Associated American Artists

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  • The image depicts a group of figures gathered under a large tree, with the horizon in the background showing rolling fields and farmhouses. The artwork is rendered in a detailed grayscale lithographic style, with linear brushstrokes providing texture. The color palette consists of blacks, whites, and grays, enhancing the textures of the tree branches, grasses, and cultivated fields. In the foreground, there are men, a dog, and a camping scene, while buildings and more trees are visible in the distance.

    Blue Valley Fox Hunt

    John Stockton de Martelly, Associated American Artists

    1936 (published 1938)

    Lithograph in black  Accession ID  2008.115.1437

    Not on view
  • The image shows a person gently resting their head on a giraffe's neck. The person is seated or leaning among giraffes, with closed eyes and short hair. They are surrounded by vines and foliage blending into the scene. No jewelry or objects are visible on the person. Several giraffes of varying sizes are around them. The background includes trees and a cloudy sky, conveying a harmonious relationship between the person and the giraffes in nature.

    Giraffes: The Tenderness of Nature

    Mordi Gassner, Associated American Artists

    1936 (published 1937)

    Lithograph in black  Accession ID  2008.115.2005

    Not on view
  • The image depicts two figures standing closely together from the shoulders up. The person on the right has dark hair with bangs, styled pulled back, and wears a garment with a frilled neckline. The person on the left is slightly leaning towards the other figure with visible facial features, fine eyebrows, and hair combed back. There are no accessories or objects visible. The background includes a landscape with water, a cloudy sky, wooden posts in the water, and a rocky shore.

    Sisters

    Federico Castellón, Associated American Artists

    c. 1940

    Lithograph in black  Accession ID  1953.6.261

    Not on view
  • The image shows two individuals seated next to each other. Both are sitting in a relaxed position, angled slightly towards each other. The person on the left has wavy hair and distinct facial features, wearing a dress with puffy sleeves. The individual on the right has short hair partially covered by a wide-brimmed hat, also wearing a dress. Their attire features similar ruffled and textured elements, and they have their hands resting on their laps or the edges of their seats. The background of the image is plain and minimal.

    Noon Hour

    Isabel Bishop, Associated American Artists

    1935 (published 1946)

    Etching in black on laid paper  Accession ID  2015.19.1104

    Not on view
  • The image shows a sketch of two women seated next to each other, depicted from head to toe. The woman on the left has short curly hair and faces towards the woman on the right. The other woman wears a wide-brimmed hat, obscuring her hair, and her head is turned towards her companion. Both women wear dresses with puffed sleeves and mid-length skirts, along with flat shoes with straps. Their facial features are detailed and shaded, contributing to an etched look. The sketch has minimal background detail, possibly suggesting a wall or bench.

    Noon Hour

    Isabel Bishop, Andersen-Lamb, Associated American Artists

    1935 (published 1946)

    Etching in black  Accession ID  1985.19.4

    Not on view
  • Two women are shown standing close together, facing each other. The woman on the left has curly, shoulder-length hair and a relaxed expression. She wears a dress with short sleeves and a ruffled collar. The woman on the right wears a broad-brimmed hat, partially shading her face. Her facial features are less visible, but she appears engaged with the other woman. Both women have one arm near their waists, lightly touching each other. The background is plain, emphasizing the two figures in the foreground.

    Noon Hour

    Isabel Bishop, Associated American Artists

    1935

    Etching in black on wove paper  Accession ID  2008.115.918

    Not on view
  • The image depicts a winter landscape with a high horizon showing snow-covered hills, leafless trees, and two snow-topped structures below. The scene is detailed with fine, linear brushstrokes creating a crosshatched texture. The color palette is monochromatic with various shades of gray. In the foreground, there are patches of snow around a reflective body of water, with sparse, bare trees on both sides.

    A Winter Poem

    Charles Jac Young, Associated American Artists

    1934

    Etching in black on wove paper  Accession ID  2015.19.1508

    Not on view
  • A drawing of an individual holding an airplane propeller with both hands. The drawing features a person standing vertically, their head slightly bowed, as they lift a large propeller across their shoulders. In the lower left, a biplane is depicted on the ground. The background is minimally detailed, focusing the viewer's attention on the central figure and the prominent propeller. The strong use of shadows and highlights in the image brings a sense of depth and texture.

    Propeller

    William Heaslip, Associated American Artists

    1934

    Etching in black  Accession ID  2008.115.2401

    Not on view
  • The image shows a man wearing a hat and holding onto a plow being pulled by a horse. The background consists of a high horizon with a small rocky formation to the left. The painting features expressive brushstrokes with bold lines defining the figures and landscape, and lighter strokes indicating motion and texture. The color palette is monochromatic, using shades of black, white, and gray for depth and contrast.

    Plowing it Under

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1934

    Lithograph in black on wove paper  Accession ID  2008.115.15

    Not on view
  • The image depicts a landscape with mountains in the distance, a tree dominating the foreground, and a barn partially visible to the left. The color palette is monochromatic with varying shades of black and white. The sky has swirling clouds.

    Lake Pastures

    Luigi Lucioni, Associated American Artists

    1934 (published 1938)

    Etching in brown on wove paper  Accession ID  1987.41.44

    Not on view
  • This is a drawing of a group of individuals with horses and bulls in an oval arena setting. The scene shows several figures interacting closely with a large bull in the middle of the arena. Around the central action, there are additional figures seated or standing, observing the event. The drawing's lines convey movement and tension. The setting includes an enclosing fence that defines the arena space, and it’s filled with dynamic figures either mounted on horses or interacting with the bull. The composition is detailed with careful attention to the expressions and postures of the figures, illustrating the drama of the scene.

    Rodeo

    Irwin D. Hoffman, Associated American Artists

    1934

    Etching in brown  Accession ID  2008.115.2542

    Not on view
  • The image features a detailed line drawing of a rural train station scene. The perspective is slightly elevated, showing the entire station area, tracks, and structures. In the background, there are hills. The line work is precise with cross-hatching and clean lines. There are tracks curving around a central station building, a water tower, and a steam locomotive pulling cars. There are bare trees on the right. The color palette is monochromatic, using shades of black and white to create depth and contrast.

    Arizona Junction

    Andrew Butler, Associated American Artists

    1933 (published 1939)

    Etching in black  Accession ID  2008.115.1133

    Not on view