George Page

American, active late 20th century

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  • The image features an illustration of a man from the shoulders up, shown in a side profile facing right. His facial features are detailed, with a full beard and round glasses. His hair is long and thinning on top, extending around the sides of his head. He is dressed in a striped shirt and a bow tie. The background is a solid dark color, contrasting with the lighter tones used for the man's features and clothes. The illustration style is textured, with bold lines outlining the contours of his face and clothing.

    Henry

    David Hockney, George Page, Gemini G.E.L.

    1973

    Lithograph on brown jeff goodman handmade paper  Accession ID  1990.27.23

    Not on view
  • The image shows a close-up sketch of a face with detailed facial features. Bold black strokes outline the eyes, nose, and lips. The eyes have shadowing for depth, and there are subtle details around the mouth and nose. The hair is smooth and undefined, blending into the light background. The background is a light-colored plane with faint marks around the edges. In the top left corner, there is handwriting with the words "memory + experience" and the date "June 11/83."

    Self-Portrait

    Sam Francis, George Page, The Litho Shop, Inc.

    1973

    Lithograph on rives bfk wove paper  Accession ID  1991.234.8

    Not on view
  • The image features the word "VISION" printed in thin, delicate uppercase letters centered on a blank white canvas. The composition is minimalist, with no additional graphic elements or embellishments. The contrast between the text and the background accentuates the word.

    Vision

    Bruce Nauman, George Page, Gemini G.E.L.

    started 1972, published 1973

    Lithograph on arches 88 wove paper  Accession ID  1985.47.139

    Not on view
  • The image displays bold, black lines forming uppercase letters that spell out the words "SUCK CUTS" on a white background. The text creates a distinct visual separation between the two words. The design uses simple typography to draw the viewer's attention. The contrast between the black text and white background conveys a minimalist aesthetic.

    Suck Cuts

    Bruce Nauman, George Page, Ron Olds, Gemini G.E.L.

    started 1972, published 1973

    Lithograph on arjomari wove paper  Accession ID  1985.47.138

    Not on view
  • The image features large, bold, roughly outlined letters spelling out words in reverse. The thick black strokes create a stark contrast against a lighter background. The rough texture and chaotic lines give the image an energetic and dynamic feel, reminiscent of brushstrokes or charcoal marks. The abstraction of the letters may evoke a distorted or foggy appearance.

    Clear Vision

    Bruce Nauman, Serge Lozingot, James Webb, George Page, Jeff Wasserman, Gemini G.E.L.

    started 1972, published 1973

    Lithograph and screenprint in black and gray on arjomari wove paper  Accession ID  1981.5.119

    Not on view
  • The image shows a large rectangular shape divided horizontally into two sections. The upper half has abstract zigzagging lines resembling irregular waves. The lower half has subtle, blotchy textures, creating depth. In the center, a vertical line adds structure to the composition.

    Zone [working proof]

    Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L.

    1972

    Lithograph in black with chalk and graphite on italia wove paper [working proof]  Accession ID  2008.27.47

    Not on view
  • The image shows an abstract composition with vertical and diagonal lines, overlapping rectangular shapes, swirling lines, and scribbles. The overall artwork resembles an urban cityscape with shadows and textures resembling building facades and streets. A darker rectangular block is present, possibly resembling a doorway or window. The grayscale palette enhances the abstraction, allowing viewers to interpret elements like walls or signs within the ambiguity of abstract art.

    Zone [trial proof 5]

    Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L.

    1972

    Color lithograph on angoumois à la main handmade paper [trial proof]  Accession ID  2008.27.54

    Not on view
  • The image comprises a large, rectangular dark space at the center, bordered by off-white. Abstract shapes and lines intersect the space. In the bottom left corner, there is a circular form with layered texts and paint strokes. On the right, stacked rectangular forms create a vertical alignment. Splattered textures and smudges are present throughout the piece, giving it an abstract quality reminiscent of scattered paper or fragmented stone.

    Souvenir (Black State) [working proof]

    Jasper Johns, George Page, Serge Lozingot, Ron McPherson, Chuck DeLong, Gemini G.E.L.

    1972

    Lithograph in gray and black with ink and crayon on arjomari wove paper [working proof]  Accession ID  2008.27.38

    Not on view
  • ""

    Study for "The Letter Q as Beach House, with Sailboat"

    Claes Oldenburg, George Page, Gemini G.E.L.

    1972

    Halftone photograph on three adhered pieces of plastic film  Accession ID  2015.23.178

    Not on view
  • The image displays a composition divided into two main sections. The upper portion shows abstract scribbled lines creating a textured pattern. Below, a large rectangular area is filled with dark ink washes, suggesting a cloudy sky or undulating waves. A smaller intersecting rectangle adds complexity to the piece. The artwork presents an abstract combination of shapes evoking elements of natural landscapes in a minimalist style.

    Zone [trial proof 4]

    Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L.

    1972

    Color lithograph on italia wove paper [trial proof]  Accession ID  2008.27.53

    Not on view
  • The image consists of two large semicircular shapes flanking a vertical, wood-textured design element in the center. The semicircles could be seen as resembling fans or abstract eyes, while the vertical line could be interpreted as a tree trunk or a piece of machinery.

    Device

    Jasper Johns, Richard Ewen, James Webb, George Page, Ron Olds, Gemini G.E.L.

    1972

    Color lithograph on angoumois à la main handmade paper  Accession ID  1976.56.99

    Not on view
  • The image showcases various geometric shapes, including vertical and rectangular forms. There is a central vertical line in the upper part. In the lower section, faint rectangular outlines can be seen. The upper portion is darker than the lower part.

    Zone [working proof]

    Jasper Johns, George Page, Richard Ewen, James Webb, Chuck DeLong, Gemini G.E.L.

    1972

    Color lithograph with paint and crayon on angoumois à la main handmade paper [working proof]  Accession ID  2008.27.45

    Not on view