Stuart Henderson

Henderson, Stewart

American, active late 20th century

Displaying 37 - 48 of 51

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  • The image shows a large numeral "9" centered on a black rectangular background. The number is styled with thick, flowing lines, resembling classic typography. The lines are curved and rounded, giving the "9" a dynamic appearance, similar to an engraved number on a vintage clock or classic printing press typeface.

    Figure 9 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.28

    Not on view
  • The image displays red circular dots on a mustard yellow background, forming an abstract pattern. The dots are arranged in a way that can be interpreted as resembling a mountain range or skyline. The repetitive dot pattern creates a visual connection to comic strip or pop art styles.

    Haystack #6 (State III)

    Roy Lichtenstein, Dan Gualdoni, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in yellow and red on special arjomari wove paper  Accession ID  1991.74.138

    Not on view
  • The image shows a dense pattern of small and large triangles lined up and intersecting in a grid-like arrangement. It features a vibrant orange palette with darker and lighter shades creating depth and dimension. The triangular shapes create a visual texture that appears complex and dynamic. The repetition of shapes conveys an intricate, tessellated pattern enhancing the abstract design.

    TR I

    Anni Albers, Stuart Henderson, Andrew Vlady, Gemini G.E.L.

    1969, published 1970

    Color lithograph on special arjomari wove paper  Accession ID  1981.5.140

    Not on view
  • The image shows an array of evenly spaced circular dots forming a complex pattern of lines and shapes. The abstract composition combines red and black circles on a white background to create a visually striking depiction. The overlapping dots form various peaks and valleys.

    Haystack #2

    Roy Lichtenstein, Stuart Henderson, Robert de la Rocha, Dan Gualdoni, Jeff Wasserman, Gemini G.E.L.

    1969

    Color lithograph and screenprint on rives bfk wove paper  Accession ID  1985.47.114

    Not on view
  • ""

    Cathedral #6 (State I)

    Roy Lichtenstein, Stuart Henderson, Richard Wilke, Gemini G.E.L.

    1969

    Lithograph in yellow and black on special arjomari wove paper  Accession ID  1996.56.48

    Not on view
  • The image depicts a complex arrangement of lines and shapes forming an abstract depiction resembling a technical diagram or blueprint. Within the composition are features such as palm trees, a rocket outline, and a human face. The colors and textures create a vibrant blend, combining engineering design with human and natural imagery.

    Sky Garden

    Robert Rauschenberg, Kenneth Tyler, Charles Ritt, Stuart Henderson, Ron Adams, Ron McPherson, Robert Petersen, Andrew Vlady, Timothy Isham, Gemini G.E.L.

    1969

    Color lithograph and screenprint on special arjomari wove paper  Accession ID  1981.5.74

    Not on view
  • ""

    Figure 9 [color trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Color lithograph with graphite on rives bfk wove paper [color trial proof]  Accession ID  2006.136.29.b

    Not on view
  • The image shows a large numeral '9' made of smooth, curving lines within a rectangular border. The design features a gradient transition of colors, including orange, green, and purple. The contrasting bold contour of the numeral against the softer gradients creates a sense of depth.

    Figure 9 [color trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Color lithograph on arjomari wove paper [color trial proof]  Accession ID  2006.136.29.a

    Not on view
  • The image depicts a large, bold, curved line spiraling at the bottom against a dark rectangular background. The design is abstract and resembles the numeral "9". The simplicity of the form and the stark contrast between the black and white creates a striking visual similar to calligraphy or vintage typography.

    Figure 9 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.27

    Not on view
  • The image shows a bold, curving line forming the shape of the number nine within a rectangular frame. The presentation emphasizes thick, sweeping strokes similar to calligraphic or sign fonts. The number resembles a large, curled fern unfurling or an old-style telephone receiver. The image is depicted in stark black and white.

    Figure 9 [trial proof]

    Jasper Johns, Charles Ritt, Richard Wilke, James Webb, John Dill, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph in black on arjomari wove paper [trial proof]  Accession ID  2006.136.25

    Not on view
  • ""

    Cathedral #2

    Roy Lichtenstein, Stuart Henderson, Ron Adams, Gemini G.E.L.

    1969

    Lithograph in red and blue on special arjomari wove paper  Accession ID  1991.74.141

    Not on view
  • The image shows a circular shape at the center with intersecting bold and faint lines creating an abstract map-like structure. Dark ink splatters and smudges provide a textured background, and the composition resembles cosmic or planetary forms. Some shapes hint at continents within the abstract patterns.

    Medallion

    Robert Rauschenberg, Charles Ritt, Stuart Henderson, Gemini G.E.L.

    1969

    Lithograph on rives bfk wove paper  Accession ID  1991.74.255

    Not on view