Allen Ginsberg
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Poet Joanne Kyger in mirror, her husband Gary Snyder with notebook, Peter Orlovsky eating sweetcake, we stopped at Chai-wallah’s stand in hill countryside, maybe near Almora or Kausani or small railroad stop waiting train on Pilgrimage to ancient Buddhist sites, India February 1962.
Poet Joanne Kyger in mirror, her husband Gary Snyder with notebook, Peter Orlovsky eating sweetcake, we stopped at Chai-wallah’s stand in hill countryside, maybe near Almora or Kausani or small railroad stop waiting train on Pilgrimage to ancient Buddhist sites, India February 1962.
Allen Ginsberg
1962, printed later
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Artwork
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Artwork
Joanne Kyger, hills leading to Himalayan flats, studying guidebook on wall in Aurora, we were on Pilgrimage to Buddhist sites, here visiting Lama Govinda, March 1962.
Joanne Kyger, hills leading to Himalayan flats, studying guidebook on wall in Aurora, we were on Pilgrimage to Buddhist sites, here visiting Lama Govinda, March 1962.
Allen Ginsberg
1962, printed 1994
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Artwork
Strong Gregory Corso Tangier 1961, The loner.
Strong Gregory Corso Tangier 1961, The loner.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Bill Burroughs "impersonating a detective with magnifying glass in hand ... Sherlock Holmes, or shabby Chinese detective in Saigon ... look at that stain on the suit." He took photos of sky, boys, streets, then photos of these photos, by stages drawing forth essences, re-photographing images of boy-stuff or blue sky, here collaged under glass plates on his bureau. Some cut-up photos from magazines, left. Calligraphy on Wardrobe closet Burroughs' adaptation of Brion Gysin's brushwork. Tangier Summer 1961. Bill's words above, 1988.
Bill Burroughs "impersonating a detective with magnifying glass in hand ... Sherlock Holmes, or shabby Chinese detective in Saigon ... look at that stain on the suit." He took photos of sky, boys, streets, then photos of these photos, by stages drawing forth essences, re-photographing images of boy-stuff or blue sky, here collaged under glass plates on his bureau. Some cut-up photos from magazines, left. Calligraphy on Wardrobe closet Burroughs' adaptation of Brion Gysin's brushwork. Tangier Summer 1961. Bill's words above, 1988.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Tangier 1961 Lance Hendrickson showed up, a beautiful strange face
Tangier 1961 Lance Hendrickson showed up, a beautiful strange face
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Peter Orlovsky seated handsome mysterious-haired, William Burroughs thoughtful with hat to shade Mediterranean sun, camera in hand, Alan Ansen relaxed visiting from Venice to help type The Soft Machine cut-up writings, Gregory Corso sunglassed and Minox’d, Paul Bowles with elegant striped tie squinting in bright mid-morning light—all assembled, myself on right with cigarette & white trousers, at garden wall outside Bill’s single room Villa Muniria, my Kodak Retina probably in Michael Portman’s hands July 1961 Tangier Moroc.
Peter Orlovsky seated handsome mysterious-haired, William Burroughs thoughtful with hat to shade Mediterranean sun, camera in hand, Alan Ansen relaxed visiting from Venice to help type The Soft Machine cut-up writings, Gregory Corso sunglassed and Minox’d, Paul Bowles with elegant striped tie squinting in bright mid-morning light—all assembled, myself on right with cigarette & white trousers, at garden wall outside Bill’s single room Villa Muniria, my Kodak Retina probably in Michael Portman’s hands July 1961 Tangier Moroc.
Allen Ginsberg
1961, printed 1989
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Artwork
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Artwork
Peter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
Peter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
Allen Ginsberg
1961, printed 1989
Not on view -
Artwork
Bill Burroughs with camera in his room Villa Muniria Tangier 1961. His writing desk.
Bill Burroughs with camera in his room Villa Muniria Tangier 1961. His writing desk.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961
Allen Ginsberg
1961, printed later
Not on view -
Artwork
