Edward Henderson

Henderson, Ed

American, active late 20th century

Displaying 37 - 48 of 108

Results

  • The image displays intersecting lines and shapes, predominantly circular and angular. White lines overlay a dark background, creating depth and movement. The composition forms an enigmatic outline that may suggest a mechanical structure or entangled form. The play of light and shadow on the canvas evokes familiar shapes.

    0 through 9 [trial proof]

    Jasper Johns, Serge Lozingot, Edward Henderson, Gemini G.E.L.

    1977, published 1978

    Photolithograph in black on rives lightweight wove paper [trial proof]  Accession ID  2008.136.412

    Not on view
  • The image shows a pattern of overlapping curved and straight lines on a textured, light-colored background. The lines create a rectangular section with dense arrangement, dark tones against light paper, and a sense of depth and structure.

    0 through 9 [trial proof]

    Jasper Johns, Serge Lozingot, Edward Henderson, Gemini G.E.L.

    1977, published 1978

    Lithograph in black on la paloma handmade paper [trial proof]  Accession ID  2008.136.402

    Not on view
  • The image shows an arrangement of overlapping geometric shapes - circles and rectangles, with lines forming a dense interconnected pattern. It uses a combination of colors - yellow, red, blue, and black, to create a vibrant visual effect. The shapes and colors draw connections to stained glass or a kaleidoscope with the interplay of lines and hues creating an impression of depth and complexity. The intricate design guides the viewer's eye across the image, resembling a puzzle or a woven tapestry.

    0 through 9 [trial proof]

    Jasper Johns, Serge Lozingot, Edward Henderson, Gemini G.E.L.

    1977, published 1978

    Color lithograph on rives bfk wove paper [trial proof]  Accession ID  2008.136.406

    Not on view
  • The image shows an intricate arrangement of overlapping geometric shapes and lines, including circles, arcs, and straight lines. The abstract composition uses a palette of red, blue, and yellow, with each element made up of closely set lines creating a textured effect. The interplay of lines and colors can evoke familiar objects like a kaleidoscope or stained glass window, merging individual shapes and hues into a unified visual experience.

    0 through 9 [trial proof]

    Jasper Johns, Serge Lozingot, Edward Henderson, Gemini G.E.L.

    1977, published 1978

    Color lithograph on la paloma handmade paper [trial proof]  Accession ID  2008.136.401

    Not on view
  • The image displays interlocking circles and straight lines within a rectangular frame. The fluid curves and sharp lines create a complex structure reminiscent of gears or a street map. The overlapping shapes form a lattice-like pattern with shades of blue and hints of white. The design is intricate and balanced.

    0 through 9

    Jasper Johns, Edward Henderson, Serge Lozingot, Gemini G.E.L.

    1977, published 1978

    Color lithograph on la paloma handmade paper  Accession ID  1981.5.48

    Not on view
  • The image displays a complex array of overlapping lines and curves within a rectangular frame. The abstract composition features circular and rectangular shapes interlacing throughout the design, creating a geometric pattern. The arrangement of elements can be reminiscent of a maze or city map, inviting exploration of the interconnected pathways within the artwork.

    0 through 9

    Jasper Johns, Edward Henderson, Serge Lozingot, Gemini G.E.L.

    1977, published 1978

    Color lithograph on la paloma handmade paper  Accession ID  1981.83.2

    Not on view
  • The image shows two large, bold, black triangular shapes, layered with a dense splatter of smaller spots and intricate, swirling lines creating an abstract composition. These triangular shapes are nested within the intricate lines and splatters on a beige background.

    Untitled

    Sam Francis, Edward Henderson, Anthony Zepeda, Mark Stock, Gemini G.E.L.

    1977

    Lithograph on arches 88 wove paper  Accession ID  1981.5.108

    Not on view
  • ""

    Pointing at the Future II

    Sam Francis, Mark Stock, Edward Henderson, Gemini G.E.L.

    1977

    Color lithograph on two sheets of wove arches 88 paper  Accession ID  1985.47.49.a-b

    Not on view
  • The image shows two triangular shapes in the center, filled with black and dark blue tones, surrounded by dots and lines extending outward. The background is ivory, accentuating the contrast of the shapes and splashes of blue and black.

    Untitled

    Sam Francis, Mark Stock, Edward Henderson, Gemini G.E.L.

    1977

    Color lithograph on arches 88 wove paper  Accession ID  1991.74.38

    Not on view
  • ""

    Pointing at the Future III

    Sam Francis, Mark Stock, Edward Henderson, James Webb, Anthony Zepeda, Gemini G.E.L.

    1977

    Color lithograph on two sheets of wove arches 88 paper  Accession ID  1985.47.51.a-b

    Not on view
  • ""

    Head Stand

    James Rosenquist, James Webb, Edward Henderson, Gemini G.E.L.

    1977

    Color lithograph on okawara wove paper  Accession ID  1981.5.248

    Not on view
  • The image features a collection of rectangular and square shapes arranged in an abstract composition. These shapes include a vertical strip on the left with two bright shapes resembling streetlights, a large dark rectangular shape at the top center, and an orange square on the right. Above the orange section, a curve suggests a distant mountain range. At the top left, a blue-toned area with two circular shapes is present. Together, the elements create an abstract collage.

    Romances (Elopement)

    Robert Rauschenberg, Serge Lozingot, Mark Stock, Anthony Zepeda, Edward Henderson, Gemini G.E.L.

    1977

    Color lithograph on arches velin blanc wove paper  Accession ID  1990.27.48

    Not on view