George Page

American, active late 20th century

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The image features the word "VISION" printed in thin, delicate uppercase letters centered on a blank white canvas. The composition is minimalist, with no additional graphic elements or embellishments. The contrast between the text and the background accentuates the word.
Bruce Nauman, George Page, Gemini G.E.L., Vision, 1973, lithograph on Arches 88 wove paper, Gift of Benjamin B. Smith, 1985.47.139

Vision

Bruce Nauman, George Page, Gemini G.E.L. · 1973 · lithograph on Arches 88 wove paper ·  Accession ID  1985.47.139

The image features large, bold, roughly outlined letters spelling out words in reverse. The thick black strokes create a stark contrast against a lighter background. The rough texture and chaotic lines give the image an energetic and dynamic feel, reminiscent of brushstrokes or charcoal marks. The abstraction of the letters may evoke a distorted or foggy appearance.
Bruce Nauman, Serge Lozingot, James Webb, George Page, Jeff Wasserman, Gemini G.E.L., Clear Vision, 1973, lithograph and screenprint in black and gray on Arjomari wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.119

Clear Vision

Bruce Nauman, Serge Lozingot, James Webb, George Page, Jeff Wasserman, Gemini G.E.L. · 1973 · lithograph and screenprint in black and gray on Arjomari wove paper ·  Accession ID  1981.5.119

The image displays bold, black lines forming uppercase letters that spell out the words "SUCK CUTS" on a white background. The text creates a distinct visual separation between the two words. The design uses simple typography to draw the viewer's attention. The contrast between the black text and white background conveys a minimalist aesthetic.
Bruce Nauman, George Page, Ron Olds, Gemini G.E.L., Suck Cuts, 1973, lithograph on Arjomari wove paper, Gift of Benjamin B. Smith, 1985.47.138

Suck Cuts

Bruce Nauman, George Page, Ron Olds, Gemini G.E.L. · 1973 · lithograph on Arjomari wove paper ·  Accession ID  1985.47.138

The image shows a close-up sketch of a face with detailed facial features. Bold black strokes outline the eyes, nose, and lips. The eyes have shadowing for depth, and there are subtle details around the mouth and nose. The hair is smooth and undefined, blending into the light background. The background is a light-colored plane with faint marks around the edges. In the top left corner, there is handwriting with the words "memory + experience" and the date "June 11/83."
Sam Francis, George Page, The Litho Shop, Inc., Self-Portrait, 1973, lithograph on Rives BFK wove paper, Gift of Sam Francis, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.234.8

Self-Portrait

Sam Francis, George Page, The Litho Shop, Inc. · 1973 · lithograph on Rives BFK wove paper ·  Accession ID  1991.234.8

The image features an illustration of a man from the shoulders up, shown in a side profile facing right. His facial features are detailed, with a full beard and round glasses. His hair is long and thinning on top, extending around the sides of his head. He is dressed in a striped shirt and a bow tie. The background is a solid dark color, contrasting with the lighter tones used for the man's features and clothes. The illustration style is textured, with bold lines outlining the contours of his face and clothing.
David Hockney, George Page, Gemini G.E.L., Henry, 1973, lithograph on brown Jeff Goodman handmade paper, Gift of Gemini G.E.L. and the Artist, 1990.27.23

Henry

David Hockney, George Page, Gemini G.E.L. · 1973 · lithograph on brown Jeff Goodman handmade paper ·  Accession ID  1990.27.23

A vertical line descends from the top center of the abstract piece. Surrounding this line are scribbled strokes creating a textured backdrop. Below, a rectangular shape leans slightly to one side in muted tones. Scattered shapes and lines suggest everyday objects like a coffee mug at the lower right.
Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L., Zone [working proof], 1972, color lithograph with chalk and crayon on Copperplate wove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.27.46

Zone [working proof]

Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L. · 1972 · color lithograph with chalk and crayon on Copperplate wove paper [working proof] ·  Accession ID  2008.27.46

The image displays abstract shapes and lines. A large rectangle is split into two sections with irregular patterns. A thin vertical line divides the composition, and a shape marked "WOODEN 'T'" hangs from it. The bottom features rectangular shapes resembling tall windows. Handwritten text, arrows, and annotations give a conceptual sketch appearance. The background has textures and layered colors resembling a weathered wall or fabric.
Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L., Zone [working proof], 1972, color lithograph with additions in paint, chalk and ink on Copperplate wove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.27.48

Zone [working proof]

Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L. · 1972 · color lithograph with additions in paint, chalk and ink on Copperplate wove paper [working proof] ·  Accession ID  2008.27.48

The image shows a series of rectangular shapes converging towards a central smaller rectangle. The composition is filled with swirling, marbled patterns of earth tones, including shades of brown, orange, and green. The textures resemble organic moss-covered walls or stained glass, creating a sense of depth and complexity.
Ronald Davis, James Webb, George Page, Daniel Freeman, Ron McPherson, Jeff Wasserman, Gemini G.E.L., Single Divider, 1972, color lithograph and screenprint with embossing on Arches Cover wove paper, Gift of Gemini G.E.L. and the Artist, 1991.74.19

Single Divider

Ronald Davis, James Webb, George Page, Daniel Freeman, Ron McPherson, Jeff Wasserman, Gemini G.E.L. · 1972 · color lithograph and screenprint with embossing on Arches Cover wove paper ·  Accession ID  1991.74.19

The image features a rectangular shape with scribbled lines and a mix of soft and sharp edges creating a layered texture. The abstract composition includes vertical and horizontal elements. A shape resembling a handle extends from a vertical line, and nearby, a smaller shape recalls a hanging light fixture or a pendant. Beneath, an upright rectangle could represent a chair. The use of color and texture enhances the abstract nature of the artwork.
Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L., Zone [working proof], 1972, color lithograph with chalk on Copperplate wove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.27.49

Zone [working proof]

Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L. · 1972 · color lithograph with chalk on Copperplate wove paper [working proof] ·  Accession ID  2008.27.49

The image shows intertwining lines and rectangular shapes with layered textures creating an abstract composition. The upper part has dense, wavy lines in a dark shade, resembling scribbles or stormy skies, with a vertical line segment dividing the space. Below, rectangular forms and gradients of gray compose a backdrop reminiscent of a weathered wall surface. The overlapping elements give the impression of a heavily marked chalkboard partially covered with smudges.
Jasper Johns, George Page, Serge Lozingot, Richard Ewen, Gemini G.E.L., Zone [trial proof], 1972, color lithograph on Arjomari wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.27.56

Zone [trial proof]

Jasper Johns, George Page, Serge Lozingot, Richard Ewen, Gemini G.E.L. · 1972 · color lithograph on Arjomari wove paper [trial proof] ·  Accession ID  2008.27.56