Impressions Workshop

Impressions Gallery

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The image contains intricate lines and geometric shapes arranged in an abstract composition. Rectangular frameworks are intertwined with fluid, organic elements that suggest landscapes and architecture. Detailed depictions include trees, birds, and figures resembling children. The overall layout resembles an aerial view of a park or public space, creating a sense of depth and dimensionality.
Peter Milton, Robert E. Townsend, Impressions Workshop, A Sky-Blue Life, 1976, hardground etching and engraving in black on wove paper, Corcoran Collection (Gift of the Friends of the Corcoran Gallery of Art), 2015.19.3114

A Sky-Blue Life

Peter Milton, Robert E. Townsend, Impressions Workshop · 1976 · hardground etching and engraving in black on wove paper ·  Accession ID  2015.19.3114

The image shows a middle-aged man seated behind a structure resembling an ornate fireplace or ledge. He has a bald head with hair on the sides and a mustache. His expression is obscured due to shadowed lighting. The man wears a formal jacket, waistcoat, and bow tie. Beside him, a black cat with glowing eyes is present. In the background, there are numerous smaller scenes and portraits, including a large mural depicting people and two framed portraits on the wall. A decorative cross and rosary are also visible. The setting has shadows enhancing the depth of the visual elements.
Peter Milton, Robert E. Townsend, Impressions Workshop, Daylilies, 1975, resist-ground etching, engraving, and direct photographic transfer in black on wove paper, Gift of Mrs. Robert A. Hauslohner, 1991.116.110

Daylilies

Peter Milton, Robert E. Townsend, Impressions Workshop · 1975 · resist-ground etching, engraving, and direct photographic transfer in black on wove paper ·  Accession ID  1991.116.110

The image depicts a field leading to a house surrounded by trees. The view is from a slightly elevated position, with the horizon placed above the center of the frame. The art style is detailed, with contrasting tones and intricate line work showing textures of grass, trees, and the house. The color palette is monochromatic in shades of black and off-white. In the foreground, a child is standing in the grass, while another child is visible further away. Tall trees in the background frame the house, adding depth to the scene. A rectangle frames a central section of the image.
Peter Milton, Robert E. Townsend, Impressions Workshop, April's August, 1975, direct photographic transfer and engraving in black on wove paper, Gift of Mrs. Robert A. Hauslohner, 1991.116.84

April's August

Peter Milton, Robert E. Townsend, Impressions Workshop · 1975 · direct photographic transfer and engraving in black on wove paper ·  Accession ID  1991.116.84

This is a photograph of an interior featuring dual staircases and geometric patterns. The image shows two sections of a grand interior, each with their own staircase adorned with ornate wood paneling and stained glass windows. The staircases mirror each other with slight variations. Below the staircases, there is a patterned floor and decorative panels with abstract designs. The scene conveys a sense of depth and complexity, enhanced by the interplay of light and shadow which adds to the dramatic atmosphere of the space. The overall composition reflects a detailed and carefully structured interior setting.
Peter Milton, Robert E. Townsend, Impressions Workshop, Card House, 1975, resist-ground etching, engraving, and direct photographic transfer in black on wove paper, Gift of Mrs. Robert A. Hauslohner, 1991.116.109

Card House

Peter Milton, Robert E. Townsend, Impressions Workshop · 1975 · resist-ground etching, engraving, and direct photographic transfer in black on wove paper ·  Accession ID  1991.116.109

This is a black-and-white print that shows a garden in front of five multi-story buildings with tall, wide windows and steep roofs. A pathway in the center splits the garden in two. There is low fencing and two large trees on the left and right edges. In the back left are three houses situated down a sloping hill. The same kind of buildings are depicted in the middle on the right side in the background. The garden starts to go way past the foreground and well into the background to the buildings on the right. There are seven human figures in the foreground and five in the background. Two additional figures in the back right are barely visible. On the far left a nude figure faces forward. In the center two figures are standing side by side looking toward us. To the right two figures in darker clothing are standing next to each other with their attention directed to the front. Next to them is a dog facing the people in the center. In the bottom there is a small child in a white dress standing by herself facing forward. In the center is a rectangular box of a nude woman laying down in the bed with a pillow under her and a hat on her left side. Upon closer inspection, the box appears to be a painting or photograph of a nude woman.
Peter Milton, Robert E. Townsend, Impressions Workshop, Collecting with Rudi, 1974, hardground etching and engraving in black on wove paper, Corcoran Collection (Gift of Francis D. Lethbridge, 1990), 2015.19.2947

Collecting with Rudi

Peter Milton, Robert E. Townsend, Impressions Workshop · 1974 · hardground etching and engraving in black on wove paper ·  Accession ID  2015.19.2947

This is a photograph of a book cover. The image shows a dark, textured book cover with a rectangular beige label in the center, containing the words "INFERNO" and "DANTE KOWALKE" printed on it. The cover is crafted from a woven material, providing a distinct texture that contrasts with the smooth label. The overall design is minimalistic and classic.
Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke, Dante's Inferno, 1970, portfolio of ten etchings on wove Rives BFK paper, Print Purchase Fund (Rosenwald Collection), 1971.8.1.1-10

Dante's Inferno

Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke · 1970 · portfolio of ten etchings on wove Rives BFK paper ·  Accession ID  1971.8.1.1-10

The image showcases intricate lines and shapes forming an abstract composition. In the top section, a large circle outline resembles a celestial body with cloud-like formations over it. Below, defined lines create a textured mass resembling a landscape or sea with figures suggesting human forms interacting. The elements create a scene of figures interacting by the water under a celestial body.
Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke, Canto XXII: The Pit from Dante's Inferno, 1970, one from a portfolio of ten etchings on wove Rives BFK paper, Print Purchase Fund (Rosenwald Collection), 1971.8.1.6

Canto XXII: The Pit from Dante's Inferno

Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke · 1970 · one from a portfolio of ten etchings on wove Rives BFK paper ·  Accession ID  1971.8.1.6

The image displays an abstract composition with overlapping human-like silhouettes in a triangular formation across the top half. Below, a prominent figure with a surreal appearance combines human and animal features, with its torso merging with a coiled snake. The scene suggests a procession or parade, with the figure resembling mythological or fantastical creatures.
Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke, Canto XXIV: Shades from Dante's Inferno, 1970, one from a portfolio of ten etchings on wove Rives BFK paper, Print Purchase Fund (Rosenwald Collection), 1971.8.1.7

Canto XXIV: Shades from Dante's Inferno

Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke · 1970 · one from a portfolio of ten etchings on wove Rives BFK paper ·  Accession ID  1971.8.1.7

The image shows a portion of a person's upper body in the lower center. The person is facing forward, with detailed eyes, a nose, styled hair, and wearing a head covering. Their lower face and neck area are covered by a white, cloud-like shape. Figures with elongated limbs appear to hang or cascade downward from the top. The image is rendered in a monochromatic palette of red shades with abstract and organic patterns in the background.
Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke, Canto IV: The Bard Began from Dante's Inferno, 1970, one from a portfolio of ten etchings on wove Rives BFK paper, Print Purchase Fund (Rosenwald Collection), 1971.8.1.1

Canto IV: The Bard Began from Dante's Inferno

Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke · 1970 · one from a portfolio of ten etchings on wove Rives BFK paper ·  Accession ID  1971.8.1.1

Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke, Canto V: Lovers from Dante's Inferno, 1970, one from a portfolio of ten etchings on wove Rives BFK paper, Print Purchase Fund (Rosenwald Collection), 1971.8.1.2

Canto V: Lovers from Dante's Inferno

Ronald Leroy Kowalke, Impressions Workshop, Impressions Workshop, Ronald Leroy Kowalke · 1970 · one from a portfolio of ten etchings on wove Rives BFK paper ·  Accession ID  1971.8.1.2