father Death Blues"), September 1984.
Lou Reed, poet-musician (hero to avant-guard Czechoslovak intellectual rock-band dissident "Plastic People of the Universe" defended from government persecution by playwright Vaclav Havel and his Charter 77 friends) at make-up table in green room, public Theater Lafayette Street New York, invited by impresario Rose Lesniak (above) to Master Ceremonies, Premiere of Poetry- Music Video Clips by Anne Waldman ("uh! oh! plutonium") and myself ("Father Death Blues"), September 1984.
Allen Ginsberg
1984, printed 1991
Not on view -
Artwork
I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar backyard, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984
I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar backyard, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984
Allen Ginsberg
1984
Not on view
