Charles Ritt

Ritt, Charly
Ritt, Chuck

American, active late 20th century

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  • The image shows a ship on a rocky mountain surrounded by rough waves. The viewpoint is consistent and set at eye level. The horizon is visible above the center, with only the ship blocking the view. The artwork is created with cross-hatching brushstrokes for texture. The color palette includes muted tones for the sea and sky, and soft greens and blues for the waves. The ship and mountain are highlighted with purples and browns.

    Clipper Ship from Americana Suite

    William Crutchfield, Charles Ritt, Fred Genis, Robert de la Rocha, Gemini G.E.L.

    1967

    Lithograph in black and yellow with watercolor on rives bfk wove paper  Accession ID  1991.74.16

    Not on view
  • The image shows six red candy apples with sticks set against a white background. The apples are arranged in two rows with three apples in each row, slightly to the right side of the image. Shadows are cast to the left of the apples.

    Suckers State II

    Wayne Thiebaud, Bruce Lowney, Charles Ritt, Dan Gualdoni, Gemini G.E.L.

    1967, published 1968

    Lithograph in red on rives bfk wove paper  Accession ID  1991.74.230

    Not on view
  • The image depicts a series of curved and angular lines forming an abstract composition. On the left side is a shape resembling a crouched figure, with broad strokes for clothing and hair. On the right, another figure appears to be raising an arm with exaggerated facial features. In the center, there is a bold yellow shape that could be seen as an abstract representation of a rose, connecting these figures. The scene incorporates familiar human forms and objects through a unique and abstract artistic style.

    Untitled

    John Altoon, James Webb, Charles Ritt, Gemini G.E.L.

    1967

    Lithograph in blue and yellow on rives bfk wove paper  Accession ID  1981.5.143

    Not on view
  • The image depicts a composition of layered geometric shapes, predominately rectangles and parallelograms, arranged in an abstract manner. The outer shape is a wide, inverted 'L' filled with hot pink, framing a series of nested shapes progressively diminishing in size towards the center. Within the hot pink shape is a beige border surrounding a bright green parallelogram, containing a smaller light blue rectangle at its core. The arrangement resembles a distorted staircase or abstract fortress, suggesting connections to architectural designs or puzzle pieces.

    Conway

    Frank Stella, James Webb, Charles Ritt, Edward Henderson, Barbara Thomason, Jeff Wasserman, Gemini G.E.L.

    1967, published 1974

    Color lithograph and screenprint on arches wove paper  Accession ID  1981.5.124

    Not on view
  • The image displays angular, zigzagging lines in tight, parallel formations across the canvas. The abstract design combines bold lines in different shades of black, teal, purple, and brown. The shapes created by the lines resemble mountainous landscapes or folded paper sculptures. The composition evokes a sense of depth and movement.

    Empress of India I

    Frank Stella, Charles Ritt, Gemini G.E.L.

    1967, published 1968

    Color lithograph on lowell wove paper  Accession ID  1991.74.223

    Not on view
  • The image shows a yellow landscape with a cart at its center. The horizon is visible midway up the image, creating a division between the land and the sky. The drawing style resembles a delicate etching, with fine, linear brushstrokes detailing textures and forms. The color scheme consists of soft yellows and muted blues, with the yellows dominating the scene. A blue cloth hangs from the side of the cart, contrasting with the overall yellow tones. The lines in the background convey depth and movement to the scene.

    Stage Coach from Americana Suite

    William Crutchfield, Charles Ritt, Fred Genis, Octavio Pereira, Gemini G.E.L.

    1967

    Lithograph black and yellow with watercolor on rives bfk wove paper  Accession ID  1983.71.5

    Not on view
  • The image exhibits a series of zigzag and angular patterns formed by parallel lines converging into an abstract design. The lines are colored in segments with brown, pink, orange, and green hues. The overall shape resembles a stylized outline of a mountain range or a complex geometric letter 'W' with an added dimension of layered stripes, creating a three-dimensional effect.

    Empress of India II

    Frank Stella, Charles Ritt, James Webb, Bruce Lowney, Gemini G.E.L.

    1967, published 1968

    Color lithograph on lowell wove paper  Accession ID  1991.74.201

    Not on view
  • The image displays bold, linear shapes forming the numbers "1984" against a contrasting background. The numbers are depicted in a stark, almost mechanical manner, resembling digital clock numerals. In the bottom right corner, there is a small, realistic depiction of a fly.

    1984

    Ed Ruscha, Charles Ritt, Robert de la Rocha, Gemini G.E.L.

    1967

    Lithograph with yellow watercolor on barcham green wove paper  Accession ID  1991.74.187

    Not on view
  • The image shows six candied apples with sticks, arranged in two rows on a flat surface. The color palette is mainly black and white, emphasizing the contrast. The apples are positioned towards the center and right side of the image, each with a long stick. Shading is used to create volume, and overlapping shadows form a pattern on the surface.

    Suckers State I

    Wayne Thiebaud, Charles Ritt, Bruce Lowney, Dan Gualdoni, Gemini G.E.L.

    1967, published 1968

    Lithograph on rives bfk wove paper  Accession ID  1981.5.101

    Not on view